Author: Laurence Porter
Publisher: Cornell University Press
ISBN: 1501746170
Category : History
Languages : en
Pages : 287
Book Description
Challenging traditional histories of the nineteenth-century French lyric, Laurence Porter maintains that from 1851 to 1875 Symbolism constituted neither a movement nor a system, but rather represented a crisis of confidence in the powers of poetry as a communicative act. The Crisis of French Symbolism offers a provocative reinterpretation of the four acknowledged masters of Symbolist poetry: Baudelaire, Verlaine, Rimbaud, and Mallarmé.
The Crisis of French Symbolism
Author: Laurence Porter
Publisher: Cornell University Press
ISBN: 1501746170
Category : History
Languages : en
Pages : 287
Book Description
Challenging traditional histories of the nineteenth-century French lyric, Laurence Porter maintains that from 1851 to 1875 Symbolism constituted neither a movement nor a system, but rather represented a crisis of confidence in the powers of poetry as a communicative act. The Crisis of French Symbolism offers a provocative reinterpretation of the four acknowledged masters of Symbolist poetry: Baudelaire, Verlaine, Rimbaud, and Mallarmé.
Publisher: Cornell University Press
ISBN: 1501746170
Category : History
Languages : en
Pages : 287
Book Description
Challenging traditional histories of the nineteenth-century French lyric, Laurence Porter maintains that from 1851 to 1875 Symbolism constituted neither a movement nor a system, but rather represented a crisis of confidence in the powers of poetry as a communicative act. The Crisis of French Symbolism offers a provocative reinterpretation of the four acknowledged masters of Symbolist poetry: Baudelaire, Verlaine, Rimbaud, and Mallarmé.
Passionate Discontent
Author: Patricia Mathews
Publisher: University of Chicago Press
ISBN: 9780226510187
Category : Art
Languages : en
Pages : 348
Book Description
"Art historian Patricia Mathews examines the artistic, social, and scientific discourses of fin-de-siecle France. Along the way, she illuminates the Symbolist construction of a feminized aesthetic that nonetheless excluded female artists from its realm. She analyzes contemporary cultural assumptions as well as theories such as social Darwinism, biological determinism, and degeneracy."--BOOK JACKET.
Publisher: University of Chicago Press
ISBN: 9780226510187
Category : Art
Languages : en
Pages : 348
Book Description
"Art historian Patricia Mathews examines the artistic, social, and scientific discourses of fin-de-siecle France. Along the way, she illuminates the Symbolist construction of a feminized aesthetic that nonetheless excluded female artists from its realm. She analyzes contemporary cultural assumptions as well as theories such as social Darwinism, biological determinism, and degeneracy."--BOOK JACKET.
A Forest of Symbols
Author: Andrei Pop
Publisher: Zone Books
ISBN: 1935408364
Category : Art
Languages : en
Pages : 321
Book Description
A groundbreaking reassessment of Symbolist artists and writers that investigates the concerns they shared with scientists of the period—the problem of subjectivity in particular. In A Forest of Symbols, Andrei Pop presents a groundbreaking reassessment of those writers and artists in the late nineteenth century associated with the Symbolist movement. For Pop, “symbolist” denotes an art that is self-conscious about its modes of making meaning, and he argues that these symbolist practices, which sought to provide more direct access to viewers and readers by constant revision of its material means of meaning-making (brushstrokes on a canvas, words on a page), are crucial to understanding the genesis of modern art. The symbolists saw art not as a social revolution, but as a revolution in sense and how to conceptualize the world. The concerns of symbolist painters and poets were shared to a remarkable degree by theoretical scientists of the period, who were dissatisfied with the strict empiricism dominant in their disciplines, which made shared knowledge seem unattainable. The problem of subjectivity in particular, of what in one's experience can and cannot be shared, was crucial to the possibility of collaboration within science and to the communication of artistic innovation. Pop offers close readings of the literary and visual practices of Manet and Mallarmé, of drawings by Ernst Mach, William James and Wittgenstein, of experiments with color by Bracquemond and Van Gogh, and of the philosophical systems of Frege and Russell—filling in a startling but coherent picture of the symbolist heritage of modernity and its consequences.
