The Visual in Performance Practice PDF Download

Author:
Publisher: BRILL
ISBN: 1848880669
Category : Performing Arts
Languages : en
Pages : 185

View

Book Description
This volume was first published by Inter-Disciplinary Press in 2011. Papers from the first global conference of Performance: Visual Aspects of Performance Practice (2010) evoke the multi-role, collaborative sense of a jointly crafted production of new discoveries from theory, concept, and design to realization, reflection, and audience reception.

Author: Celia Morgan
Publisher: BRILL
ISBN: 1848881215
Category : Art
Languages : en
Pages : 249

View

Book Description
The range and scope of subjects is reflective of the diverse vantage points that such an eclectic group of practitioners bring to a discussion, within the visual aspects of performance practice.

Author: Steve Gibson
Publisher: Taylor & Francis
ISBN: 100061297X
Category : Performing Arts
Languages : en
Pages : 453

View

Book Description
This volume surveys the key histories, theories and practice of artists, musicians, filmmakers, designers, architects and technologists that have worked and continue to work with visual material in real time. Covering a wide historical period from Pythagoras’s mathematics of music and colour in ancient Greece, to Castel’s ocular harpsichord in the 18th century, to the visual music of the mid-20th century, to the liquid light shows of the 1960s and finally to the virtual reality and projection mapping of the present moment, Live Visuals is both an overarching history of real-time visuals and audio-visual art and a crucial source for understanding the various theories about audio-visual synchronization. With the inclusion of an overview of various forms of contemporary practice in Live Visuals culture – from VJing to immersive environments, architecture to design – Live Visuals also presents the key ideas of practitioners who work with the visual in a live context. This book will appeal to a wide range of scholars, students, artists, designers and enthusiasts. It will particularly interest VJs, DJs, electronic musicians, filmmakers, interaction designers and technologists.

Author: Jim Davis
Publisher: Routledge
ISBN: 1351938304
Category : Performing Arts
Languages : en
Pages : 539

View

Book Description
This volume contains key articles and chapters which represent both seminal and innovative scholarship on European theatre performance practice from 1750 to 1900. The selected topics focus on acting and performance, staging (including set design and lighting), and audiences, and are approached with a broad perspective as well as with in-depth, focussed analysis. The volume captures the rich, dynamic and variegated nature of European theatre throughout the late-eighteenth and nineteenth centuries and provides a carefully selected body of significant texts on this important period of theatre history.

Author: Franc Chamberlain
Publisher: Routledge
ISBN: 1000402118
Category : Performing Arts
Languages : en
Pages : 832

View

Book Description
The Routledge Companion to Studio Performance Practice is a unique, indispensable guide to the training methods of the world’s key theatre practitioners. Compiling the practical work outlined in the popular Routledge Performance Practitioners series of guidebooks, each set of exercises has been edited and contextualised by an expert in that particular approach. Each chapter provides a taster of one practitioner’s work, answering the same key questions: ‘How did this artist work? How can I begin to put my understanding of this to practical use?’ Newly written chapter introductions put the exercises in context, explaining how they fit into the wider methods and philosophy of the practitioner in question. All 21 volumes in the original series are represented in this volume.

Author: Philip Butterworth
Publisher: Routledge
ISBN: 1351938355
Category : Performing Arts
Languages : en
Pages : 391

View

Book Description
This volume brings together important records of medieval theatre practice between 1400 and 1580. The records are drawn from a wide range of spheres including civic, ecclesiastical, trade and guild records and consist of payments for materials, techniques and services; also included are some eye witness accounts. Alongside these records is a selection of the best contemporary research conducted into medieval performance practice, which features ground-breaking analysis and challenges current understanding, knowledge and authority in this field. These contributions of rigorous scholarship complement and support the work of the well-known Records of Early English Drama project and help to further illuminate contemporary fifteenth and early sixteenth-century theatre performance practice.

Author: Helene G. Markstein
Publisher: BRILL
ISBN: 1848885326
Category : Social Science
Languages : en
Pages : 193

View

Book Description
This publication outlines the understanding of scenographic practice as a combination of numerous theatre-practices that collaborate and include: architecture, lighting, costume, make-up, sound, settings and stage properties, movement, as well as audience participation.

Author: Lou Prendergast
Publisher: BRILL
ISBN: 9004467920
Category : Literary Criticism
Languages : en
Pages : 266

View

Book Description
Theatre practitioners, artists, academics, yogis and anyone interested in how the notion of Self-realisation augmented arts-making methodologies will find many interesting themes in this multi-layered performance research project, which includes the scripts of three publicly presented, critically acclaimed theatrical productions.

Author: Sylwia Dobkowska
Publisher: Routledge
ISBN: 1000519562
Category : Performing Arts
Languages : en
Pages : 204

View

Book Description
This research project investigates the concepts of absence across the disciplines of theatre, visual art, and performance. Absence in the centre of an ideology frees the reader from the dominant meaning. The book encourages active engagement with theatre theory and performances. Reconsideration of theories and experiences changes the way we engage with performances, as well as social relations and traditions outside of theatre. Sylwia Dobkowska examines and theorises absence and presence through theatre, performance, and visual arts practices. This book will be of great interest to students and scholars of theatre, visual art, and philosophy.

Author: Noyale Colin
Publisher: Springer
ISBN: 1137462469
Category : Performing Arts
Languages : en
Pages : 311

View

Book Description
Collaboration between artists has been practised for centuries, yet over recent decades the act of collaborating has taken different meanings. This publication examines cultural, philosophical and political issues tied to specific instances of collaborative practice in the performing arts. Leading scholars and practitioners review historical developments of collaborative practice and reveal what it means to work together in creative contexts at the beginning of the twenty-first century. Key questions addressed include how artists are developing new ways of working together in response to contemporary economic trends, the significance of collaborating across culture and what opportunities are apparent when co-working between genres and disciplines. Noyale Colin and Stefanie Sachsenmaier present these perspectives in three thematic sections which interrogate the premises of collective intentions, the working strategies of current practitioners, as well as the role of failure and compromise in collaborative modes of creative work. This volume is an invaluable resource for scholars, practitioners and those interested in contemporary artistic methods of working.