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Author: Michelle Foa Publisher: Yale University Press ISBN: 0300212828 Category : Art Languages : en Pages : 246
Book Description
This revelatory study of Georges Seurat (1859–1891) explores the artist’s profound interest in theories of visual perception and analyzes how they influenced his celebrated seascape, urban, and suburban scenes. While Seurat is known for his innovative use of color theory to develop his pointillist technique, this book is the first to underscore the centrality of diverse ideas about vision to his seascapes, figural paintings, and drawings. Michelle Foa highlights the importance of the scientist Hermann von Helmholtz, whose work on the physiology of vision directly shaped the artist’s approach. Foa contends that Seurat’s body of work constitutes a far-reaching investigation into various modes of visual engagement with the world and into the different states of mind that visual experiences can produce. Foa’s analysis also brings to light Seurat’s sustained exploration of long-standing and new forms of illusionism in art. Beautifully illustrated with more than 140 paintings and drawings, this book serves as an essential reference on Seurat.
Author: Michelle Foa Publisher: Yale University Press ISBN: 0300212828 Category : Art Languages : en Pages : 246
Book Description
This revelatory study of Georges Seurat (1859–1891) explores the artist’s profound interest in theories of visual perception and analyzes how they influenced his celebrated seascape, urban, and suburban scenes. While Seurat is known for his innovative use of color theory to develop his pointillist technique, this book is the first to underscore the centrality of diverse ideas about vision to his seascapes, figural paintings, and drawings. Michelle Foa highlights the importance of the scientist Hermann von Helmholtz, whose work on the physiology of vision directly shaped the artist’s approach. Foa contends that Seurat’s body of work constitutes a far-reaching investigation into various modes of visual engagement with the world and into the different states of mind that visual experiences can produce. Foa’s analysis also brings to light Seurat’s sustained exploration of long-standing and new forms of illusionism in art. Beautifully illustrated with more than 140 paintings and drawings, this book serves as an essential reference on Seurat.
Author: Margaret S. Livingstone Publisher: Harry N. Abrams ISBN: 9781419706929 Category : Art Languages : en Pages : 240
Book Description
A Harvard neurobiologist explains how vision works, citing the scientific origins of artistic genius and providing coverage of such topics as optical illusions and the correlation between learning disabilities and artistic skill.
Author: Joachim Homann Publisher: Prestel ISBN: 9783791354668 Category : Art, American Languages : en Pages : 0
Book Description
Spanning a century from the introduction of electric light to the dawn of the Space Age, this first major survey of American night scenes by artists such as Winslow Homer, Georgia O'Keeffe, Andrew Wyeth, and Joseph Cornell proposes the central importance of nocturnal images in the development of modern art. This gorgeously illustrated book investigates how leading American artists of diverse aesthetic convictions responded in a range of media--including paintings, drawings, prints, and photographs--to the unique challenges of picturing the night. Retooling their palette and reconsidering their techniques, artists cherished the night as a time of heightened alertness and active imagination. Mysterious and provocative, the darkness was experienced as liberating, both on an aesthetic and personal level--allowing artists to become invisible, turn inward, and express personal truths in unique and poetic ways. Night Vision expands the conversation on American art and the rise of modernism, as it demonstrates how the theme of the night inspired artists who sought to leave behind established styles and traditions to better reflect the broader societal and technological shifts as well as a new understanding of the value of art as personal expression.
Author: Adam Herring Publisher: Cambridge University Press ISBN: 1316300420 Category : Social Science Languages : en Pages : 263
Book Description
In 1500 CE, the Inca empire covered most of South America's Andean region. The empire's leaders first met Europeans on November 15, 1532, when a large Inca army confronted Francisco Pizarro's band of adventurers in the highland Andean valley of Cajamarca, Peru. At few other times in its history would the Inca royal leadership so aggressively showcase its moral authority and political power. Glittering and truculent, what Europeans witnessed at Inca Cajamarca compels revised understandings of pre-contact Inca visual art, spatial practice, and bodily expression. This book takes a fresh look at the encounter at Cajamarca, using the episode to offer a new, art-historical interpretation of pre-contact Inca culture and power. Adam Herring's study offers close readings of Inca and Andean art in a variety of media: architecture and landscape, geoglyphs, sculpture, textiles, ceramics, featherwork and metalwork. The volume is richly illustrated with over sixty color images.
Author: Erik Wahl Publisher: Crown Currency ISBN: 0770434029 Category : Business & Economics Languages : en Pages : 226
Book Description
In the tradition of A Whole New Mind and The War of Art, graffiti artist and corporate thought leader, Erik Wahl explores the power of creativity to achieve superior performance. Somehow we’ve come to believe that creativity is reserved for the chosen few: the poets, the painters, the writers. The truth is creativity is in all of us and re-discovering it is the key to unlocking your fullest potential. Unthink pushes us beyond our traditional thought patterns. It will inspire everyone to realize that we are capable of so much more than we have pre-conditioned for. Creativity is not in one special place--and it is not in one special person. Creativity is everywhere and in everyone who has the courage to unleash their creative genius.
