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Author: Christopher Butler Publisher: Oxford University Press ISBN: 9780198182528 Category : Arts, European Languages : en Pages : 352
Book Description
Early Modernism is a uniquely integrated introduction to the great avant-garde movements in European literature, music, and painting at the beginning of this century, from the advent of Fauvism to the development of Dada. In contrast to the overly literary focus of previous studies of modernism, this book highlights the interaction between the arts in this period. It traces the fundamental and interlinked re-examination of the languages of the arts brought about by Matisse, Picasso, Schoenberg, Eliot, Apollinaire, Marinetti, Ben, and many others, which led to radically new techniques, such as atonality, cubism, and collage. These changes are set in the context both of the art that preceded them and of a new and profound shift in ideas. Theories of the unconscious, the association of ideas, primitivism, and reliance upon an expressionist intuition led to a reshaped conception of personal identity, and Butler examines the representation of the modernist self in the work of figures including Mann, Joyce, Conrad, and Stravinsky. Accessible and wide-ranging, the book is lavishly illustrated with over sixty illustrations, many in color. It provides an elegant and incisive guide to a momentous period in the history of European art.
Author: Christopher Butler Publisher: Oxford University Press ISBN: 9780198182528 Category : Arts, European Languages : en Pages : 352
Book Description
Early Modernism is a uniquely integrated introduction to the great avant-garde movements in European literature, music, and painting at the beginning of this century, from the advent of Fauvism to the development of Dada. In contrast to the overly literary focus of previous studies of modernism, this book highlights the interaction between the arts in this period. It traces the fundamental and interlinked re-examination of the languages of the arts brought about by Matisse, Picasso, Schoenberg, Eliot, Apollinaire, Marinetti, Ben, and many others, which led to radically new techniques, such as atonality, cubism, and collage. These changes are set in the context both of the art that preceded them and of a new and profound shift in ideas. Theories of the unconscious, the association of ideas, primitivism, and reliance upon an expressionist intuition led to a reshaped conception of personal identity, and Butler examines the representation of the modernist self in the work of figures including Mann, Joyce, Conrad, and Stravinsky. Accessible and wide-ranging, the book is lavishly illustrated with over sixty illustrations, many in color. It provides an elegant and incisive guide to a momentous period in the history of European art.
Author: Marina Gerzic Publisher: Routledge ISBN: 0429683006 Category : Literary Criticism Languages : en Pages : 268
Book Description
From Medievalism to Early-Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early-modernism—a new term introduced in this collection—present in contemporary popular culture. By focusing on often overlooked uses of the past in contemporary culture—such as the allusions to John Webster’s The Duchess of Malfi (1623) in J.K. Rowling’s Harry Potter books, and the impact of intertextual references and internet fandom on the BBC’s The Hollow Crown: The Wars of the Roses—the contributors illustrate how cinematic, televisual, artistic, and literary depictions of the historical and cultural past not only re-purpose the past in varying ways, but also build on a history of adaptations that audiences have come to know and expect. From Medievalism to Early-Modernism: Adapting the English Past analyses the way that the medieval and early modern periods are used in modern adaptations, and how these adaptations both reflect contemporary concerns, and engage with a history of intertextuality and intervisuality.
Author: Douglas Bradburn Publisher: University of Virginia Press ISBN: 0813931703 Category : History Languages : en Pages : 365
Book Description
This collection of essays on seventeenth-century Virginia, the first such collection on the Chesapeake in nearly twenty-five years, highlights emerging directions in scholarship and helps set a new agenda for research in the next decade and beyond. The contributors represent some of the best of a younger generation of scholars who are building on, but also criticizing and moving beyond, the work of the so-called Chesapeake School of social history that dominated the historiography of the region in the 1970s and 1980s. Employing a variety of methodologies, analytical strategies, and types of evidence, these essays explore a wide range of topics and offer a fresh look at the early religious, political, economic, social, and intellectual life of the colony. Contributors Douglas Bradburn, Binghamton University, State University of New York * John C. Coombs, Hampden-Sydney College * Victor Enthoven, Netherlands Defense Academy * Alexander B. Haskell, University of California Riverside * Wim Klooster, Clark University * Philip Levy, University of South Florida * Philip D. Morgan, Johns Hopkins University * William A. Pettigrew, University of Kent * Edward DuBois Ragan, Valentine Richmond History Center * Terri L. Snyder, California State University, Fullerton * Camilla Townsend, Rutgers University * Lorena S. Walsh, Colonial Williamsburg Foundation
Author: Henry Mead Publisher: Bloomsbury Publishing ISBN: 1472582012 Category : Literary Criticism Languages : en Pages : 288
Book Description
Drawing on a range of archival materials, this book explores the writing career of the poet, philosopher, art critic, and political commentator T.E. Hulme, a key figure in British modernism. T.E. Hulme and the Ideological Politics of Early Modernism reveals for the first time the full extent of Hulme's relationship with New Age, a leading radical journal before the Great War, focussing particularly on his exchange of ideas with its editor, A.R. Orage. Through a ground-breaking account of Hulme's reading in continental literature, and his combative exchanges amongst the bohemian networks of Edwardian London, Mead shows how 'the strange death of Liberal England' coincided with Hulme's emergence as what T.S. Eliot called 'the forerunner of... the twentieth century mind'. Tracing his debts to French Symbolism, evolutionary psychology, Neo-Royalism, and philosophical pragmatism, the book shows how Hulme combined anarchist and conservative impulses in his journey towards a 'religious attitude'. The result is a nuanced account of Hulme's ideological politics, complicating the received view of his work as proto-fascist.
