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Author: John N. Dunbar, Ph.D. Publisher: AuthorHouse ISBN: 1491868724 Category : Performing Arts Languages : en Pages : 438
Book Description
In the first book of its kind in the English language historian Dr. John Dunbar provides an overview of attempts throughout film history to put historical topics on screen in the United States and Great Britain. The earliest attempts were biographic films about famous people and some great epic films such as Gone With the Wind that were not claimed to be accurate histories of a period. World War Two paved the way for post war developments through the evolution of the documentary film that were often accurate portrayals of events in the war. After WW 2 a number of social, political, technical and economic developments opened the way for the making of historically accurate films. The dissolution of the Studio System in Hollywood, the disappearance of film censor boards, the arrival of television and later the internet, the appearance of greater market segments than those traditionally served by motion picture all opened up market opportunities for films of greater historical accuracy than had traditionally been available. The emergence of film makers and production companies dedicated to the accurate telling of history now engages the resources of professional historians in the making of films of unequalled accuracy. As items in the modern world of media literacy and political discourse, these films play an important role in the sustenance of the open society in which the ideals of the European Enlightenment can be continually realized.
Author: John N. Dunbar, Ph.D. Publisher: AuthorHouse ISBN: 1491868724 Category : Performing Arts Languages : en Pages : 438
Book Description
In the first book of its kind in the English language historian Dr. John Dunbar provides an overview of attempts throughout film history to put historical topics on screen in the United States and Great Britain. The earliest attempts were biographic films about famous people and some great epic films such as Gone With the Wind that were not claimed to be accurate histories of a period. World War Two paved the way for post war developments through the evolution of the documentary film that were often accurate portrayals of events in the war. After WW 2 a number of social, political, technical and economic developments opened the way for the making of historically accurate films. The dissolution of the Studio System in Hollywood, the disappearance of film censor boards, the arrival of television and later the internet, the appearance of greater market segments than those traditionally served by motion picture all opened up market opportunities for films of greater historical accuracy than had traditionally been available. The emergence of film makers and production companies dedicated to the accurate telling of history now engages the resources of professional historians in the making of films of unequalled accuracy. As items in the modern world of media literacy and political discourse, these films play an important role in the sustenance of the open society in which the ideals of the European Enlightenment can be continually realized.
Author: Maarten Pereboom Publisher: Routledge ISBN: 1315508036 Category : History Languages : en Pages : 289
Book Description
The ability to view recorded moving pictures has had a major impact on human culture since the development of the necessary technologies over a century ago. For most of this time people have gone to the movies to be entertained and perhaps edified, but in the meantime television, the videocassette recorder (VCR), the digital versatile disk (DVD) player, the personal computer (desktop and laptop), the internet and other technologies have made watching moving pictures possible at home, in the classroom and just about anywhere else. Today, moving images are everywhere in our culture. Every day, moving picture cameras record millions of hours of activity, human and otherwise, all over the world: your cell phone makes a little video of your friends at a party; the surveillance camera at the bank keeps on eye on customers; journalists’ shoulder-carried cameras record the latest from the war zone; and across the world film artists work on all kinds of movies, from low-budget independent projects to the next big-budget Hollywood blockbuster. Moving pictures have had a great influence on human culture, and this book focuses on using moving images as historical evidence. Studying history means examining evidence from the past to understand, interpret and present what has happened in different times and places. We talk and write about what we have learned, hoping to establish credibility both for what we have determined to be the facts and for whatever meaning or significance we may attach to our reconstruction of the past. Studying history is a scientific process, involving a fairly set methodology. We tend to favor written sources, and we have tended to favor writing as a means of presenting our views of the past. But historians also use all kinds of other documents and artifacts in their work of interpreting the past, including moving pictures.
