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Author: Ben Britton Publisher: CreateSpace ISBN: 9781499583489 Category : Music Languages : en Pages : 58
Book Description
A Complete Approach to Overtones is an in-depth treatment on overtones for saxophone. The book provides a full range of exercises and aids to improve the overtone capabilities and overall saxophone playing for every level of saxophonist. Beginners will find the aids they need to achieve their first overtones, and players who can already play a wide range of overtones will find exercises that improve and expand their abilities as well. "Ben Britton has put together a comprehensive volume explaining the overtone series and how to practice with it. A must-have for serious students of the saxophone." - Charles Pillow, Assistant Professor of Jazz Saxophone, Eastman School of Music From the introduction: "One of the most efficient ways to improve saxophone sound or tone is through overtone practice. Just a minute or two of proper overtone practice immediately increases the clarity and richness of tone as well as increases your ability to maintain a great sound while playing technically difficult music. Regularly practicing overtones will lead to consistently achieving those ends and extending your range into the altissimo register. Mastering overtones can result in a near four-octave range with a consistent and beautiful sound throughout."
Author: Ben Britton Publisher: CreateSpace ISBN: 9781499583489 Category : Music Languages : en Pages : 58
Book Description
A Complete Approach to Overtones is an in-depth treatment on overtones for saxophone. The book provides a full range of exercises and aids to improve the overtone capabilities and overall saxophone playing for every level of saxophonist. Beginners will find the aids they need to achieve their first overtones, and players who can already play a wide range of overtones will find exercises that improve and expand their abilities as well. "Ben Britton has put together a comprehensive volume explaining the overtone series and how to practice with it. A must-have for serious students of the saxophone." - Charles Pillow, Assistant Professor of Jazz Saxophone, Eastman School of Music From the introduction: "One of the most efficient ways to improve saxophone sound or tone is through overtone practice. Just a minute or two of proper overtone practice immediately increases the clarity and richness of tone as well as increases your ability to maintain a great sound while playing technically difficult music. Regularly practicing overtones will lead to consistently achieving those ends and extending your range into the altissimo register. Mastering overtones can result in a near four-octave range with a consistent and beautiful sound throughout."
Author: Ben Britton Publisher: Createspace Independent Pub ISBN: 9781480131477 Category : Music Languages : en Pages : 66
Book Description
This book is designed to guide saxophonists of any genre towards achieving their ideal sound. Not only will pursuing this aspiration result in a more beautiful and powerful tone, but it will also promote virtuosity in other areas of technique such as the ability to execute technical passage, extending the range of the saxophone to four octaves, and widening the palette of available tone colors. The guiding principles for reaching these goals are taught in this book as are corresponding specific exercises to help efficiently achieve them. Accompanying sound clips are available at: www.benbrittonjazz.com/completeapproach "This is a terrific book on an often neglected yet integral part of saxophone playing. I recommend Ben's book to every serious saxophonist." --Walt Weiskopf Editor: Victor Pinto, New Orleans, LA Cover Photophrapy: Frankie Withers, Annapolis, MD
Author: Jan Carley Publisher: FriesenPress ISBN: 1460296257 Category : Business & Economics Languages : en Pages : 195
Book Description
"A simple system to find your 'overtone' and create something greater than you ever thought possible. This guide will lead you through a step-by-step process to open up success and leverage transformative possibilities for your life, team or organization."--
Author: John Gross Publisher: Alfred Music ISBN: 9783892213857 Category : Languages : en Pages : 100
Book Description
Multiphonics for the Saxophone by John Gross features diagrams and explanations for over 170 different note combinations for all saxophones---designed to build strength, flexibility, and endurance.
Author: Iain Banks Publisher: Abacus ISBN: 0748109943 Category : Fiction Languages : en Pages : 400
Book Description
Dark family secrets and a long-lost love affair lie at the heart of Iain Banks's fabulous new novel. The Wopuld family built its fortune on a board game called Empire! - now a hugely successful computer game. So successful, the American Spraint Corp wants to buy the firm out. Young renegade Alban, who has been evading the family clutches for years, is run to ground and persuded to attend the forthcoming family gathering - part birthday party, part Extraordinary General Meeting - convened by Win, Wopuld matriarch and most powerful member of the board, at Garbadale, the family's highland castle. Being drawn back into the bosom of the clan brings a disconcerting confrontation with Alban's past. What drove his mother to take her own life? And is he ready to see Sophie, his beautiful cousin and teenage love? Grandmother Win's revelations wll radically alter Alban's perspective for ever.
