Samuel Beckett l'œvre carrefour/l'œuvre limite PDF Download

Author: Marius Buning
Publisher: Rodopi
ISBN: 9789042003477
Category : Art
Languages : en
Pages : 424

View

Book Description
ISBN 9042003375 (paperback) NLG 55.00 From the contents: Beckettissimo: Beckett virtuose de l'echo: 'fin de partie' et l'essence du bouddhisme (Emmanuel Jacquart).- Staging of institutional tensions in Beckett's plays (Juergen Siess).- Postmodern staging of 'waiting for Godot' (Mariko Hori Tanaka).- Staging himself, or Beckett's late style in the theatre (S.E. Gontarski). figure.

Author: Angela B. Moorjani
Publisher: Rodopi
ISBN: 9789042015999
Category : Drama
Languages : en
Pages : 500

View

Book Description
From the contents: Beckett and the quest for meaning (Martin Esslin). - Beckett's tonic laughter (Manfred Pfister). - The magic triangle: James Joyce, Samuel Beckett, Arno Schmidt (Friedhelm Rathjen). - Beckett performed in Italy (Annamaria Cascetta). - Beckett and synaesthesia (Yoshiki Tajiri). - Beckett versus the reader (Michael Guest).

Author: Charles A. Carpenter
Publisher: A&C Black
ISBN: 144118421X
Category : Reference
Languages : en
Pages : 525

View

Book Description

Author: Paulo Eduardo Carvalho
Publisher: Universidade do Porto
ISBN: 9789728932336
Category :
Languages : en
Pages : 220

View

Book Description

Author: Alan Warren Friedman
Publisher: Routledge
ISBN: 1351592491
Category : Literary Criticism
Languages : en
Pages : 248

View

Book Description
Surreal Beckett situates Beckett‘s writings within the context of James Joyce and Surrealism, distinguishing ways in which Beckett forged his own unique path, sometimes in accord with, sometimes at odds with, these two powerful predecessors. Beckett was so deeply enmeshed in Joyce’s circle during his early Paris days (1928 - late 1930s) that James Knowlson dubbed them his "Joyce years." But Surrealism and Surrealists rivaled Joyce for Beckett’s early and continuing attention, if not affection, so that Raymond Federman called 1929-45 Beckett’s "surrealist period." Considering both claims, this volume delves deeper into each argument by obscuring the boundaries between theses differentiating studies. These received wisdoms largely maintain that Beckett’s Joycean connection and influence developed a negative impact in his early works, and that Beckett only found his voice when he broke the connection after Joyce’s death. Beckett came to accept his own inner darkness as his subject matter, writing in French and using a first-person narrative voice in his fiction and competing personal voices in his plays. Critics have mainly viewed Beckett’s Surrealist connections as roughly co-terminus with Joycean ones, and ultimately of little enduring consequence. Surreal Beckett argues that both early influences went much deeper for Beckett as he made his own unique way forward, transforming them, particularly Surrealist ones, into resources that he drew upon his entire career. Ultimately, Beckett endowed his characters with resources sufficient to transcend limitations their surreal circumstances imposed upon them.

Author:
Publisher: BRILL
ISBN: 9004433570
Category : Social Science
Languages : en
Pages : 224

View

Book Description
Matthijs ENGELBERTS: Avant-Propos/Introduction -- John PILLING: Beckett and "The Itch to Make": The Early Poems in English -- Thomas HUNKELER: "Cascando" de Samuel Beckett -- Mary Ann CAWS: Samuel Beckett Translating -- Mary LYDON: Beyond the Criterion of Genre: Samuel Beckett's Ars Poetica -- Jean-Michel RABETÉ: Beckett et la poesie de la zone: (Dante.Apollinaire. Céline.Lévi) -- Christophe WALL-ROMANA: Beckett au parloir: Poétique du transvoisement -- Michael STEWART: The Unnamable Mirror: The Reflective Identity in Beckett's Prose -- Yann MÉVEL: Molloy : Jeux et enjeux d'un savoir mélancolique -- H. PORTER ABBOTT: Beckett's Lawlessness: Evolutionary Psychology and Genre -- Catherine LAWS: Performance Issues in Composer's Approaches to Beckett -- Emmanuel JACQUART: Beckett et la forme sonate -- Wilma SICCAMA: Beckett's Many Voices: Authorial Control and the Play of Repetition -- N.F. LÖWE: Sam's Love for Sam: Samuel Beckett, Dr. Johnson and Human Wishes -- Bruce ARNOLD: From Proof to Print: Anthony Cronin's Samuel Beckett: The Last Modernist Reconsidered.