Author: Stephen Brockmann Publisher: Camden House ISBN: 1571134689 Category : Music Languages : en Pages : 534
Book Description
A history of German film dealing with individual films as works of art has long been needed. Existing histories tend to treat cinema as an economic rather than an aesthetic phenomenon; earlier surveys that do engage with individual films do not include films of recent decades. This book treats representative films from the beginnings of German film to the present. Providing historical context through an introduction and interchapters preceding the treatments of each era's films, the volume is suitable for semester- or year-long survey courses and for anyone with an interest in German cinema. The films: The Student of Prague - The Cabinet of Dr. Caligari - The Last Laugh - Metropolis - The Blue Angel - M - Triumph of the Will - The Great Love - The Murderers Are among Us - Sun Seekers - Trace of Stones - The Legend of Paul and Paula - Solo Sunny - The Bridge - Young T rless - Aguirre, The Wrath of God - Germany in Autumn - The Marriage of Maria Braun - The Tin Drum - Marianne and Juliane - Wings of Desire - Maybe, Maybe Not - Rossini - Run Lola Run - Good Bye Lenin - Head On - The Lives of Others Stephen Brockmann is Professor of German at Carnegie Mellon University and past President of the German Studies Assocation.
Author: MUSSER CHARLES Publisher: Smithsonian Books (DC) ISBN: Category : Art Languages : en Pages : 730
Book Description
"This book provides essential documentation of all known Edison films made between 1890 and 1900. Thomas Edison and his associates at the Edison Laboratory in West Orange, New Jersey, invented the first system of commercial motion pictures." "Making the historical framework predominant while retaining traditional cataloging features, Edison Motion Pictures, 18901900 is of value to a wide range of scholars interested in American life at the turn of the century - those working in performance studies, film and media studies, cultural history, ethnic studies, and social and political history. Documentary filmmakers, film programmers, archivists, and librarians can also benefit from using this catalog." "Edison films from the end of the nineteenth century offer a unique visual record of American entertainment and popular culture - moving images that become much more interesting and useful when they can be examined in conjunction with pertinent documentation." "Scholars concerned with portrayals of war, depictions of the American presidency, and many other topics in the nation's political history will find much useful information."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Richard Barsam Publisher: Indiana University Press ISBN: 9780253207067 Category : Performing Arts Languages : en Pages : 508
Book Description
"Richard Barsam has given us as comprehensive a study of the origins and development of the nonfiction mode in motion pictures as we are ever likely to have in one volume. He draws on all the major written sources and many which are little known, and he shares with us many eloquent descriptions of the films themselves, giving us a valuable textbook." --Richard Dyer MacCann "... superb work... " --Historical Journal of Film, Radio, and Television
Author: Frederick Arthur Ambrose Talbot Publisher: ISBN: 9781293336700 Category : Languages : en Pages : 460
Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author: Mia E. M. Treacey Publisher: Routledge ISBN: 1317273214 Category : History Languages : en Pages : 198
Book Description
Reframing the Past traces what historians have written about film and television from 1898 until the early 2000s. Mia Treacey argues that historical engagement with film and television should be reconceptualised as Screened History: an interdisciplinary, international field of research to incorporate and replace what has been known as ‘History and Film’. It draws from the fields of Film, Television and Cultural Studies to critically analyse key works and connect past scholarship with contemporary research. Reconsidered as Screened History, the works of Pierre Sorlin, Marc Ferro, John O’Connor, Robert Rosenstone and Robert Toplin are explored alongside lesser known but equally important contributions. This book identifies a number of common themes and ideas that have been explored by historians for decades: the use of history on film and television as a way to teach the past; the challenge of filmic and televisual history to more traditional historiography; and an ongoing battle to find an ‘appropriate’ historical way to engage with Film Studies and Theory. Screened History offers an approach to exploring History, Film and Television that allows room for future developments, while connecting them to a rich and diverse body of past scholarship. Combining a narrative of historical research on film and television over the past century with a reconceptualisation of the field as Screened History, Reframing the Past is essential reading both for established scholars of History and Film, Film History and other related disciplines, and to students new to the field.
Author: Frederick Arthur Ambrose Talbot Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 320
Book Description
"Moving Pictures: How They Are Made and Worked" by Frederick Arthur Ambrose Talbot Various features of motion pictures are covered in this comprehensive guide. Mechanical aspects of cinematography are presented in general terms so that professionals and laymen alike will understand them. Though this book regards older versions of filmmaking, current fans of the art will be fascinated by this part of movie history.
Author: John N. Dunbar, Ph.D.
Author: John N. Dunbar, Ph.D.
Author: Maarten Pereboom
Author: Maarten L. Pereboom
Author: Stephen Brockmann
Author: MUSSER CHARLES
Author: George Bluestone
Author: Richard Barsam
Author: Frederick Arthur Ambrose Talbot
Author: Mia E. M. Treacey
Author: Frederick Arthur Ambrose Talbot