Author: Derek Thiess
Publisher: Lexington Books
ISBN: 0739196189
Category : Literary Criticism
Languages : en
Pages : 185

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Book Description
The writer of alternate history asks “what if?” What if one historical event were different, what would the world look like today? In a similar way, the postmodern philosopher of history suggests that history is literature, or that if we read certain historical details differently we would get a distinctly different interpretation of past events. While the science fiction alternate history means to illuminate the past, to increase our understanding of past events, however, the postmodern approach to history typically suggests that such understanding is impossible. To the postmodern philosopher, history is like literature in that it does not offer the reader access to the past, but only an interesting story. Building on criticism that suggests personal psychological reasons for this obscuring the past, and using a literary theory of readership, this book challenges the postmodern approach to history. It channels the speculative power of science fiction to read the works of postmodern philosophy of history as alternate histories themselves, and to map the limits and pathology of their forgetful reading of the past.

Author: Glyn Morgan
Publisher: Liverpool Science Fiction Text
ISBN: 1789620139
Category : Literary Criticism
Languages : en
Pages : 216

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Book Description
Alternate history is a genre of fiction that, although connected to science fiction, has its own rich history and lineage. With its roots in the writings of ancient Rome, alternate history matured into something close to its current form in the essays and novels of the nineteenth century. In more recent years a number of highly acclaimed novels have been published as alternate histories, by authors ranging from bestselling science fiction writers to Pulitzer prize-winning literary icons. The popularity of the genre is reflected in its success on television, where original concepts have been developed alongside adaptations of classic texts such as Philip K. Dick's The Man in the High Castle. This collection of essays, by both leading scholars in the field and rising stars, seeks to redress an imbalance between the importance and quality of alternate history texts and the available critical scholarship on the genre. The essays acknowledge the long and distinctive history of alternate history whilst also revelling in its vitality, adaptability, and contemporary relevance.

Author: Gary Westfahl
Publisher: Bloomsbury Publishing USA
ISBN: 1440866171
Category : Literary Criticism
Languages : en
Pages : 814

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Book Description
This book provides students and other interested readers with a comprehensive survey of science fiction history and numerous essays addressing major science fiction topics, authors, works, and subgenres written by a distinguished scholar. This encyclopedia deals with written science fiction in all of its forms, not only novels and short stories but also mediums often ignored in other reference books, such as plays, poems, comic books, and graphic novels. Some science fiction films, television programs, and video games are also mentioned, particularly when they are relevant to written texts. Its focus is on science fiction in the English language, though due attention is given to international authors whose works have been frequently translated into English. Since science fiction became a recognized genre and greatly expanded in the 20th century, works published in the 20th and 21st centuries are most frequently discussed, though important earlier works are not neglected. The texts are designed to be helpful to numerous readers, ranging from students first encountering science fiction to experienced scholars in the field.

Author: Glyn Morgan
Publisher: Bloomsbury Publishing USA
ISBN: 1501350552
Category : Literary Criticism
Languages : en
Pages : 208

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Book Description
Imagining the Unimaginable examines popular fiction's treatment of the Holocaust in the dystopian and alternate history genres of speculative fiction, analyzing the effectiveness of the genre's major works as a lens through which to view the most prominent historical trauma of the 20th century. It surveys a range of British and American authors, from science fiction pulp to Pulitzer Prize winners, building on scholarship across disciplines, including Holocaust studies, trauma studies, and science fiction studies. The conventional discourse around the Holocaust is one of the unapproachable, unknowable, and the unimaginable. The Holocaust has been compared to an earthquake, another planet, another universe, a void. It has been said to be beyond language, or else have its own incomprehensible language, beyond art, and beyond thought. The 'othering' of the event has spurred the phenomenon of non-realist Holocaust literature, engaging with speculative fiction and its history of the uncanny, the grotesque, and the inhuman. This book examines the most common forms of nonmimetic Holocaust fiction, the dystopia and the alternate history, while firmly positioning these forms within a broader pattern of non-realist engagements with the Holocaust.

Author: Stella Bruzzi
Publisher: Routledge
ISBN: 1136473041
Category : Fiction
Languages : en
Pages : 332

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Book Description
In our era of ‘fake news’, Stella Bruzzi examines the dynamism that results from reusing and reconfiguring raw documentary data (documents, archive, news etc.) in creative ways. Through a series of individual case studies, this book offers an innovative framework for understanding how, in our century, film and media texts frequently represent reality and negotiate the instabilities of ‘truth’ by ‘approximating’ factual events rather than merely representing them, through juxtaposing disparate, often colliding, perspectives of history and factual events. Covering areas such as true crime, politics and media, the book analyses the fluidity and instability of truth, arguing that 'approximation' is more prevalent now in our digital age, and that its conception is a result of viewers’ accidental or unconscious connections and interventions. Original and thought-provoking, Approximation provides students and researchers of media, film and cultural studies a deeper insight into our understanding and acceptance of what truth really means today.

