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Author: Steven Edward Jones Publisher: Palgrave MacMillan ISBN: 9780312294960 Category : Literary Criticism Languages : en Pages : 231
Book Description
"The Satiric Eye" is a compelling collection of essays on satiric writing, images, and theatrical performances from 1780-1832. The title alludes to Wordsworth's famous "inward eye / Which is the bliss of solitude" -and is meant to raise significant critical questions about inwardness, solitude, sincerity, and authenticity in the period, questions which all these essays address. These diverse contributions range from advertising to Jane Austen, graphic pamphlets to the pantomime and illuminate with a satiric eye many presuppositions about early-nineteenth-century literature. Taken together, they challenge the critical conventions about what matters in the Romantic period, the preoccupation with nature, the Gothic, revolution, sentiment, beauty, and literary aesthetics. In their stunning range the essays both decenter Romanticism and reorient the canonical works, authors, and the critical constructs that have defined it.
Author: Steven Edward Jones Publisher: Palgrave MacMillan ISBN: 9780312294960 Category : Literary Criticism Languages : en Pages : 231
Book Description
"The Satiric Eye" is a compelling collection of essays on satiric writing, images, and theatrical performances from 1780-1832. The title alludes to Wordsworth's famous "inward eye / Which is the bliss of solitude" -and is meant to raise significant critical questions about inwardness, solitude, sincerity, and authenticity in the period, questions which all these essays address. These diverse contributions range from advertising to Jane Austen, graphic pamphlets to the pantomime and illuminate with a satiric eye many presuppositions about early-nineteenth-century literature. Taken together, they challenge the critical conventions about what matters in the Romantic period, the preoccupation with nature, the Gothic, revolution, sentiment, beauty, and literary aesthetics. In their stunning range the essays both decenter Romanticism and reorient the canonical works, authors, and the critical constructs that have defined it.
Author: Dan Geddes Publisher: ISBN: 9789081999700 Category : American wit and humor Languages : en Pages : 192
Book Description
"Enjoy this hilarious collection of satires, reviews, news, poems, and short stories from The Satirist: America's Most Critical Journal."--P. [4] of cover.
Author: Amy Wiese Forbes Publisher: Rowman & Littlefield ISBN: 9780739129456 Category : History Languages : en Pages : 328
Book Description
"Where do democratic political practices originate? This issue has long concerned republics, but few historians have studied the process by which people learn the skills of rights-based government. In this illuminating history, Amy Wiese Forbes addresses these origins by analyzing how republicanism took shape through the political satire that flooded French newspapers, theaters, courtrooms, and even academic life in 1830. Forbes shows that satire was the chief source of the critical spirit of republicanism that erupted in the 1840s and sustained the Republic in the 1870s and argues against the notion that satire had no lasting political impact. This book will speak to historians of French politics, republicanism, popular culture, the July Monarchy, satire and political humor, class and gender formation, and legal history." --Book Jacket.
Author: Ruben Quintero Publisher: John Wiley & Sons ISBN: 1405171995 Category : Literary Criticism Languages : en Pages : 624
Book Description
This collection of twenty-nine original essays, surveys satire fromits emergence in Western literature to the present. Tracks satire from its first appearances in the prophetic booksof the Old Testament through the Renaissance and the Englishtradition in satire to Michael Moore’s satirical movieFahrenheit 9/11. Highlights the important influence of the Bible in the literaryand cultural development of Western satire. Focused mainly on major classical and European influences onand works of English satire, but also explores the complex andfertile cultural cross-semination within the tradition of literarysatire.
Author: Kirk Freudenburg Publisher: Cambridge University Press ISBN: 1139826573 Category : History Languages : en Pages : 380
Book Description
Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift.
Author: Juan Francisco Elices Agudo Publisher: Peter Lang ISBN: 9783039106912 Category : Literary Criticism Languages : en Pages : 264
Book Description
This study explores five major narratives of Ghanian-born novelist William Boyd from a satiric point of view. Boyd's novels and short stories take up some of the particular traits of satire, a genre which has gradually lost the impact it had in the eighteenth century. This book analyses the satiric spirit of four novels and one short story: A Good Man in Africa, An Ice-Cream War, Stars and Bars, Armadillo and The Destiny of Nathalie 'X'. It looks at the way Boyd approaches crucial events in twentieth-century history and how he unmasks the follies that underlay most of them. It also deals with issues such as the effects of British colonialism in Africa, the superficiality of Hollywood's film industry and the shortcomings of modern urban civilisation. The theoretical framework of this study is based on the analysis of recent satire criticism.