Author: Birgit Breidenbach
Publisher: Routledge
ISBN: 1000067610
Category : Literary Collections
Languages : en
Pages : 221

View

Book Description
This study explores the concept of Stimmung in literary and philosophical texts of the modern age. Signifying both 'mood' and 'attunement', Stimmung speaks to the categories of affective experience and aesthetic design alike. The study locates itself in the nexus between discourses on modernity, existentialism and aesthetics and uncovers the pivotal role of Stimmung in 19th- and 20th-century European narrative fiction and continental philosophy. The study first explores the philosophical and aesthetic origins and implications of Stimmung to, then, discuss its role in the narrative fiction of three key authors of modern literature: Fyodor Dostoevsky, Samuel Beckett and Thomas Bernhard. These readings demonstrate a significant shift towards an aesthetic of affective intensity and immediacy, in which the experience of the reading process takes centre stage as each author develops an aesthetic philosophy of Stimmung in their own right. Through its focus on the concept of Stimmung, the study thus unearths a fundamental link between existentialist concerns and narrative practice in modern literature.

Author: Daniela Caselli
Publisher: Manchester University Press
ISBN: 1526146452
Category : Literary Criticism
Languages : en
Pages : 292

View

Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Beckett and nothing invites its readership to understand the complex ways in which the Beckett canon both suggests and resists turning nothing into something by looking at specific, sometimes almost invisible ways in which ‘little nothings’ pervade the Beckett canon. The volume has two main functions: on the one hand, it looks at ‘nothing’ not only as a content but also a set of rhetorical strategies to reconsider afresh classic Beckett problems such as Irishness, silence, value, marginality, politics and the relationships between modernism and postmodernism and absence and presence. On the other, it focuses on ‘nothing’ in order to assess how the Beckett oeuvre can help us rethink contemporary preoccupations with materialism, neurology, sculpture, music and television. The volume is a scholarly intervention in the fields of Beckett studies which offers its chapters as case studies to use in the classroom. It will prove of interest to advanced students and scholars in English, French, Comparative Literature, Drama, Visual Studies, Philosophy, Music, Cinema and TV studies.

Author: Michelle Chiang
Publisher: Springer
ISBN: 3319915185
Category : Literary Criticism
Languages : en
Pages : 196

View

Book Description
Beckett’s Intuitive Spectator: Me to Play investigates how audience discomfort, instead of a side effect of a Beckett pedagogy, is a key spectatorial experience which arises from an everyman intuition of loss. With reference to selected works by Henri Bergson, Immanuel Kant and Gilles Deleuze, this book charts the processes of how an audience member’s habitual way of understanding could be frustrated by Beckett’s film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition.

Author: Daniela Caselli
Publisher: Manchester University Press
ISBN: 1847796303
Category : Literary Criticism
Languages : en
Pages : 248

View

Book Description
Beckett's Dantes: Intertextuality in the Fiction and Criticism is the first study in English on the literary relation between Beckett and Dante. It is an innovative reading of Samuel Beckett and Dante's works and a critical engagement with contemporary theories of intertextuality. It is an informative intertextual reading of Beckett's work, detecting previously unknown quotations, allusions to, and parodies of Dante in Beckett's fiction and criticism. The volume interprets Dante in the original Italian (as it appears in Beckett), translating into English all Italian quotations. It benefits from a multilingual approach based on Beckett's published works in English and French, and on manuscripts (which use English, French, German and Italian). Through a close reading of Beckett's fiction and criticism, the book will argue that Dante is both assumed as an external source of literary and cultural authority in Beckett's work, and also participates in Beckett's texts' sceptical undermining of authority. Moreover, the book demonstrates that the many references to various 'Dantes' produce 'Mr Beckett' as the figure of the author responsible for such a remarkably interconnected oeuvre. The book is aimed at the scholarly communities interested in literatures in English, literary and critical theory, comparative literature and theory, French literature and theory and Italian studies. Its jargon-free style will also attract third-year or advanced undergraduate students, and postgraduate students, as well as those readers interested in the unusual relationship between one of the greatest writers of the twentieth century and the medieval author who stands for the very idea of the Western canon.