Author: Andrew James Johnston Publisher: ISBN: 9780814293997 Category : Description (Rhetoric) Languages : en Pages : 307
Book Description
One of the most common ways of setting the arts in parallel, at least from the literary side, is through the popular rhetorical device of ekphrasis. The original meaning of this term is simply an extended and detailed, lively description, but it has been used most commonly in reference to painting or sculpture. In this lively collection of essays, Andrew James Johnston, Ethan Knapp, and Margitta Rouse offer a major contribution to the study of text-image relationships in medieval Europe. Resisting any rigid definition of ekphrasis, The Art of Vision is committed to reclaiming medieval ekphrasis, which has not only been criticized for its supposed aesthetic narcissism but has also frequently been depicted as belonging to an epoch when the distinctions between word and image were far less rigidly drawn. Examples studied range from the eleventh through the seventeenth centuries and include texts written in Medieval Latin, Medieval French, Middle English, Middle Scots, Middle High German, and Early Modern English. The essays in this volume highlight precisely the entanglements that ekphrasis suggests and/or rejects: not merely of word and image, but also of sign and thing, stasis and mobility, medieval and (early) modern, absence and presence, the rhetorical and the visual, thinking and feeling, knowledge and desire, and many more. The Art of Vision furthers our understanding of the complexities of medieval ekphrasis while also complicating later understandings of this device. As such, it offers a more diverse account of medieval ekphrasis than previous studies of medieval text-image relationships, which have normally focused on a single country, language, or even manuscript.
Author: Michael Marmor Publisher: ISBN: Category : Art Languages : en Pages : 230
Book Description
This title presents a celebration of vision, of art and of the relationship between the two. Artists see the world in physical terms as we all do. However, they may be more perceptive than most in interpreting the complexity of how and what they see. In this fascinating juxtaposition of science and art history, ophthalmologists Michael Marmor and James G. Ravin examine the role of vision and eye disease in art. They focus on the eye, where the process of vision originates and investigate how aspects of vision have inspired - and confounded - many of the world's most famous artists. Why do Georges Seurat's paintings appear to shimmer? How come the eyes in certain portraits seem to follow you around the room? Are the broad brushstrokes in Monet's Water Lilies due to cataracts? Could van Gogh's magnificent yellows be a result of drugs? How does eye disease affect the artistic process? Or does it at all? "The Artist's Eyes" considers these questions and more. It is a testament to the triumph of artistic talent over human vulnerability and a tribute to the paintings that define eras, the artists who made them and the eyes through which all of us experience art.
Author: Hans P. Bacher Publisher: Laurence King Publishing ISBN: 9781786272201 Category : Performing Arts Languages : en Pages : 0
Book Description
Featuring hundreds of carefully hand-crafted illustrations as well as significant tuition on how to best compose and use images to create the most powerful frames, this book is potentially Hans P. Bacher's life's work encapsulated in one volume. Here, the internationally renowned production designer shares his expertise in an easy-to-follow and imaginative way – giving tips, exercises, and a depth of knowledge garnered from a lifetime in the industry. Bacher's production designs have established the look of many seminal animated films such as The Lion King, Balto, Mulan and Beauty and the Beast, so fans of his work will be delighted. While keeping the focus on storytelling, Bacher instructs readers in the art of animated cinematography with the ever-present aim of soliciting an emotional response from the audience. Vision: Color and Composition for Film represents an amazing depth of experience — and is visually arresting to boot.
Author: Robert H. Brinkmeyer, Jr. Publisher: LSU Press ISBN: 9780807118535 Category : Literary Criticism Languages : en Pages : 224
Book Description
Flannery O'Connor believed that fiction must try to achieve something on the order of what St. Gregory wrote about Scripture: every time it presents a fact, it must also disclose a mystery. O'Connor's artistic vision was located squarely in her Catholic faith, yet she realized that to view life only through the eyes of the Church was to ignore a large part of existence. In her fiction, therefore, she explored a wider world, employing voices that challenged conceptions of both self and faith, ultimately enlarging and deepening both. In The Art and Vision of Flannery O'Connor, Robert Brinkmeyer presents an innovative study of O'Connor's fiction by exploring the dialogic forces at work in her writing.Drawing on the insights of literary theorist Mikhail Bakhtin, Brinkmeyer offers an explanation for the great depth and power of O'Connor's work, paying particular attention to the ways her art and audience bear upon her regnant Catholic vision. This pressure and resistance, Brinkmeyer writes, free O'Connor's vision from the limits of its perspective, opening it to growth and understanding. After a thorough discussion of the ways in which O'Connor's Catholic and southern heritage helped to form her artistic vision, Brinkmeyer shows how dialogic encounters are at work in O'Connor's interaction with her largely fundamentalist narrators, the stories they tell, and her readers. He focuses on several of her stories as well as her two novels, Wise Blood and The Violent Bear It Away. As the first analysis of the dialogical dynamics of O'Connor's art and vision, this study offers an original approach to understanding O'Connor. But the significance of the book extends far beyond O'Connor scholarship, for Brinkmeyer presents a critical method that has value for exploring other writers, particularly other modern Catholic writers.
Author: Michelle Foa
Author: Michelle Foa
Author: Margaret S. Livingstone
Author: Joachim Homann
Author: Adam Herring
Author: Erik Wahl
Author: Andrew James Johnston
Author: Michael Marmor
Author: Hans P. Bacher
Author: Robert H. Brinkmeyer, Jr.
Author: John Maizels