Author: Dirk Van Hulle Publisher: Cambridge University Press ISBN: 1107001269 Category : Language Arts & Disciplines Languages : en Pages : 331
Book Description
The first study to assess the importance of the marginalia, inscriptions, and other manuscript notes in the 750 volumes of Samuel Beckett's personal library.
Author: Various Authors Publisher: Taylor & Francis ISBN: 1000807118 Category : Literary Criticism Languages : en Pages : 1108
Book Description
This collection of five previously out-of-print titles examines Samuel Beckett’s works and their impact on the theatre, and on people who came into creative contact with his ideas. His plays are assessed, as are his works for film and television. A titan of original thinking, these books by leading Beckett scholars analyse how his creative vision was expressed and how it revolutionised not just the world of theatre but also of the wider world of the arts.
Author: Wimbush Andy Publisher: BoD – Books on Demand ISBN: 3838213696 Category : Philosophy Languages : en Pages : 292
Book Description
In the 1930s, a young Samuel Beckett confessed to a friend that he had been living his life according to an ‘abject self-referring quietism’. Andy Wimbush argues that ‘quietism’—a philosophical and religious attitude of renunciation and will-lessness—is a key to understanding Beckett’s artistic vision and the development of his career as a fiction writer from his early novels Dream of Fair to Middling Women and Murphy to late short prose texts such as Stirrings Still and Company. Using Beckett’s published and archival material, Still: Samuel Beckett’s Quietism shows how Beckett distilled an understanding of quietism from the work of Arthur Schopenhauer, E.M. Cioran, Thomas à Kempis, Fyodor Dostoevsky, and André Gide, before turning it into an aesthetic that would liberate him from the powerful literary traditions of nineteenth-century realism and early twentieth-century high modernism. Quietism, argues Andy Wimbush, was for Beckett a lifelong preoccupation that shaped his perspectives on art, relationships, ethics, and even notions of salvation. But most of all it showed Beckett a way to renounce authorial power and write from a position of impotence, ignorance, and incoherence so as to produce a new kind of fiction that had, in Molloy’s words, the ‘tranquility of decomposition’.
Author: Dirk Van Hulle
Author: University of Delaware Library
Author: Various Authors
Author: William York Tindall
Author: McMaster University. Library
Author: University of Reading. Library
Author: Francis Michael Doherty
Author: Wimbush Andy
Author: Hugh Kenner
Author: Samuel Beckett