Author: Publisher: Hal Leonard Corporation ISBN: 1476863148 Category : Music Languages : en Pages : 38
Book Description
(Instructional). Living sax legend Jackie McLean is one of the greatest alto players of the post-Parker era. For this book, he has assembled essential warm-up exercises to help students become familiar with playing through different keys ascending and descending chromatically. Includes a biography, an interview, many exercises, and transcriptions of his solos in "Bluesnik" and "Dig."
Author: Ted Nash Publisher: Hal Leonard Publishing Corporation ISBN: 9780634092664 Category : Music Languages : en Pages : 0
Book Description
(Instructional). This 24-page instrumental method/supplement for tenor and alto sax players was written by jazz player and composer Ted Nash and edited by Jeannette Delisa.
Author: Robert J. Yanal Publisher: McFarland ISBN: 0786482303 Category : Performing Arts Languages : en Pages : 217
Book Description
The films of Alfred Hitchcock deal heavily with psychological and philosophical themes, and one needn't look very far into the canon to find them. In Psycho, for example, the personality metamorphosis in Marion Crane that leads her into grand larceny is a pale double of the murderous oedipal divide in Norman Bates. In The Birds, overbearing natural mutations turn what might have been a "creature feature" into a film about fear of the unknowable. This book looks at 12 Hitchcock films and the positions they put forth on three problem areas of epistemology: deception, knowledge of mind, and problematic knowledge of the external world. These philosophical concepts are explained and woven into the author's thorough and thought-provoking discussion of each film. Descartes and Wittengenstein star; Plato, Locke, Hume, Kant and Kierkegaard also make appearances in this new "philosopher's cut" of the master's works.
Author: Trevor Wye Publisher: Music Sales ISBN: 9781783054251 Category : Flute Languages : en Pages : 0
Book Description
(Music Sales America). Trevor Wye's acclaimed Practice Books for the Flute have now sold over one million copies and proved invaluable to players at every grade. Each book explores individual aspects of flute technique in concise detail. This revised edition features updated diagrams, clearer musical notation and improved overall design. This omnibus edition of all six books in the Practice Book series is invaluable for both amateur and would-be professional players. Together these books form a complete reference guide for players who are looking to overcome technical difficulties, and who are seeking advice on how best to practice.
Author: Richard Norton Publisher: Penn State University Press ISBN: Category : Music Languages : en Pages : 328
Book Description
This book initiates "the first critical appraisal of the whole of Western tonal consciousness, from the discoveries of Pythagoras to the latest popular song." While tonality has been unwittingly championed as the product of the bourgeois age in Europe and America from 1600 to 1900, Norton states, key-centered music is understood here merely to exhibit components of an encompassing sonic expressivity as durable as any language. The author analyzes fundamental components of Western tonal phenomena that have persisted in music from ancient Jewish cantillation to the so-called atonal procedures of the Schoenberg school and beyond. Norton isolates the role of traditional music theory in the creation of models that attempted to explain tonality solely in terms of the concretized and limited objectivity of the musical score. The author evaluates and discards those features of logical positivism, scientific empiricism, idealism, and vitalism that in his view have encumbered virtually all speculation on tonality. With this negation, his aim is to restore the composer as a creator subject to his own sonic object. The book's approach is particularly indebted to the thought of Theodor Adorno, the member of the Frankfurt School of critical theorists that Norton finds most capable of suggesting an authentic dialectic of tonality. The author interprets the activities of both theorists and composers from various periods within the context of their mutual and conflicting historical interests. Ranging through the fields of physics, acoustics, psychology, sociology, economics, and historical musicology and criticism, Norton demonstrates that the cognitive abilities and disabilities of humans as tonal hearers form a necessary ground for understanding the remarkable vitality of tonality as historical process. Current theories of human tonal activity are hopelessly limited, the book concludes, however self-preserving they have become through the sanction of academic respectability. In short, tonal science, as it is commonly practiced, is not tonal truth. In its place the author urges a thoroughgoing critique of the language and methodology of contemporary tonal speculation, an abandonment of its confining sphere of interest, and a new and liberating approach to tonal consciousness that incorporates all relevant data of human sonic cognition. This approach assumes that tonality is not merely the result of the physical unfolding of natural appearance--the overtone series that so enchanted Rameau, Schenker, Hindemith, and others--and the submission of composers to its assumed authority. Tonality is, rather, Norton contends, a decision made against the chaos of pitch and for the human potential to create works of music that speak with integrity and beauty, that as aesthetic creations neither lag behind nor rush ahead of human enjoyment and understanding.
Author: Ben Britton
Author: Ben Britton
Author: Ben Britton
Author: Jan Carley
Author: John Gross
Author: Iain Banks
Author: 
Author: Ted Nash
Author: Robert J. Yanal
Author: Trevor Wye
Author: Richard Norton