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Author: Boulter Jonathan Boulter Publisher: Edinburgh University Press ISBN: 1474430287 Category : Human beings in literature Languages : en Pages : 245
Book Description
A reading of the philosophical idea of world as it relates to the posthuman subject in Beckett's short proseJonathan Boulter offers the reader a way of understanding Beckett's presentation of the human, more precisely, posthuman, subject in his short prose. These texts are notoriously difficult yet utterly compelling. This compelling difficulty arises from Beckett's radical dismantling of the idea of the human. His short texts offer instead an image of a being who may be posthumous, or ultimately beyond categories of life and death. And yet, despite this dismantling, the narrators of these texts still find themselves placed within material, recognisable, spaces. This book explores what the idea of 'world' can mean to a subject who appears to have moved into a material, even ecological, space that is beyond categories of life and death, being and world.Key Features:Provides a philosophical reading of Samuel BeckettRethinks Beckett in relation to the posthumanContributes to a relatively ignored aspect of Samuel Beckett's writing, the short prose
Author: Boulter Jonathan Boulter Publisher: Edinburgh University Press ISBN: 1474430287 Category : Human beings in literature Languages : en Pages : 245
Book Description
A reading of the philosophical idea of world as it relates to the posthuman subject in Beckett's short proseJonathan Boulter offers the reader a way of understanding Beckett's presentation of the human, more precisely, posthuman, subject in his short prose. These texts are notoriously difficult yet utterly compelling. This compelling difficulty arises from Beckett's radical dismantling of the idea of the human. His short texts offer instead an image of a being who may be posthumous, or ultimately beyond categories of life and death. And yet, despite this dismantling, the narrators of these texts still find themselves placed within material, recognisable, spaces. This book explores what the idea of 'world' can mean to a subject who appears to have moved into a material, even ecological, space that is beyond categories of life and death, being and world.Key Features:Provides a philosophical reading of Samuel BeckettRethinks Beckett in relation to the posthumanContributes to a relatively ignored aspect of Samuel Beckett's writing, the short prose
Author: Jonathan Boulter Publisher: Edinburgh University Press ISBN: 1474430279 Category : Human beings in literature Languages : en Pages : 232
Book Description
Jonathan Boulter offers the reader a way of understanding Beckett's presentation of the human, more precisely, posthuman, subject in his short prose.
Author: Samuel Beckett Publisher: Grove/Atlantic, Inc. ISBN: 0802198430 Category : Fiction Languages : en Pages : 336
Book Description
Nobel Prize winner Samuel Beckett was one of the most profoundly original writers of the 20th century. He gave expression to the anguish and isolation of the individual consciousness with a purity and minimalism that have altered the shape of world literature. A tremendously influential poet and dramatist, Beckett spoke of his prose fiction as the "important writing," the medium in which he distilled his ideas most powerfully. Here, for the first time, his short prose is gathered in a definitive, complete volume by leading Beckett scholar S. E. Gontarski.
Author: Samuel Beckett Publisher: Grove Press ISBN: 9780802134905 Category : Fiction Languages : en Pages : 346
Book Description
Gathers the Nobel Prize winning poet and dramatist's short prose into one volume that affords the reader a view of Beckett's development as an artist.
Author: Jean Jacques Mayoux Publisher: Liverpool University Press ISBN: Category : Biography & Autobiography Languages : en Pages : 62
Book Description
A well-known English author has told the story of how he discovered one of Beckett's early novels in a London public library. He appropriated the copy because the date-stamp revealed that it had only been borrowed once in the fifteen years following its publication. Samuel Beckett, who was awarded the Nobel Prize for Literature in 1969, has remained for most of his career a difficult an avant-garde writer; but like his compatriot, James Joyce, he has wielded a more potent literary influence than many authors who command a far wider public. The discoveries of modern science and mathematics have intensified the human awareness of the infinite and Beckett himself is peculiarly sensitive to the idea that man is 'a scrap of life surrounded by death, a something that encircled by nothing'. Both his novels and his plays have a predominantly philosophical bent: their aim is a search for the nature of reality rather than the construction of plausible fictions. Beckett is much concerned with the difficulties of human communication and with man's doom of solitude, and he expresses these preoccupations through a symbolism of blindness, of immobility, of an existence stripped down to the bare essentials of nutrition and excretion: these images which he has made familiar through his plays convey a sense of dereliction which is undoubtedly attuned to the spirit of the post-war world. Yet at the same time he possesses the peculiarly Irish faculty for giving this desolate vision a comic dimension. Professor Mayoux's essay traces Beckett's literary development from his early poems through the novels to his plays for the theatre and the radio, and finally to the short, rigorously compressed fables or visions of the last few years. He notes Beckett's adoption of the French language for many of his writings, a choice which seems designed to emphasize the foreign-ness, the externality of all language. Like Ionesco, Beckett has never become a French writer, but remained an Irishman writing in French.
Author: Christopher Langlois Publisher: Edinburgh University Press ISBN: 1474419011 Category : Philosophy Languages : en Pages : 272
Book Description
Samuel Beckett and the Terror of Literature addresses the relevance of terror to understanding the violence, the suffering, and the pain experienced by the narrative voices of Beckett's major post-1945 works in prose: The Unnamable, Texts for Nothing, How It Is, Company, Ill Seen Ill Said, and Worstward Ho. Through a sustained dialogue with the theoretical work of Maurice Blanchot, it accomplishes a systematic interrogation of what happens in the space of literature when writing, and first of all Beckett's, encounters the language of terror, thereby giving new significance - ethical, ontological, and political - to what speaks in Beckett's texts.a a
Author: Rick de Villiers Publisher: Edinburgh University Press ISBN: 1474479065 Category : Literary Criticism Languages : en Pages : 261
Book Description
<h4>Explores the relation between humility and humiliation in the works of T. S. Eliot and Samuel Beckett</h4>
<ul><li>Offers the first book-length comparative study of T. S. Eliot and Samuel Beckett</li> <li>Develops a literary theory of humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology</li> <li>Explores the relation between negative affect, ethics and aesthetics</li></ul>
<p>Humility and humiliation have an awkward, often unacknowledged intimacy. Humility may be a queenly, cardinal or monkish virtue, while humiliation points to an affective state at the extreme end of shame. Yet a shared etymology links the words to lowliness and, further down, to the earth. As this study suggests, like the terms in question, T. S. Eliot and Samuel Beckett share an imperfect likeness. Between them is a common interest in states of abjection, shame and suffering – and possible responses to such states. Tracing the relation between negative affect, ethics, and aesthetics, <i>Eliot and Beckett’s Low Modernism</i> demonstrates how these two major modernists recuperate the affinity between humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology.</p>
Author: David Lloyd Publisher: Edinburgh University Press ISBN: 1474415733 Category : Literary Criticism Languages : en Pages : 272
Book Description
Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.
Author: Boulter Jonathan Boulter
Author: Boulter Jonathan Boulter
Author: Jonathan Boulter
Author: Anthony Cordingley
Author: Samuel Beckett
Author: Samuel Beckett
Author: Samuel Beckett
Author: Jean Jacques Mayoux
Author: Christopher Langlois
Author: Rick de Villiers
Author: David Lloyd