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Author: Cary Nelson Publisher: Oxford University Press, USA ISBN: 9780195122718 Category : Poetry Languages : en Pages : 1249
Book Description
Bringing together over 100 years of creative and vital American poetry in one volume, Anthology of Modern American Poetry includes over 750 poems by 161 American poets ranging from Walt Whitman to Sherman Alexie. It represents not only the traditionally familiar poetic works of the last hundred years but also includes numerous poems by women, minority, and progressive writers only rediscovered in the past two decades. It is also the first anthology to give full treatment to American long poems and poetic sequences.
Author: Cary Nelson Publisher: Oxford University Press, USA ISBN: 9780195122718 Category : Poetry Languages : en Pages : 1249
Book Description
Bringing together over 100 years of creative and vital American poetry in one volume, Anthology of Modern American Poetry includes over 750 poems by 161 American poets ranging from Walt Whitman to Sherman Alexie. It represents not only the traditionally familiar poetic works of the last hundred years but also includes numerous poems by women, minority, and progressive writers only rediscovered in the past two decades. It is also the first anthology to give full treatment to American long poems and poetic sequences.
Author: Guido Mazzoni Publisher: Harvard University Press ISBN: 0674249038 Category : Literary Criticism Languages : en Pages : 265
Book Description
Guido Mazzoni tells the story of poetry's revolution in the modern age. The chief transformation was the rise of the lyric as it is now conceived: a genre in which a first-person speaker talks about itself. Mazzoni argues that modern poetry embodies the age of the individual and has wrought profound changes in the expectations of readers.
Author: David Orr Publisher: Harper Collins ISBN: 0062079417 Category : Literary Criticism Languages : en Pages : 170
Book Description
"David Orr is no starry-eyed cheerleader for contemporary poetry; Orr’s a critic, and a good one. . . . Beautiful & Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar." —Tom Perrotta Award-winning New York Times Book Review poetry columnist David Orr delivers an engaging, amusing, and stimulating tour through the world of poetry. With echoes of Francine Prose’s Reading Like a Writer, Orr’s Beautiful & Pointless offers a smart and funny approach to appreciating an art form that many find difficult to embrace.
Author: Cleanth Brooks Publisher: UNC Press Books ISBN: 1469639386 Category : Poetry Languages : en Pages : 224
Book Description
This study presents the revolutionary thesis that English poetry and poetic theory were deflected from their richest line of development by the scientific rationalism that came with Hobbes and has continued its restrictive influence to the present day, when such poets as Yeats and Eliot have begun the reestablishment of the earlier line of development. Originally published in 1939. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Paul Manfredi Publisher: ISBN: 9781604978629 Category : Literary Collections Languages : en Pages : 244
Book Description
This book is in the Cambria Sinophone World Series (general editor: Victor H. Mair). *Includes rare color images. Chinese poetry, along with many other art forms in China, underwent a highly self-conscious transformation in the first decades of the twentieth century. Poetry, perhaps more than any other art form, did so under the heavy burden of a voluminous literary precedent, a precedent which was in its very format of patterned words inscribed on scrolls--a mark of the Chinese literati tradition. Turning away from this tradition seemed necessary in the context of a political, social, and cultural reform movement (which was designed to strengthen China in the face of increasing international pressure as well as domestic breakdown). At the same time, reforming a poetic tradition which had served as a principal touchstone of aesthetic accomplishment--from its role in Confucian canon as object of contemplation for correct action, to its function as a test of candidate's qualifications to govern through the civil service examination, to its function as national past-time in all manner of social gathering--was a major challenge. The result of such a predicament for poets throughout the twentieth century has been the compulsion to discover a poetic style which resonates with the modern world and yet is rooted in Chinese cultural experience. One way in which poets have been able to accomplish this is by relying on poetry's visuality, be it in the graphic properties of the writing system itself, the visual context of the presentation of the poetic texts, or the acute image details in the poems. The history of approximately one century of modern Chinese poetry production has been addressed broadly in scholarship, but such broad strokes tend to miss important dynamics which fall outside of general narratives. The importance of Chinese visual tradition to modern Chinese poets is a good case in point. Accordingly, this book addresses specific manifestations of the nexus connecting modernity and visuality in Chinese poetry. It begins with a discussion of May Fourth poetics as exemplified in the groundbreaking work of Li Jinfa, China's first "Symbolist" poet. From there the book traces notable developments of visuality in the new form or free verse writing (called Xinshi or "New Poetry") through mid-century modernist experiments in Taiwan (focusing on Ji Xian). From there the book then explores the avant-garde poetry of Luo Qing and Xia Yu before returning to mainland Chinese developments of Misty poets Yan Li and his contemporaries. The work concludes with a wide variety of poet-artists writing and exhibiting in the twenty-first century. Looking across this period of modern Chinese poetry's development, one is able to observe how important the visual-verbal dynamic has been to the innovation of poetic style and method. From the twenty-first century on, such multi-media expressions will likely continue to grow; this is a function of a Chinese aesthetic tradition pairing word and image and will continue to manifest in new and more inventive ways. This is an important book for Asian literary and art history studies and history collections
Author: James Longenbach Publisher: Oxford University Press, USA ISBN: 0195101782 Category : American poetry Languages : en Pages : 222
Book Description
Reading a diverse range of poets - John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur - Longenbach reveals that American poets since mid-century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see.
Author: W. N. Herbert Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 328
Book Description
As well as representing many of the most important poets of the last 100 years, Strong Words charts many different stances and movements, from modernism to postmodernism, from futurism to the future theories of poetry.
Author: Sarah Ehlers Publisher: UNC Press Books ISBN: 1469651297 Category : Literary Criticism Languages : en Pages : 309
Book Description
In this incisive study, Sarah Ehlers returns to the Depression-era United States in order to unsettle longstanding ideas about poetry and emerging approaches to poetics. By bringing to light a range of archival materials and theories about poetry that emerged on the 1930s left, Ehlers reimagines the historical formation of modern poetics. Offering new and challenging readings of prominent figures such as Langston Hughes, Muriel Rukeyser, and Jacques Roumain, and uncovering the contributions of lesser-known writers such as Genevieve Taggard and Martha Millet, Ehlers illuminates an aesthetically and geographically diverse matrix of schools and movements. Resisting the dismissal of thirties left writing as mere propaganda, the book reveals how communist-affiliated poets experimented with poetic modes—such as lyric and documentary—and genres, including songs, ballads, and nursery rhymes, in ways that challenged existing frameworks for understanding the relationships among poetic form, political commitment, and historical transformation. As Ehlers shows, Depression left movements and their international connections are crucial for understanding both the history of modern poetry and the role of poetic thought in conceptualizing historical change.
Author: Gerald Moore Publisher: Penguin UK ISBN: 0141912901 Category : Poetry Languages : en Pages : 598
Book Description
'Poetry, always foremost of the arts in traditional Africa, has continued to compete for primacy against the newer forms of prose fiction and theatre drama.' This wonderfully comprehensive anthology of African poetry has been expanded to include ninety-nine poets from twenty-seven countries, thirty-one of whom appear for the first time. Equally wide-ranging is the content of the poetry itself: war songs and political protests jostle with poems about human love, African nature and the surprises that life offers; all are represented in these rich and colourful pages.
Author: Cary Nelson
Author: Cary Nelson
Author: Guido Mazzoni
Author: David Orr
Author: Cleanth Brooks
Author: Paul Manfredi
Author: James Longenbach
Author: W. N. Herbert
Author: Hugo Friedrich
Author: Sarah Ehlers
Author: Gerald Moore