Author: Michael Nyman
Publisher: Cambridge University Press
ISBN: 9780521653831
Category : Music
Languages : en
Pages : 218

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Book Description
Composer Michael Nyman's classic 1974 account of the postwar experimental tradition in music.

Author: Pwyll ap Siôn
Publisher: Routledge
ISBN: 1351542265
Category : Music
Languages : en
Pages : 250

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Book Description
Nyman's rise to international prominence during the last three decades has made him one of the world's most successful living composers. His music has nevertheless been criticized for its parasitic borrowing of other composers' ideas and for its relentless self-borrowing. In this first book-length study in English, Pwyll ap Silaces Nyman's writings within the general context of Anglo-American experimentalism, minimalism and post-minimalism, and provides a series of useful contexts from which controversial aspects of Nyman's musical language can be more clearly understood and appreciated. Drawing upon terms informed by intertextual theory in general, appropriation and borrowing are first introduced within the context of twentieth-century art music and theory. Intertextual concepts are explained and their terms defined before Nyman's musical language is considered in relation to a series of intertextual classifications and types. These types then form the basis of a more in-depth study of his works during the second half of the book, ranging from opera and chamber music to film. Rather than restricting style and technique, Nyman's intertextual approach, on the contrary, is shown to provide his music with an almost infinite amount of variety, flexibility and diversity, and this has been used to illustrate a wide range of technical, aesthetic and expressive forms. He composes with his ear towards the past as if it were a rich quarry to mine, working like a musical archaeologist, uncovering artefacts and chiselling fresh and vibrant sonic edifices out of them.

Author: Pwyll ap Siôn
Publisher: Routledge
ISBN: 1317096851
Category : Music
Languages : en
Pages : 396

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Book Description
For over three decades Michael Nyman's music has succeeded in reaching beyond the small community of contemporary music aficionados to a much wider range of listeners. An important element in unlocking the key to Nyman's success lies in his writings about music, which preoccupied him for over a decade from the late 1960s to the early 1980s. During this time Nyman produced over 100 articles, covering almost every conceivable musical style and genre - from the Early Music revival and the West's interest in 'world' music, or from John Cage and minimalism to rock and pop. Nyman initiated a number of landmark moments in the course of late twentieth-century music along the way: he was one of the first to critique the distinction between the European avant-garde and the American experimental movement; he was the first to coin the term 'minimalism' in relation to the music of (then largely unknown) Steve Reich and Terry Riley, and later Philip Glass; the first to seriously engage with the music of the English experimental tradition and the importance of Cornelius Cardew, and to identify the importance of Art Colleges in nurturing and developing a radical alternative to modernism; and one of the first writers to grasp the significance of post-minimalists such as Brian Eno and Harold Budd, and to realize how these elements could be brought together into a new aesthetic vision for his own creative endeavours, which was formulated during the late 1970s and early 80s. Much of what transformed and defined Nyman's musical character may be found within the pages of this volume of his writings, comprehensively edited and annotated for the first time, and including previously unpublished material from Nyman's second interview with Steve Reich in 1976. There is also much here to engage the minds of those who are interested in pre-twentieth century music, from Early and Baroque music (Handel and Purcell in particular) to innovative features in Haydn, spatial elements in Berlioz, or Bruckner and Mahler's symphonic works.

Author: Pwyll ap Siôn
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781859282106
Category : Music
Languages : en
Pages : 266

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Book Description
Nyman's rise to international prominence during the last three decades has made him one of the world's most successful living composers. His music has nevertheless been criticized for its parasitic borrowing of other composers' ideas and for its relentless self-borrowing. In this first book-length study in English, Pwyll ap Siôn places Nyman's writings within the general context of Anglo-American experimentalism, minimalism and post-minimalism, and provides a series of useful contexts from which controversial aspects of Nyman's musical language can be more clearly understood and appreciated.

Author: Chris Hiscock
Publisher: Heinemann
ISBN: 9780435810924
Category : Juvenile Nonfiction
Languages : en
Pages : 70

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Book Description
"... takes a project-based approach to cover performing and composing, listening and appraising..." -- Back cover.

Author: Harriet Elaine Margolis
Publisher: Cambridge University Press
ISBN: 9780521597210
Category : Fiction
Languages : en
Pages : 224

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Book Description
An examination of Jane Campion's The Piano from a variety of critical perspectives.

Author: Nancy Faber
Publisher: Hal Leonard Corporation
ISBN: 161677911X
Category : Music
Languages : en
Pages : 80

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Book Description
(Faber Piano Adventures ). Through sacred carols, humorous Santa songs, and winter favorites, adult beginners and those reacquainting with the keyboard can celebrate with the best songs of the season. Adult Piano Adventures Christmas Book 1 features three sections: Beginning Christmas Songs, Christmas Songs in the Key of C major, and Christmas Songs in the key of G major. Contents include: We Wish You a Merry Christmas * Angels We Have Heard on High * Away in a Manger * Jingle Bells * We Three Kings of Orient Are * (There's No Place Like) Home for the Holidays * It Came Upon the Midnight Clear * O Little Town of Bethlehem * Frosty the Snowman * Jingle-Bell Rock * I'll Be Home for Christmas * Little Drummer Boy * Have Yourself a Merry Little Christmas * and more. Online access to audio recordings of the piano selections is included, as well as orchestrated accompaniments for play-along fun.

Author: Christopher Schaberg
Publisher: Bloomsbury Publishing USA
ISBN: 1501364596
Category : Literary Criticism
Languages : en
Pages : 185

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Book Description
This book is one English professor's assessment of university life in the early 21st century. From rising mental health concerns and trigger warnings to learning management systems and the COVID pandemic, Christopher Schaberg reflects on the rapidly evolving landscape of higher education. Adopting an interdisciplinary public humanities approach, Schaberg considers the frequently exhausting and depressing realities of college today. Yet in these meditations he also finds hope: collaboration, mentoring, less grading, surface reading, and other pedagogical strategies open up opportunities to reinvigorate teaching and learning in the current turbulent decade.

Author: James Pritchett
Publisher: Cambridge University Press
ISBN: 9780521565448
Category : Biography & Autobiography
Languages : en
Pages : 244

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Book Description
The first book to examine fully the work of John Cage, leading figure of the post-war musical avant-garde.

Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 640

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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.