Author: Christopher MacGowan Publisher: John Wiley & Sons ISBN: 1405160233 Category : Literary Criticism Languages : en Pages : 410
Book Description
THE TWENTIETH-CENTURY AMERICAN FICTION Accessibly structured with entries on important historical contexts, central issues, key texts and the major writers, this Handbook provides an engaging overview of twentieth-century American fiction. Featured writers range from Henry James and Theodore Dreiser to contemporary figures such as Joyce Carol Oates, Thomas Pynchon, and Sherman Alexie, and analyses of key works include The Great Gatsby, Lolita, The Color Purple, and The Joy Luck Club, among others. Relevant contexts for these works, such as the impact of Hollywood, the expatriate scene in the 1920s, and the political unrest of the 1960s are also explored, and their importance discussed. This is a stimulating overview of twentieth-century American fiction, offering invaluable guidance and essential information for students and general readers.
Author: Christopher John MacGowan Publisher: ISBN: 9781782685456 Category : American fiction Languages : en Pages :
Book Description
This student-friendly handbook provides an engaging overview of American fiction over the twentieth century, with entries on the important historical contexts and central issues, as well as the major texts and writers. - Provides extensive coverage of short stories and short story writers as well as novels and novelists - Discusses the cultural contexts and issues that shape the texts and their reputations - Wide-ranging in scope, including science fiction and recent Native American writing - Featured writers range from Henry James and Theodore Dresier to Toni Morrison, Don DeLillo, and Sherman Alexie - Ideal student accompaniment to courses in Twentieth-Century American Literature or Fiction.
Author: Timo Müller Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110422549 Category : Literary Criticism Languages : en Pages : 512
Book Description
Increasing specialization within the discipline of English and American Studies has shifted the focus of scholarly discussion toward theoretical reflection and cultural contexts. These developments have benefitted the discipline in more ways than one, but they have also resulted in a certain neglect of close reading. As a result, students and researchers interested in such material are forced to turn to scholarship from the 1960s and 1970s, much of which relies on dated methodological and ideological presuppositions. The handbook aims to fill this gap by providing new readings of texts that figure prominently in the literature classroom and in scholarly debate − from James’s The Ambassadors to McCarthy’s The Road. These readings do not revert naively to a time “before theory.” Instead, they distil the insights of literary and cultural theory into concise introductions to the historical background, the themes, the formal strategies, and the reception of influential literary texts, and they do so in a jargon-free language accessible to readers on all levels of qualification.
Author: Baldwin Clive Baldwin Publisher: Edinburgh University Press ISBN: 1474423892 Category : Literary Criticism Languages : en Pages : 309
Book Description
Explores representations of men and masculinity in American fiction published after the Second World WarOffers readings of a wide selection of postwar American novels from 1945 to the mid-1950s, including canonical works, from the unique perspective of their representation of male identityProvides rich comparative insights through analysis of fiction by writers of diverse race, class and sexualityDemonstrates how gender theory generates insights into the constitution of American masculinity in fictionFocusing on a complex and contentious period that was formative in shaping American society and culture in the twentieth century, this book sheds new light on the ways in which fiction engaged with contemporary notions of masculinity. It draws on gender theory and analysis of writers from diverse backgrounds of race, class and sexuality to provide rich comparative insights into the constitution of American masculinity in fiction. The extensive range of novels considered includes fresh analyses of key authors such as James Baldwin, Truman Capote, Patricia Highsmith, Jack Kerouac, Norman Mailer, Ann Petry, J. D. Salinger and Gore Vidal.
Author: Lauren S. Cardon Publisher: University of Virginia Press ISBN: 0813938635 Category : Literary Criticism Languages : en Pages : 232
Book Description
During the twentieth century, the rise of the concept of Americanization—shedding ethnic origins and signs of "otherness" to embrace a constructed American identity—was accompanied by a rhetoric of personal transformation that would ultimately characterize the American Dream. The theme of self-transformation has remained a central cultural narrative in American literary, political, and sociological texts ranging from Jamestown narratives to immigrant memoirs, from slave narratives to Gone with the Wind, and from the rags-to-riches stories of Horatio Alger to the writings of Barack Obama. Such rhetoric feeds American myths of progress, upward mobility, and personal reinvention. In Fashion and Fiction, Lauren S. Cardon draws a correlation between the American fashion industry and early twentieth-century literature. As American fashion diverged from a class-conscious industry governed by Parisian designers to become more commercial and democratic, she argues, fashion designers and journalists began appropriating the same themes of self-transformation to market new fashion trends. Cardon illustrates how canonical twentieth-century American writers, including Edith Wharton, Theodore Dreiser, F. Scott Fitzgerald, Ernest Hemingway, and Nella Larsen, symbolically used clothing to develop their characters and their narrative of upward mobility. As the industry evolved, Cardon shows, the characters in these texts increasingly enjoyed opportunities for individual expression and identity construction, allowing for temporary performances that offered not escapism but a testing of alternate identities in a quest for self-discovery.
Author: Thomas Heise Publisher: Rutgers University Press ISBN: 0813547849 Category : Literary Criticism Languages : en Pages : 308
Book Description
Urban Underworlds is an exploration of city spaces, pathologized identities, lurid fears, and American literature. Surveying one hundred years of history, and fusing sociology, urban planning, and criminology with literary and cultural studies, it chronicles how and why marginalized populations-immigrant Americans in the Lower East Side, gays and lesbians in Greenwich Village and downtown Los Angeles, the black underclass in Harlem and Chicago, and the new urban poor dispersed across American cities-have been selectively targeted as "urban underworlds" and their neighborhoods.
