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Analytical Methods of Electroacoustic Music

Analytical Methods of Electroacoustic Music PDF Author: Mary Simoni
Publisher: Routledge
ISBN: 1135503354
Category : Music
Languages : en
Pages : 312

Book Description
Containing extensive artwork serving as demonstration, as well as a DVD with sound and video clips, this collection of essays on electroacoustic music explores the creative possibilities to be found in various forms of musical analysis. Taking pitch, duration, intensity, and timbre as the four basic elements of music, the authors discuss electroacoustic works and examine: * the applications of neumes * contemporary staff notation * sound orchestra and score files * time-domain representations * spectrograms. Taking into consideration both the positive aspects (preservation of the abstract) and negative aspects (creative limitation) of these analytical methods, the authors have created a useful resource for students of electroacoustic music.

Analytical Methods of Electroacoustic Music

Analytical Methods of Electroacoustic Music PDF Author: Mary Simoni
Publisher: Routledge
ISBN: 1135503354
Category : Music
Languages : en
Pages : 312

Book Description
Containing extensive artwork serving as demonstration, as well as a DVD with sound and video clips, this collection of essays on electroacoustic music explores the creative possibilities to be found in various forms of musical analysis. Taking pitch, duration, intensity, and timbre as the four basic elements of music, the authors discuss electroacoustic works and examine: * the applications of neumes * contemporary staff notation * sound orchestra and score files * time-domain representations * spectrograms. Taking into consideration both the positive aspects (preservation of the abstract) and negative aspects (creative limitation) of these analytical methods, the authors have created a useful resource for students of electroacoustic music.

Expanding the Horizon of Electroacoustic Music Analysis

Expanding the Horizon of Electroacoustic Music Analysis PDF Author: Simon Emmerson
Publisher: Cambridge University Press
ISBN: 1316489833
Category : Music
Languages : en
Pages :

Book Description
Innovations in music technology bring with them a new set of challenges for describing and understanding the electroacoustic repertoire. This edited collection presents a state-of-the-art overview of analysis methods for electroacoustic music in this rapidly developing field. The first part of the book explains the needs of differing electroacoustic genres and puts forward a template for the analysis of electroacoustic music. Part II discusses the latest ideas in the field and the challenges associated with new technologies, while Part III explores how analyses have harnessed the new forces of multimedia, and includes an introduction to new software programme EAnalysis, which was created by the editors as the result of an Arts and Humanities Research Council grant. The final part of the book demonstrates these new methods in action, with analyses of key electroacoustic works from a wide range of genres and sources.

Expanding the Horizon of Electroacoustic Music Analysis

Expanding the Horizon of Electroacoustic Music Analysis PDF Author: Simon Emmerson
Publisher: Cambridge University Press
ISBN: 1107118328
Category : Computers
Languages : en
Pages : 419

Book Description
A state-of-the-art overview of the analysis of electroacoustic music, which includes discussions of a wide range of works.

Electroacoustic Music

Electroacoustic Music PDF Author: Thomas Licata
Publisher: Bloomsbury Publishing USA
ISBN: 031307688X
Category : Music
Languages : en
Pages : 267

Book Description
Electroacoustic music, a flourishing medium for over half a century, remains today, in a wide array of technological forms, one of the major areas of creative activity in music. However, it has long been overlooked in theoretical studies—possibly in part because it does away with traditional scores and notation. In this landmark collection, a group of distinguished composers and theorists who have actively worked in the field present detailed analyses of important electroacoustic works while also demonstrating some recent approaches to the analysis of the music of this medium. Included here are discussions of such significant works as Karlheinz Stockhausen's Gesang der Jünglinge (1955/56), Iannis Xenakis' Diamorphoses (1957), and Jean-Claude Risset's Contours (1982). Overall, the collection aims to elucidate the sonic design of each of the electroacoustic music works under investigation, using its best examples as a lens through which to examine an unduly neglected genre. Demonstrating recent techniques in the analysis of electroacoustic music, the volume also considers various compositional approaches as well as computer applications that have become an irreplaceable tool in the composing of this music. So little has been written about this 20th-century art form that Electroacoustic Music: Analytical Perspectives is at once a fresh, bold step forward in musicology and analysis.

Electroacoustic Music

Electroacoustic Music PDF Author: Thomas Licata
Publisher: Praeger
ISBN:
Category : Music
Languages : en
Pages : 274

Book Description
A group of distinguished composers and theorists who have actively worked in the field of electronic music analyse important electroacoustic works, while also demonstrating some recent approaches to the analysis of the music of this medium.

