Author: Tim CarterPublisher: Cambridge University Press
ISBN: 9780521792738
Category : Music
Languages : en
Pages : 636
Book Description
First published in 2005, this title provides extensive knowledge on seventeenth-century music.
The Cambridge History of Seventeenth-Century Music
Author: Tim CarterPublisher: Cambridge University Press
ISBN: 9780521792738
Category : Music
Languages : en
Pages : 636
Book Description
First published in 2005, this title provides extensive knowledge on seventeenth-century music.
The Cambridge History of Western Music Theory
Author: Thomas ChristensenPublisher: Cambridge University Press
ISBN: 1316025489
Category : Music
Languages : en
Pages :
Book Description
The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.
Music in the Seventeenth Century
Author: Lorenzo BianconiPublisher: Cambridge University Press
ISBN: 9780521269155
Category : Music
Languages : en
Pages : 364
Book Description
Examines musical life in the seventeenth century, a period of profound change in the history of music.
The Cambridge History of Seventeenth-century Philosophy
Author: Daniel GarberPublisher: Cambridge University Press
ISBN: 9780521537209
Category : Philosophy
Languages : en
Pages : 992
Book Description
Annotation. The Cambridge History of Seventeenth-Century Philosophy offers a uniquely comprehensive and authoritative overview of early-modern philosophy written by an international team of specialists. As with previous Cambridge Histories of Philosophy the subject is treated by topic and theme, and since history does not come packaged in neat bundles, the subject is also treated with great temporal flexibility, incorporating frequent reference to medieval and Renaissance ideas. The basic structure of the volumes corresponds to the way an educated seventeenth-century European might have organised the domain of philosophy. Thus, the history of science, religious doctrine, and politics feature very prominently.
The Cambridge History of Eighteenth-Century Music
Author: Simon P. KeefePublisher: Cambridge University Press
ISBN: 9780521663199
Category : Music
Languages : en
Pages : 816
Book Description
The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations than any century before or since, yet huge swathes of its musical activity remain under-appreciated. This History provides a comprehensive survey of eighteenth-century music, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organized by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages the readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.
The Cambridge History of Twentieth-Century Music
Author: Nicholas CookPublisher: Cambridge University Press
ISBN: 9780521662567
Category : Music
Languages : en
Pages : 848
Book Description
Publisher Description
The Cambridge History of Music Criticism
Author: Christopher DinglePublisher: Cambridge University Press
ISBN: 1108637981
Category : Music
Languages : en
Pages :
Book Description
Music criticism has played a fundamental and influential role throughout music history, with numerous composers such as Berlioz, Schumann, and Wagner, as well as many contemporary musicians, also maintaining careers as writers and critics. The Cambridge History of Music Criticism goes beyond these better-known accounts, reaching back to medieval times, expanding the geographical reach both within and beyond Europe, and including key issues such as women and criticism of recordings, as well as the story of criticism in jazz, popular music and world music. Drawing on a blend of established and talented young scholars, this is the first substantial historical survey of music criticism and critics, bringing unprecedented scope to a rapidly expanding area of musicological research. An indispensable point of reference, The Cambridge History of Music Criticism provides a broad historical overview of the field while also addressing specific issues and events.
The Cambridge History of Nineteenth-Century Music
Author: Jim SamsonPublisher: Cambridge University Press
ISBN: 9780521590174
Category : Music
Languages : en
Pages : 796
Book Description
The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. It contains a detailed chronology, and extensive glossaries.
The Cambridge History of Musical Performance
Author: Colin LawsonPublisher: Cambridge University Press
ISBN: 1316184420
Category : Music
Languages : en
Pages :
Book Description
The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.
Desire and Pleasure in Seventeenth-Century Music
Author: Susan McClaryPublisher: Univ of California Press
ISBN: 0520952065
Category : Music
Languages : en
Pages : 239
Book Description
In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states—desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians—whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice—were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.