Publisher: Zone Books
ISBN: 1935408364
Category : Art
Languages : en
Pages : 321
Book Description
A groundbreaking reassessment of Symbolist artists and writers that investigates the concerns they shared with scientists of the period—the problem of subjectivity in particular. In A Forest of Symbols, Andrei Pop presents a groundbreaking reassessment of those writers and artists in the late nineteenth century associated with the Symbolist movement. For Pop, “symbolist” denotes an art that is self-conscious about its modes of making meaning, and he argues that these symbolist practices, which sought to provide more direct access to viewers and readers by constant revision of its material means of meaning-making (brushstrokes on a canvas, words on a page), are crucial to understanding the genesis of modern art. The symbolists saw art not as a social revolution, but as a revolution in sense and how to conceptualize the world. The concerns of symbolist painters and poets were shared to a remarkable degree by theoretical scientists of the period, who were dissatisfied with the strict empiricism dominant in their disciplines, which made shared knowledge seem unattainable. The problem of subjectivity in particular, of what in one's experience can and cannot be shared, was crucial to the possibility of collaboration within science and to the communication of artistic innovation. Pop offers close readings of the literary and visual practices of Manet and Mallarmé, of drawings by Ernst Mach, William James and Wittgenstein, of experiments with color by Bracquemond and Van Gogh, and of the philosophical systems of Frege and Russell—filling in a startling but coherent picture of the symbolist heritage of modernity and its consequences.
A Study Guide for "Symbolism"
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410359867
Category : Literary Criticism
Languages : en
Pages : 36
Book Description
A Study Guide for "Symbolism," excerpted from Gale's acclaimed Literary Movements for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Literary Movements for Students for all of your research needs.
Publisher: Gale, Cengage Learning
ISBN: 1410359867
Category : Literary Criticism
Languages : en
Pages : 36
Book Description
A Study Guide for "Symbolism," excerpted from Gale's acclaimed Literary Movements for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Literary Movements for Students for all of your research needs.
The Poetry of Hugo Von Hofmannsthal and French Symbolism
Author: Robert Vilain
Publisher:
ISBN: 9781383006964
Category : Symbolism (Literary movement)
Languages : en
Pages : 0
Book Description
Hofmannsthal became famous at the age of 16 for his poetry and lyrical drama, yet he ceased to write not long after. This study suggests that his interest in the French symbolists had an inhibiting effect and contributed to the Chandos crisis of 1902.
Publisher:
ISBN: 9781383006964
Category : Symbolism (Literary movement)
Languages : en
Pages : 0
Book Description
Hofmannsthal became famous at the age of 16 for his poetry and lyrical drama, yet he ceased to write not long after. This study suggests that his interest in the French symbolists had an inhibiting effect and contributed to the Chandos crisis of 1902.
Six French Poets of the Nineteenth Century
Author: E. H. Blackmore
Publisher: Oxford University Press, USA
ISBN: 019283973X
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
'Poetry will no longer keep in time with action; it will be ahead of it.' Arthur Rimbaud The active and colourful lives of the poets of nineteenth-century France are reflected in the diversity and vibrancy of their works. At once sacred and profane, passionate and satirical, these remarkable and innovative poems explore the complexities of human emotion and ponder the great questions of religion and art. They form as rich a body of work as any one age and language has ever produced. This unique anthology includes generous selections from the six nineteenth-century French poets most often read in the English-speaking world today: Lamartine, Hugo, Baudelaire, Verlaine, Rimbaud, and Mallarmé. Modern translations are printed opposite the original French verse, and the edition contains over a thousand lines of poetry never previously translated into English.
Publisher: Oxford University Press, USA
ISBN: 019283973X
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
'Poetry will no longer keep in time with action; it will be ahead of it.' Arthur Rimbaud The active and colourful lives of the poets of nineteenth-century France are reflected in the diversity and vibrancy of their works. At once sacred and profane, passionate and satirical, these remarkable and innovative poems explore the complexities of human emotion and ponder the great questions of religion and art. They form as rich a body of work as any one age and language has ever produced. This unique anthology includes generous selections from the six nineteenth-century French poets most often read in the English-speaking world today: Lamartine, Hugo, Baudelaire, Verlaine, Rimbaud, and Mallarmé. Modern translations are printed opposite the original French verse, and the edition contains over a thousand lines of poetry never previously translated into English.