The Cambridge Companion to Electronic Music

The Cambridge Companion to Electronic Music PDF Author: Nick Collins
Publisher: Cambridge University Press
ISBN: 1107133556
Category : Music
Languages : en
Pages : 359

Book Description
Now updated and expanded with four new chapters, this book explores the history, theory, creation and analysis of electronic music.

Teaching Electronic Music

Teaching Electronic Music PDF Author: Blake Stevens
Publisher: Routledge
ISBN: 1000417271
Category : Music
Languages : en
Pages : 229

Book Description
Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives offers innovative and practical techniques for teaching electronic music in a wide range of classroom settings. Across a dozen essays, an array of contributors—including practitioners in musicology, art history, ethnomusicology, music theory, performance, and composition—reflect on the challenges of teaching electronic music, highlighting pedagogical strategies while addressing questions such as: What can instructors do to expand and diversify musical knowledge? Can the study of electronic music foster critical reflection on technology? What are the implications of a digital culture that allows so many to be producers of music? How can instructors engage students in creative experimentation with sound? Electronic music presents unique possibilities and challenges to instructors of music history courses, calling for careful attention to creative curricula, historiographies, repertoires, and practices. Teaching Electronic Music features practical models of instruction as well as paths for further inquiry, identifying untapped methodological directions with broad interest and wide applicability.

Understanding Post-Tonal Music

Understanding Post-Tonal Music PDF Author: Miguel A. Roig-Francolí
Publisher: Routledge
ISBN: 1000332632
Category : Music
Languages : en
Pages : 432

Book Description
Understanding Post-Tonal Music is a student-centered textbook that explores the compositional and musical processes of twentieth-century post-tonal music. Intended for undergraduate or general graduate courses on the theory and analysis of twentieth-century music, this book will increase the accessibility of post-tonal music by providing students with tools for understanding pitch organization, rhythm and meter, form, texture, and aesthetics. By presenting the music first and then deriving the theory, Understanding Post-Tonal Music leads students to greater understanding and appreciation of this challenging and important repertoire. The updated second edition includes new "Explorations" features that guide students to engage with pieces through listening and a process of exploration, discovery, and discussion; a new chapter covering electronic, computer, and spectral musics; and additional coverage of music from the twenty-first century and recent trends. The text has been revised throughout to enhance clarity, both by streamlining the prose and by providing a visual format more accessible to the student.

Inside Computer Music

Inside Computer Music PDF Author: Michael Clarke
Publisher: Oxford University Press
ISBN: 019065967X
Category : Music
Languages : en
Pages : 304

Book Description
Inside Computer Music is an investigation of how new technological developments have influenced the creative possibilities of composers of computer music in the last 50 years. This book combines detailed research into the development of computer music techniques with thorough studies of nine case studies analysing key works in the musical and technical development of computer music. The text is linked to demonstration videos of the techniques used and software which offers readers the opportunity to try out emulations of the software used by the composers for themselves and view video interviews with the composers and others involved in the production of the musical works. The software also presents musical analyses of each of the nine case studies using software and video alongside text to enable readers to engage with the musical structure aurally and interactively.

Composing Electronic Music

Composing Electronic Music PDF Author: Curtis Roads
Publisher: Oxford University Press, USA
ISBN: 0195373243
Category : Music
Languages : en
Pages : 513

Book Description
Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Opening the door to an unlimited universe of sound, it engages spatialization as an integral aspect of composition and focuses on sound transformation as a core structural strategy. In this new domain, pitch occurs as a flowing and ephemeral substance that can be bent, modulated, or dissolved into noise. Similarly, time occurs not merely as a fixed duration subdivided by ratios, but as a plastic medium that can be generated, modulated, reversed, warped, scrambled, and granulated. Envelope and waveform undulations on all time scales interweave to generate form. The power of algorithmic methods amplify the capabilities of music technology. Taken together, these constitute game-changing possibilities. This convergence of technical and aesthetic trends prompts the need for a new text focused on the opportunities of a sound oriented, multiscale approach to composition of electronic music. Sound oriented means a practice that takes place in the presence of sound. Multiscale means an approach that takes into account the perceptual and physical reality of multiple, interacting time scales-each of which can be composed. After more than a century of research and development, now is an appropriate moment to step back and reevaluate all that has changed under the ground of artistic practice. Composing Electronic Music outlines a new theory of composition based on the toolkit of electronic music techniques. The theory consists of a framework of concepts and a vocabulary of terms describing musical materials, their transformation, and their organization. Central to this discourse is the notion of narrative structure in composition-how sounds are born, interact, transform, and die. It presents a guidebook: a tour of facts, history, commentary, opinions, and pointers to interesting ideas and new possibilities to consider and explore.