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Genre in Archaic and Classical Greek Poetry: Theories and Models

Genre in Archaic and Classical Greek Poetry: Theories and Models PDF Author:
Publisher: BRILL
ISBN: 900441259X
Category : Literary Criticism
Languages : en
Pages : 422

Book Description
Genre in Archaic and Classical Greek Poetry foregrounds innovative approaches to the question of genre, what it means, and how to think about it for ancient Greek poetry and performance. Embracing multiple definitions of genre and lyric, the volume pushes beyond current dominant trends within the field of Classics to engage with a variety of other disciplines, theories, and models. Eleven papers by leading scholars of ancient Greek culture cover a wide range of media, from Sappho’s songs to elegiac inscriptions to classical tragedy. Collectively, they develop a more holistic understanding of the concept of lyric genre, its relevance to the study of ancient texts, and its relation to subsequent ideas about lyric.

Genre in Archaic and Classical Greek Poetry: Theories and Models

Genre in Archaic and Classical Greek Poetry: Theories and Models PDF Author:
Publisher: BRILL
ISBN: 900441259X
Category : Literary Criticism
Languages : en
Pages : 422

Book Description
Genre in Archaic and Classical Greek Poetry foregrounds innovative approaches to the question of genre, what it means, and how to think about it for ancient Greek poetry and performance. Embracing multiple definitions of genre and lyric, the volume pushes beyond current dominant trends within the field of Classics to engage with a variety of other disciplines, theories, and models. Eleven papers by leading scholars of ancient Greek culture cover a wide range of media, from Sappho’s songs to elegiac inscriptions to classical tragedy. Collectively, they develop a more holistic understanding of the concept of lyric genre, its relevance to the study of ancient texts, and its relation to subsequent ideas about lyric.

Genre in Archaic and Classical Greek Poetry

Genre in Archaic and Classical Greek Poetry PDF Author: Margaret Foster
Publisher: Mnemosyne, Supplements
ISBN: 9789004411425
Category : Literary Criticism
Languages : en
Pages : 408

Book Description
Genre in Archaic and Classical Greek Poetryforegrounds innovative approaches to the question of genre, what it means, and how to think about it for ancient Greek poetry and performance. Embracing multiple definitions of genre and lyric, the volume pushes beyond current dominant trends within the field of Classics to engage with a variety of other disciplines, theories, and models. Eleven papers by leading scholars of ancient Greek culture cover a wide range of media, from Sappho's songs to elegiac inscriptions to classical tragedy. Collectively, they develop a more holistic understanding of the concept of lyric genre, its relevance to the study of ancient texts, and its relation to subsequent ideas about lyric.

Approaches to Archaic Greek Poetry

Approaches to Archaic Greek Poetry PDF Author: Xavier Riu
Publisher: Claudio Meliadò
ISBN: 8882680304
Category : Literary Criticism
Languages : en
Pages : 310

Book Description


The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization and Paratext

The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization and Paratext PDF Author:
Publisher: BRILL
ISBN: 9004414525
Category : Literary Collections
Languages : en
Pages : 589

Book Description
In The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization and Paratext, twenty-one international scholars discuss the afterlife of early Greek lyric poetry (iambic, elegiac, and melic) from the 5th century BCE to the 12th century CE.

Greek Lyric Poetry and Its Influence

Greek Lyric Poetry and Its Influence PDF Author: Alejandro Cantarero de Salazar
Publisher: Cambridge Scholars Publishing
ISBN: 1527560465
Category : Literary Criticism
Languages : en
Pages : 411

Book Description
This book deals with Greek lyric composed more than twenty-five centuries ago. These poems sing of everyday events and emotions in human life, from the most festive to the most serious, presenting a living portrait of the ancient Greeks. This multidisciplinary volume begins with a panorama of Greek lyric poetic genres, their main authors and their representative topics. The first part contains philological studies and literary analyses, first of some Greek poets—Anacreon, Sappho and Lycophron, among others—then of their influence on Horace’s Latin poetry, and on contemporary poetry. The second part, illustrated with colour images, studies Greek lyric from socio-political and iconographic perspectives, analysing its coincidences and reflections in images from Greek pottery, sculptures and reliefs. In addition, this section includes two works on musical theory and composition related to ancient Greek lyric. The volume closes with two studies of the image of Sappho in cinema.

The Look of Lyric: Greek Song and the Visual

The Look of Lyric: Greek Song and the Visual PDF Author:
Publisher: BRILL
ISBN: 9004314849
Category : Literary Criticism
Languages : en
Pages : 403

Book Description
The Look of Lyric: Greek Song and the Visual addresses the various modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality. It covers diverse poetic genres in a range of contexts radiating outwards from the original performance(s) to encompass their broader cultural settings, the later reception of the poems, and finally also their understanding in modern scholarship. By focusing on the relationship between the visual and the verbal as well as the sensory and the mental, this volume raises a wide range of questions concerning human perception and cultural practices. As this collection of essays shows, Greek lyric poetry played a decisive role in the shaping of both.