Author: Ryan Lizardi
Publisher: Rowman & Littlefield
ISBN: 1793647364
Category : Social Science
Languages : en
Pages : 171

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Book Description
This book explores contemporary existential science fiction media, including film, television, and video games, and their influence on society’s conceptions of memory, identity, and humanity. Most poignantly, Ryan Lizardi argues, are the ways in which a recent cluster of science fiction media, including Gravity (2013), Interstellar (2014), Legion (2017-2019), Westworld (2016-present), Soma (2015), and Death Standing (2019), among others, present a vision of the future that is inextricably tied to an exploration of humanity that is more contemplative and comparative than traditional science fiction. The combination of the existential nature of this current trend in science fiction with the genre’s ability to manifest these abstract concepts in a generic environment that is historically focused on new frontiers and ideas creates a powerful set of media texts that ask audiences to contemplate what it means to exist, think, and connect as human beings. Scholars of media studies, film studies, television studies, genre studies, and philosophy will find this book particularly useful.

Author: Bruce Clarke
Publisher: Springer Nature
ISBN: 3030364860
Category : Literary Criticism
Languages : en
Pages : 198

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Book Description
This volume presents the first collection of essays dedicated to the science fiction of microbiologist Joan Slonczewski. Posthuman Biopolitics consolidates the scholarly literature on Slonczewski’s fiction and demonstrates fruitful lines of engagement for the critical, cultural, and theoretical treatment of her characters, plots, and storyworlds. Her novels treat feminism in relation to scientific practice, resistance to domination, pacifism versus militarism, the extension of human rights to nonhuman and posthuman actors, biopolitics and posthuman ethics, and symbiosis and communication across planetary scales. Posthuman Biopolitics explores the breadth and depth of Joan Slonczewski’s vision, uncovering the reflective ethical practice that informs her science fiction.

Author: Derek J. Thiess
Publisher: Liverpool Science Fiction Text
ISBN: 1786942224
Category : Literary Criticism
Languages : en
Pages : 224

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Book Description
Sport and Monstrosity in Science Fiction examines fantastic representations of sport in science fiction, both cataloguing this almost entirely unexamined literary tradition and arguing that the reason for its neglect reflects a more widespread social suspicion of the athletic body as monstrous. Combining scholarship of monstrosity with a biopolitically focused philosophy of embodiment, this work plumbs the depths of our abjection of the athletic body and challenges us to reconsider sport as an intersectional space. In this latter endeavour it contradicts the image presented by both the most dystopian films such as Deathrace and Rollerball as well as social criticism of sport that limits its focus to an essentially violent masculinity. The book traces an alternative tradition of sport sf through authors as diverse as Arthur C. Clarke, Steven Barnes, and Joan Slonczewski, exploring the way the intersectional categories of gender, race, and age in these works are negotiated in, for example, a solar wind sailing race or futuristic anti-gravity boxing. These complex athletic bodies display the social mobility that sport allows and challenge us to acknowledge our own monstrously animal bodies and our place in a "cycle of living and dying".

Author: Derek J. Thiess
Publisher: Routledge
ISBN: 131755194X
Category : Literary Criticism
Languages : en
Pages : 162

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Book Description
Following scholarship on gender in science fiction, this book explores the limits of considering age as a social construction, positing that an acknowledgement of aged bodies necessarily changes the way we read both age and science fiction. The volume employs contemporary clinical psychology, the biopsychosocial model, to demonstrate that age is an important and neglected topic relevant to the study of speculative fiction. While gender offers a vocabulary, the biopsychosocial approach provides a method to consider age (and gender) as an embodied synthesis of physicality, psychology, and social environment. This respected model of clinical psychology allows a unique and innovative lens through which to read age and the body in literature. Thiess offers readings of established sf classics including Octavia Butler’s Parable series; Orson Scott Card’s Ender’s Game; and cyberpunk authors such as Bruce Sterling, Pat Cadigan, and Neal Stephenson, also exploring more mainstream speculative works including Stephanie Meyer’s Twilight series and Joss Whedon’s Firefly/Serenity. Visiting topics such as care work, sexuality, sport, and the military in these works, the book demonstrates that acknowledging a more fully embodied age is not only necessary for the individual subject, but will also enrich our understanding of other social categories, including gender and race. Taking a constructive—rather than adversarial—stance, this book does not merely question how much one can ethically and responsibly "bend" age, but suggests there is a great deal to learn when one explores those limits.

Author: Dorian L. Alexander
Publisher: Univ. Press of Mississippi
ISBN: 1496837231
Category : Literary Criticism
Languages : en
Pages : 289

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Book Description
Contributions by Dorian L. Alexander, Chris Bishop, David Budgen, Lewis Call, Lillian Céspedes González, Dominic Davies, Sean Eedy, Adam Fotos, Michael Goodrum, Simon Gough, David Hitchcock, Robert Hutton, Iain A. MacInnes, Małgorzata Olsza, Philip Smith, Edward Still, and Jing Zhang In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator’s mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures. This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories. The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.