Author: David Wyatt Publisher: JHU Press ISBN: 0801899230 Category : Literary Criticism Languages : en Pages : 424
Book Description
Secret Histories claims that the history of the nation is hidden—in plain sight—within the pages of twentieth-century American literature. David Wyatt argues that the nation's fiction and nonfiction expose a "secret history" that cuts beneath the "straight histories" of our official accounts. And it does so by revealing personal stories of love, work, family, war, and interracial romance as they were lived out across the decades of the twentieth century. Wyatt reads authors both familiar and neglected, examining "double consciousness" in the post–Civil War era through works by Charles W. Chesnutt, W. E. B. Du Bois, and Booker T. Washington. He reveals aspects of the Depression in the fiction of F. Scott Fitzgerald, Anzia Yezierska, and John Steinbeck. Period by period, Wyatt's nuanced readings recover the felt sense of life as it was lived, opening surprising dimensions of the critical issues of a given time. The rise of the women's movement, for example, is revivified in new appraisals of works by Eudora Welty, Ann Petry, and Mary McCarthy. Running through the examination of individual works and times is Wyatt's argument about reading itself. Reading is not a passive activity but an empathetic act of cocreation, what Faulkner calls "overpassing to love." Empathetic reading recognizes and relives the emotional, cultural, and political dimensions of an individual and collective past. And discovering a usable American past, as Wyatt shows, enables us to confront the urgencies of our present moment.
Author: Cristina L. Ruotolo Publisher: University Alabama Press ISBN: 9780817317980 Category : Literary Criticism Languages : en Pages : 182
Book Description
Examining American realist fiction as it was informed and shaped by the music of the period, Sounding Real sheds new light on the profound musical and cultural change at the turn of the twentieth century. Sounding Real by Cristina L. Ruotolo examines landmark changes in American musical standards and tastes in the late-nineteenth and early-twentieth centuries and the way they are reflected in American literature of the period. Whereas other interdisciplinary approaches to music and literature often focus on more recent popular music and black music that began with blues and jazz, Ruotolo addresses the literary response to the music that occurred in the decades before the Jazz Age. By bringing together canonical and lesser-known works by authors like Theodore Dreiser, Kate Chopin, Harold Fredric, James Weldon Johnson, Willa Cather, and Gertrude Atherton, Ruotolo argues that new, emerging musical forms were breaking free from nineteenth-century constraints, and that the elemental authenticity or real-ness that this new music articulated sparked both interest and anxiety in literature: What are the effects of an emancipated musicality on self and society? How can literature dramatize musical encounters between people otherwise segregated by class, race, ethnicity, or gender? By examining the influence of an increasingly aggressive and progressive musical marketplace on the realm of literature, Sounding Real depicts a dynamic dialogue between two art forms that itself leads to a broader discussion of how art speaks to society.
Author: David Seed Publisher: John Wiley & Sons ISBN: 9781444310115 Category : Literary Criticism Languages : en Pages : 608
Book Description
Through a wide-ranging series of essays and relevant readings, A Companion to Twentieth-Century United States Fiction presents an overview of American fiction published since the conclusion of the First World War. Features a wide-ranging series of essays by American, British, and European specialists in a variety of literary fields Written in an approachable and accessible style Covers both classic literary figures and contemporary novelists Provides extensive suggestions for further reading at the end of each essay
Author: Matthew James Vechinski Publisher: Routledge ISBN: 1000734013 Category : Literary Criticism Languages : en Pages : 223
Book Description
Twentieth-Century American Fiction in Circulation is a study of the twentieth-century linked story collection in the United States. It emphasizes how the fictional form grew out of an established publishing model—individual stories printed in magazines, revised and expanded into single-author volumes that resemble novels—which creates multiple contexts for the reception of this literature. By acknowledging the prior appearance of stories in periodicals, the book examines textual variants and the role of editorial emendation, drawing on archival records (drafts and correspondence) whenever possible. It also considers how the pages of magazines create a context for the reception of short stories that differs significantly from that of the single-author book. The chapters explore how short stories, appearing separately then linked together, excel at representing the discontinuity of modern American life; convey the multifaceted identity of a character across episodes; mimic the qualities of oral storytelling; and illustrate struggles of belonging within and across communities. The book explains the appearance and prevalence of these narrative strategies at particular cultural moments in the evolution of the American magazine, examining a range of periodicals such as The Masses, Saturday Evening Post, Partisan Review, Esquire, and Ladies’ Home Journal. The primary linked story collections studied are Sherwood Anderson’s Winesburg, Ohio (1919), William Faulkner’s The Unvanquished (1938), Mary McCarthy’s The Company She Keeps (1942), John Barth’s Lost in the Funhouse (1968), and Amy Tan’s The Joy Luck Club (1988).
Author: Christopher MacGowan
Author: Christopher John MacGowan
Author: Timo Müller
Author: Baldwin Clive Baldwin
Author: Lauren S. Cardon
Author: Thomas Heise
Author: David Wyatt
Author: Cristina L. Ruotolo
Author: David Seed
Author: Matthew James Vechinski