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Author: Marika Takanishi Knowles Publisher: Manchester University Press ISBN: 1526174073 Category : History Languages : en Pages : 288
Book Description
Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot’s recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau’s Pierrot (c. 1720) and Édouard Manet’s The Old Musician (1862) to Nadar and Adrien Tournachon’s Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.
Author: Marika Takanishi Knowles Publisher: Manchester University Press ISBN: 1526174073 Category : History Languages : en Pages : 288
Book Description
Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot’s recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau’s Pierrot (c. 1720) and Édouard Manet’s The Old Musician (1862) to Nadar and Adrien Tournachon’s Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.
Author: Tomie dePaola Publisher: Houghton Mifflin Harcourt ISBN: 9780152749897 Category : Juvenile Fiction Languages : en Pages : 36
Book Description
Long ago and without fail, three characters brought delight to audiences: the pantalooned Pierrot; Columbine, ever saucy and adroit; and Harlequin her lover, full of good natured drolleries and amusing tricks. From the legacy left by French pantomime and the Italian commedia dell'arte, this original story in pictures has been fashioned, with a special kind of ending to transcend time. The words, as in all mime, are in the eyes of the listener.
Author: Grégory Pierrot Publisher: University of Georgia Press ISBN: 0820354929 Category : Social Science Languages : en Pages : 275
Book Description
With the Ta-Nehisi Coates-authored Black Panther comic book series (2016); recent films Django Unchained (2012) and The Birth of a Nation (2016); Nate Parker's cinematic imagining of the Nat Turner rebellion; and screen adaptations of Marvel's Luke Cage (2016) and Black Panther (2018); violent black redeemers have rarely been so present in mainstream Western culture. Grégory Pierrot argues, however, that the black avenger has always been with us: the trope has fired the news and imaginations of the United States and the larger Atlantic World for three centuries. The black avenger channeled fresh anxieties about slave uprisings and racial belonging occasioned by European colonization in the Americas. Even as he is portrayed as a heathen and a barbarian, his values-honor, loyalty, love-reflect his ties to the West. Yet being racially different, he cannot belong, and his qualities in turn make him an anomaly among black people. The black avenger is thus a liminal figure defining racial borders. Where his body lies, lies the color line. Regularly throughout the modern era and to this day, variations on the trope have contributed to defining race in the Atlantic World and thwarting the constitution of a black polity. Pierrot's The Black Avenger in Atlantic Culture studies this cultural history, examining a multicultural and cross-historical network of print material including fiction, drama, poetry, news, and historical writing as well as visual culture. It tracks the black avenger trope from its inception in the seventeenth century to the U.S. occupation of Haiti in 1915. Pierrot argues that this Western archetype plays an essential role in helping exclusive, hostile understandings of racial belonging become normalized in the collective consciousness of Atlantic nations. His study follows important articulations of the figure and how it has shifted based on historical and cultural contexts.
Author: Douglas Clayton Publisher: McGill-Queen's Press - MQUP ISBN: 0773564411 Category : Performing Arts Languages : en Pages : 388
Book Description
Douglas Clayton examines the tradition of commedia dell'arte as the Russian modernists inherited it, from its origins in Italian street theatre through its various transformations: in Italy (Gozzi and Goldini's plays); in France (the development of Pierrot and the restructuring of the plot); and in Germany (Tieck's and Hoffmann's metatheatre). He also analyses crucial texts by Gozzi, Lothar, Benavente, and Schnitzler that came to play a central role in the Russian theatre. Tracing the history of commedia dell'arte on the Russian stage, he demonstrates that the introduction of the tradition was theory-driven and discusses several milestone productions in the pre- and post-revolutionary period. Clayton examines the impact of commedia dell'arte, russified as the new theatrical genre of balagan, on both popular and lesser-known Russian playwrights, and, in conclusion, explores the significance of the commedia dell'arte as a theoretical underpinning for Sergei Eisenstein's theories of theatre and film.
Author: David Platten Publisher: Liverpool University Press ISBN: 1781387672 Category : Literary Criticism Languages : en Pages : 264
Book Description
Michel Tournier is a writer who explores complex philosophical questions in the guise of concrete, imagistic narratives. This comprehensive study privileges the notion of literary reference, by which the world of text is understood or experienced in metaphorical relation to the world outside of it. Metaphor, in the context of Tournier’s fiction, shows how the fantastic merges with the real to provide new perspectives on many diverse aspects of the modern world: the Crusoe myth, Nazism, the value to society of art and religion, and the nature of education. This book elucidates an aesthetic of Tournier’s fiction that encompasses the writer’s stated ambition to ‘go beyond literature’.
Author: Donald Cosentino Publisher: Univ. Press of Mississippi ISBN: 9781578060146 Category : Art Languages : en Pages : 76
Book Description
Pierrot Barra and his wife Marie Cassaise are the most astonishing artists that the author of this fascinating book has encountered in more than a decade of researching Vodou in Haiti. Inspired by dreams and psychic visions of Vodoun divinities, the couples' sculptures combine distant memories of Africa, the imagery of Catholic saints, Masonic regalia, and Hollywood Kitsch. 48 full-color photos.
Author: Marika Takanishi Knowles
Author: Marika Takanishi Knowles
Author: Stella Callaghan
Author: Tomie dePaola
Author: Walter Hines Page
Author: Grégory Pierrot
Author: Barrett Harper Clark
Author: Douglas Clayton
Author: Frank Crane
Author: David Platten
Author: Donald Cosentino