Authorship and Greek Song: Authority, Authenticity, and Performance

Authorship and Greek Song: Authority, Authenticity, and Performance PDF Author:
Publisher: BRILL
ISBN: 9004339701
Category : Literary Criticism
Languages : en
Pages : 305

Book Description
Authorship and Greek Song offers critical discussions of the concept of authorship in archaic Greek poetry. Its chapters explore the issue of authority (of poet-author and/or performer) and the transition from song (performed) to poem (read).

The Cup of Song

The Cup of Song PDF Author: Vanessa Cazzato
Publisher: Oxford University Press
ISBN: 0191091103
Category : Literary Collections
Languages : en
Pages : 400

Book Description
The symposion is arguably the most significant and well-documented context for the performance, transmission, and criticism of archaic and classical Greek poetry, a distinction attested by its continued hold on the poetic imagination even after its demise as a performance setting. The Cup of Song explores the symbiotic relationship of poetry and the symposion throughout Greek literary history, considering the latter both as a literal performance context and as an imaginary space pregnant with social, political, and aesthetic implications. This collection of essays by an international group of leading scholars illuminates the various facets of this relationship, from Greek literature's earliest beginnings through to its afterlife in Roman poetry, ranging from the Near Eastern origins of the Greek symposion in the eighth century to Horace's evocations of his archaic models and Lucian's knowing reworking of classic texts. Each chapter discusses one aspect of sympotic engagement by key authors across the major genres of Greek poetry, including archaic and classical lyric, tragedy and comedy, and Hellenistic epigram; discussions of literary sources are complemented by analysis of the visual evidence of painted pottery. Consideration of these diverse modes and genres from the unifying perspective of their relation to the symposion leads to a characterization of the full spectrum of sympotic poetry that retains an eye to both its shared common features and the specificity of individual genres and texts.

Poet, Public, and Performance in Ancient Greece

Poet, Public, and Performance in Ancient Greece PDF Author: Lowell Edmunds
Publisher: Taylor & Francis
ISBN: 9780801867354
Category : History
Languages : en
Pages : 194

Book Description
Poetry in archaic and classical Greece was a practical art that arose from specific social or political circumstances. The interpretation of a poem or dramatic work must therefore be viewed in the context of its performance. In Poetry, Public, and Performance in Ancient Greece, Lowell Edmunds and Robert W. Wallace bring together a distinguished group of contributors to reconstruct the performance context of a wide array of works, including epic, tragedy, lyric, elegy, and proverb. Analyzing the passage in the Odyssey in which a collective delirium comes over the suitors, Giulio Guidorizzi reveals how the poet describes a scene that lies outside the narrative themes and diction of epic. Antonio Aloni offers a reading of Simonides' elegy for the Greeks who fell at Plataea. Lowell Edmunds interprets the so-called seal of Theognis as lying on a borderline between the performed and the textual. Taking up proverbs, maxims, and apothegms, Joseph Russo examines "the performance of wisdom." Charles Segal focuses on the unusual role played by the chorus in Euripides' Bacchae. Reading the plot of Euripides' Ion, Thomas Cole concludes that the task of constructing the meaning of the play is to some extent delegated to the public. Robert Wallace describes the "performance" of the Athenian audience and provides a catalog of good and bad behavior: whistling, shouting, and throwing objects of every kind. Finally, Maria Grazia Bonanno stresses the importance of performance in lyric poetry.

Solo Dance in Archaic and Classical Greek Literature

Solo Dance in Archaic and Classical Greek Literature PDF Author: Sarah Olsen
Publisher: Cambridge University Press
ISBN: 1108617328
Category : History
Languages : en
Pages : 259

Book Description
“Ancient Greek dance” traditionally evokes images of stately choruses or lively Dionysiac revels – communal acts of performance. This is the first book to look beyond the chorus to the diverse and complex representation of solo dancers in Archaic and Classical Greek literature. It argues that dancing alone signifies transgression and vulnerability in the Greek cultural imagination, as isolation from the chorus marks the separation of the individual from a range of communal social structures. It also demonstrates that the solo dancer is a powerful figure for literary exploration and experimentation, highlighting the importance of the singular dancing body in the articulation of poetic, narrative, and generic interests across Greek literature. Taking a comparative approach and engaging with current work in dance and performance studies, this book reveals the profound literary and cultural importance of the unruly solo dancer in the ancient Greek world.