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Author: Owen S. Rye Publisher: ISBN: Category : Crafts & Hobbies Languages : en Pages : 168
Book Description
This book constitutes a good starting place for the would be ceramist or ceramic analyst. Basic data on how to go about making pottery with chapters on the production sequence, materials used and their preparation, forming, and firing. Lots of terminology and illustrations.
Author: Owen S. Rye Publisher: ISBN: Category : Crafts & Hobbies Languages : en Pages : 168
Book Description
This book constitutes a good starting place for the would be ceramist or ceramic analyst. Basic data on how to go about making pottery with chapters on the production sequence, materials used and their preparation, forming, and firing. Lots of terminology and illustrations.
Author: Rebecca Saunders Publisher: University of Alabama Press ISBN: 0817351272 Category : Crafts & Hobbies Languages : en Pages : 294
Book Description
A synthesis of research on earthenware technologies of the Late Archaic Period in the southeastern U.S. Information on social groups and boundaries, and on interaction between groups, burgeons when pottery appears on the social landscape of the Southeast in the Late Archaic period (ca. 5000-3000 years ago). This volume provides a broad, comparative review of current data from "first potteries" of the Atlantic and Gulf coastal plains and in the lower Mississippi River Valley, and it presents research that expands our understanding of how pottery functioned in its earliest manifestations in this region. Included are discussions of Orange pottery in peninsular Florida, Stallings pottery in Georgia, Elliot's Point fiber-tempered pottery in the Florida panhandle, and the various pottery types found in excavations over the years at the Poverty Point site in northeastern Louisiana. The data and discussions demonstrate that there was much more interaction, and at an earlier date, than is often credited to Late Archaic societies. Indeed, extensive trade in pottery throughout the region occurs as early as 1500 B.C. These and other findings make this book indispensable to those involved in research into the origin and development of pottery in general and its unique history in the Southeast in particular.
Author: Alex M. Gibson Publisher: A&C Black ISBN: 9780718519544 Category : Social Science Languages : en Pages : 326
Book Description
The first general handbook and reference guide for the study of British prehistoric pottery has now been revised and updated for a second edition. The work contains a thorough survey of the chronological development of pottery throughout prehistory and into the Roman period, as well as chapters on the development of pottery studies (from both typological and scientific viewpoints) and on the materials and methods used for the manufacture of pottery. The main part of the book is an extensively illustrated glossary in which pottery styles and types, materials and technology are explained in detail. Much of the data contained has been yielded by the authors' personal research projects, including microscopy and experimental studies and fieldwork with contemporary traditional potters.
Author: Gilda Hernández Sánchez Publisher: BRILL ISBN: 9004204407 Category : History Languages : en Pages : 269
Book Description
Focusing on the native ceramic technology of central Mexico during the early colonial period and the present-day, this book offers a refreshing view into the process of cultural continuity and change in the indigenous Mesoamerican world after the Spanish conquest.
Author: Kenneth E. Sassaman Publisher: University of Alabama Press ISBN: 081738426X Category : Art Languages : en Pages : 305
Book Description
A Dan Josselyn Memorial Publication Among southeastern Indians pottery was an innovation that enhanced the economic value of native foods and the efficiency of food preparation. But even though pottery was available in the Southeast as early as 4,500 years ago, it took nearly two millenia before it was widely used. Why would an innovation of such economic value take so long to be adopted? The answer lies in the social and political contexts of traditional cooking technology. Sassaman's book questions the value of using technological traits alone to mark temporal and spatial boundaries of prehistoric cultures and shows how social process shapes the prehistoric archaeological record.
Author: Li Shi Publisher: DeepLogic ISBN: Category : History Languages : en Pages :
Book Description
The book is the volume of “The Technology History in Remote Antiquity Period and The Three Dynasties (Xia, Shang and Zhou Dynasty)” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
Author: Daniel Albero Santacreu Publisher: Walter de Gruyter GmbH & Co KG ISBN: 311042729X Category : History Languages : en Pages : 336
Book Description
Daniel Albero Santacreu presents a wide overview of certain aspects of the pottery analysis and summarizes most of the methodological and theoretical information currently applied in archaeology in order to develop wide and deep analysis of ceramic pastes. The book provides an adequate framework for understanding the way pottery production is organised and clarifies the meaning and role of the pottery in archaeological and traditional societies. The goal of this book is to encourage reflection, especially by those researchers who face the analysis of ceramics for the first time, by providing a background for the generation of their own research and to formulate their own questions depending on their concerns and interests. The three-part structure of the book allows readers to move easily from the analysis of the reality and ceramic material culture to the world of the ideas and theories and to develop a dialogue between data and their interpretation. Daniel Albero Santacreu is a Lecturer Assistant in the University of the Balearic Islands, member of the Research Group Arqueo UIB and the Ceramic Petrology Group. He has carried out the analysis of ceramics from several prehistoric societies placed in the Western Mediterranean, as well as the study of handmade pottery from contemporary ethnic groups in Northeast Ghana.
Author: David Bayles Publisher: Souvenir Press ISBN: 1800815999 Category : Self-Help Languages : en Pages : 105
Book Description
'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.
Author: Owen S. Rye
Author: Owen S. Rye
Author: Rebecca Saunders
Author: Yvonne Hutchinson Cuff
Author: Paul Rado
Author: Alex M. Gibson
Author: Gilda Hernández Sánchez
Author: Kenneth E. Sassaman
Author: Li Shi
Author: Daniel Albero Santacreu
Author: David Bayles