Author: Meredith McNeill Hale Publisher: Oxford University Press ISBN: 0192573322 Category : Political Science Languages : en Pages : 288
Book Description
Political satire has been a primary weapon of the press since the eighteenth century and is still intimately associated with one of the most important values of western democratic society: the right of individuals to free speech. This study documents one of the most important moments in the history of printed political imagery, when political print became what we would recognise as modern political satire. Contrary to conventional historical and art historical narratives, which place the emergence of political satire in the news-driven coffee-house culture of eighteenth-century London, Meredith M. Hale locates the birth of the genre in the late seventeenth-century Netherlands in the contentious political milieu surrounding William III's invasion of England known as the 'Glorious Revolution'. The satires produced between 1688 and 1690 by the Dutch printmaker Romeyn de Hooghe on the events surrounding William III's campaigns against James II and Louis XIV establish many of the qualities that define the genre to this day: the transgression of bodily boundaries; the interdependence of text and image; the centrality of dialogic text to the generation of meaning; serialized production; and the emergence of the satirist as a primary participant in political discourse. This study, the first in-depth analysis of De Hooghe's satires since the nineteenth century, considers these prints as sites of cultural influence and negotiation, works that both reflected and helped to construct a new relationship between the government and the governed.
Author: Rolf P. Lessenich Publisher: V&R unipress GmbH ISBN: 3899719867 Category : History Languages : en Pages : 440
Book Description
Romanticism was not only heterogeneous and disunited. It also had to face the hostile counter-movement of the Enlightenment and Augustan Neoclassicism, still going strong at the time of and in the decades following the French Revolution due to support from the ruling Establishment (the ancien regime of the Crown and Church of England). Neoclassicists regarded Romanticism as a heteretical amalgam of dissenting new schools, which threatened the monopoly of the Classical Tradition. The acrimonious debates in aesthetics and politics were conducted with the traditional strategies of the classical ars disputandi on both sides. Under the duress of the heaviest satirical attacks, Romanticism began gradually to see itself as one movement, giving rise to the problematic opposition of Classical and Romantic. The construction of this rough divide, however, was indispensable for the clarification of different positions in the hubbub of conflicting voices, and has also proved critical in literary and cultural studies which cannot do without such subsumptions. The Classical Tradition, encompassing Christianity, emerges as an ongoing event from Greek and Latin antiquity running through to our time.
Author: Will Aitken Publisher: House of Anansi ISBN: 1487009704 Category : Fiction Languages : en Pages : 192
Book Description
In this darkly hilarious satire by the inimitable Will Aitken, class war erupts aboard a luxury cruise ship. A boatload of white privilege, The Emerald Tranquility is the most luxurious cruise liner afloat, its passengers some of the richest people in the world. Meanwhile the ship’s crew, overworked and underpaid, live packed tightly together in airless below-deck cabins. The passengers encounter a great number of cataclysms at sea, but no matter the catastrophe, the great ship always sails on. Briony, a globetrotting luxury travel writer, emulates the rich — though homeless and penniless herself — as she hops from gig to all-expenses-paid gig. On her own personal voyage, she encounters Mrs. Moore, an enigmatic woman of advanced age clandestinely fomenting a mutiny on this bountiful ship. With the captain overthrown, roles quickly reverse: the crew become the ship’s new leisure class and the aged passengers learn how to mop floors and scrub toilets. Confused and terrified by the resultant chaos, Briony must decide which lot to cast her fate with in this savage satire of the way we live now.
Author: Matt Fotis Publisher: Routledge ISBN: 0429807295 Category : Art Languages : en Pages : 258
Book Description
Satire & The State focuses on performance-based satire, most often seen in sketch comedy, from 1960 to the present, and explores how sketch comedy has shaped the way Americans view the president and themselves. Numerous sketch comedy portrayals of presidents that have seeped into the American consciousness – Chevy Chase’s Gerald Ford, Dana Carvey’s George H.W. Bush, and Will Ferrell’s George W. Bush all worked to shape the actual politician’s public persona. The book analyzes these sketches and many others, illustrating how comedy is at the heart of the health and function of American democracy. At its best, satire aimed at the presidency can work as a populist check on executive power, becoming one of the most important weapons for everyday Americans against tyranny and political corruption. At its worst, satire can reflect and promote racism, misogyny, and homophobia in America. Written for students of Theatre, Performance, Political Science, and Media Studies courses, as well as readers with an interest in political comedy, Satire & The State offers a deeper understanding of the relationship between comedy and the presidency, and the ways in which satire becomes a window into the culture, principles, and beliefs of a country.
Author: Steven Edward Jones
Author: Steven Edward Jones
Author: Dan Geddes
Author: Amy Wiese Forbes
Author: Ruben Quintero
Author: Kirk Freudenburg
Author: Juan Francisco Elices Agudo
Author: Meredith McNeill Hale
Author: Rolf P. Lessenich
Author: Will Aitken
Author: Matt Fotis