Author: Ian Maclean Publisher: BRILL ISBN: 9004440089 Category : History Languages : en Pages : 438
Book Description
In Episodes, Ian Maclean investigates the ways in which the book trade operated through book fairs, and interacted with academic institutions, journals and intellectual life in various European settings (Germany, Italy, the Netherlands and England) in the long seventeenth century.
Author: Timothy McCall Publisher: Penn State Press ISBN: 1612480934 Category : Art Languages : en Pages : 466
Book Description
Secrets in all their variety permeated early modern Europe, from the whispers of ambassadors at court to the emphatically publicized books of home remedies that flew from presses and booksellers’ shops. This interdisciplinary volume draws on approaches from art history and cultural studies to investigate the manifestations of secrecy in printed books and drawings, staircases and narrative paintings, ecclesiastical furnishings and engravers’ tools. Topics include how patrons of art and architecture deployed secrets to construct meanings and distinguish audiences, and how artists and patrons manipulated the content and display of the subject matter of artworks to create an aura of exclusive access and privilege. Essays examine the ways in which popes and princes skillfully deployed secrets in works of art to maximize social control, and how artists, printers, and folk healers promoted their wares through the impression of valuable, mysterious knowledge. The authors contributing to the volume represent both established authorities in their field as well as emerging voices. This volume will have wide appeal for historians, art historians, and literary scholars, introducing readers to a fascinating and often unexplored component of early modern culture.
Author: Joy Wiltenburg Publisher: University of Virginia Press ISBN: 081393303X Category : History Languages : en Pages : 280
Book Description
With the growth of printing in early modern Germany, crime quickly became a subject of wide public discourse. Sensational crime reports, often featuring multiple murders within families, proliferated as authors probed horrific events for religious meaning. Coinciding with heightened witch panics and economic crisis, the spike in crime fears revealed a continuum between fears of the occult and more mundane dangers. In Crime and Culture in Early Modern Germany, Joy Wiltenburg explores the beginnings of crime sensationalism from the early sixteenth century into the seventeenth century and beyond. Comparing the depictions of crime in popular publications with those in archival records, legal discourse, and imaginative literature, Wiltenburg highlights key social anxieties and analyzes how crime texts worked to shape public perceptions and mentalities. Reports regularly featured familial destruction, flawed economic relations, and the apocalyptic thinking of Protestant clergy. Wiltenburg examines how such literature expressed and shaped cultural attitudes while at the same time reinforcing governmental authority. She also shows how the emotional inflections of crime stories influenced the growth of early modern public discourse, so often conceived in terms of rational exchange of ideas.
Author: Euan Cameron Publisher: OUP Oxford ISBN: 0191606812 Category : History Languages : en Pages : 435
Book Description
'Early Modern' is a term applied to the period which falls between the end of the middle ages and the beginning of the nineteenth century. This book provides a comprehensive introduction to Europe in this period, exploring the changes and transitions involved in the move towards modernity. Nine newly commissioned chapters under the careful editorship of Euan Cameron cover social, political, economic, and cultural perspectives, all contributing to a full and vibrant picture of Europe during this time. The chapters are organized thematically, and consider the evolving European economy and society, the impact of new ideas on religion, and the emergence of modern political attitudes and techniques. The text is complemented with many illustrations throughout to give a feel of the changes in life beyond the raw historical data.
Author: Paul Taborsky Publisher: Cambridge Scholars Publishing ISBN: 1527526828 Category : History Languages : en Pages : 159
Book Description
What is early modern philosophy? Two interpretative trends have predominated in the related literature. One, with roots in the work of Hegel and Heidegger, sees early modern thinking either as the outcome of a process of gradual rationalization (leading to the principle of sufficient reason, and to “ontology” as distinct from metaphysics), or as a reflection of an inherent subjectivity or representational semantics. The other sees it as reformulations of medieval versions of substance and cause, suggested by, or leading to, early modern scientific developments. This book proposes a rather different kind of explanation. It suggests that the concept of relation, specifically that of dyadic, anti-symmetrical relations, can throw light on a wide variety of developments in early modern thought, such as those concerning causality, sense perception, temporality, and the mereological approach to substance. The book argues that these relations are grounded in an interpretation of causal influence, and not in semantic theories or subjectivity. Furthermore, if it is correct that the problem of unity was, for most of classical antiquity, what the problems of motion, causality and perception were for early modern thinkers, then early modern thought is much closer to the thought of Aristotle than is commonly supposed. The genesis of early modern thought might instead be taken to have occurred in opposition to one aspect of the thought of Duns Scotus (an aspect that lives on in contemporary Neo-Aristotelianism), and that can be explained once the relational perspective examined here is taken into account.
Author: Christopher Butler
Author: Christopher Butler
Author: Marina Gerzic
Author: Douglas Bradburn
Author: Henry Mead
Author: Ian Maclean
Author: Timothy McCall
Author: Joy Wiltenburg
Author: Euan Cameron
Author: Elizabeth Evenden
Author: Paul Taborsky