The Symbolist Movement in Literature
Author: Arthur Symons
Publisher: BoD – Books on Demand
ISBN: 3752431997
Category : Fiction
Languages : en
Pages : 150
Book Description
Reproduction of the original: The Symbolist Movement in Literature by Arthur Symons
Publisher: BoD – Books on Demand
ISBN: 3752431997
Category : Fiction
Languages : en
Pages : 150
Book Description
Reproduction of the original: The Symbolist Movement in Literature by Arthur Symons
French Twentieth Bibliography
Author: Douglas W. Alden
Publisher: Susquehanna University Press
ISBN: 9780945636861
Category : Reference
Languages : en
Pages : 564
Book Description
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
Publisher: Susquehanna University Press
ISBN: 9780945636861
Category : Reference
Languages : en
Pages : 564
Book Description
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
French Art Song
Author: Emily Kilpatrick
Publisher: Boydell & Brewer
ISBN: 1648250548
Category : Songs
Languages : en
Pages : 468
Book Description
A ground-breaking study of the musical and literary priorities, professional practices and creative interactions that shaped one of the most adventurous artforms of the Belle Époque.
Publisher: Boydell & Brewer
ISBN: 1648250548
Category : Songs
Languages : en
Pages : 468
Book Description
A ground-breaking study of the musical and literary priorities, professional practices and creative interactions that shaped one of the most adventurous artforms of the Belle Époque.
French Symbolist Poetry and the Idea of Music
Author: Joseph Acquisto
Publisher: Routledge
ISBN: 1351935658
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
What role did music play in the creation of a new aesthetics of poetry in French from the 1860s to the 1930s? How did music serve as an unassimilable 'other' against which the French symbolist poets crafted a new poetics? And why did music gradually disappear from early twentieth-century poetic discourse? These are among the questions Joseph Acquisto poses in his lively study of the ways in which Baudelaire, Mallarmé, Ghil, and Royère question the nature and function of the lyric through an ever-shifting set of intertextual and cultural contexts. Rather than focusing on 'musicality' in verse, the author addresses the consequences of choosing music as a site of dialogue with poetry. Acquisto argues that memory plays an under acknowledged yet vital role in these poets' rewriting of symbolist poetics. His reading of their interactions, and his focus on both major and neglected poets, exposes the myth of a small handful of 'great authors' shaping symbolism while a host of disciples propagated the tradition. Rather, Acquisto proposes, the multiplicity of authors writing and rewriting symbolism invites a dialogic approach to the poetics of the period. Moreover, music, as theorized rather than performed or heard, serves as a privileged mobile space of poetic creation and dialogue for these poet-critics; it is through engagement with music, supposedly the purest or most abstract of the arts, that one can retrace the textual and cultural transformations accomplished by the symbolist tradition. By extension, these poets' rethinking of poetics is an occasion for present-day critics to re-examine assumptions, not only about the intersections of music and poetry and our understanding of symbolist poetics but also about the role that the aesthetic implicitly plays in the creation, preservation, or reshaping of cultural memory.
Publisher: Routledge
ISBN: 1351935658
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
What role did music play in the creation of a new aesthetics of poetry in French from the 1860s to the 1930s? How did music serve as an unassimilable 'other' against which the French symbolist poets crafted a new poetics? And why did music gradually disappear from early twentieth-century poetic discourse? These are among the questions Joseph Acquisto poses in his lively study of the ways in which Baudelaire, Mallarmé, Ghil, and Royère question the nature and function of the lyric through an ever-shifting set of intertextual and cultural contexts. Rather than focusing on 'musicality' in verse, the author addresses the consequences of choosing music as a site of dialogue with poetry. Acquisto argues that memory plays an under acknowledged yet vital role in these poets' rewriting of symbolist poetics. His reading of their interactions, and his focus on both major and neglected poets, exposes the myth of a small handful of 'great authors' shaping symbolism while a host of disciples propagated the tradition. Rather, Acquisto proposes, the multiplicity of authors writing and rewriting symbolism invites a dialogic approach to the poetics of the period. Moreover, music, as theorized rather than performed or heard, serves as a privileged mobile space of poetic creation and dialogue for these poet-critics; it is through engagement with music, supposedly the purest or most abstract of the arts, that one can retrace the textual and cultural transformations accomplished by the symbolist tradition. By extension, these poets' rethinking of poetics is an occasion for present-day critics to re-examine assumptions, not only about the intersections of music and poetry and our understanding of symbolist poetics but also about the role that the aesthetic implicitly plays in the creation, preservation, or reshaping of cultural memory.