Author: Tiffany Beechy Publisher: University of Notre Dame Pess ISBN: 0268205140 Category : History Languages : en Pages : 289
Book Description
This rich study takes Insular art on its own terms, revealing a distinctive and unorthodox theology that will inevitably change how scholars view the long arc of English piety and the English literary tradition. Drawing on a wide range of critical methodologies, Aesthetics and the Incarnation in Early Medieval Britain treats this era as a “contact zone” of cultural clash and exchange, where Christianity encountered a rich amalgam of practices and attitudes, particularly regarding the sensible realm. Tiffany Beechy illustrates how local cultures, including the Irish learned tradition, received the “Word that was made flesh,” the central figure of Christian doctrine, in distinctive ways: the Word, for example, was verbal, related to words and signs, and was not at all ineffable. Likewise, the Word was often poetic—an enigma—and its powerful presence was not only hinted at (as St. Augustine would have it) but manifest in the mouth or on the page. Beechy examines how these Insular traditions received and expressed a distinctly iterable Incarnation. Often disavowed and condemned by orthodox authorities, this was in large part an implicit theology, expressed or embodied in form (such as art, compilation, or metaphor) rather than in treatises. Beechy demonstrates how these forms drew on various authorities especially important to Britain—Bede, Gregory the Great, and Isidore most prominent among them. Beechy’s study provides a prehistory in the English literary tradition for the better-known experimental poetics of Middle English devotion. The book is unusual in the diversity of its primary material, which includes visual art, including the Book of Kells; obscure and often cursorily treated texts such as Adamnán’s De locis sanctis (“On the holy lands”); and the difficult esoterica of the wisdom tradition.
Author: Louise Nelstrop Publisher: Routledge ISBN: 1351765140 Category : Religion Languages : en Pages : 316
Book Description
From the visual and textual art of Anglo-Saxon England onwards, images held a surprising power in the Western Christian tradition. Not only did these artistic representations provide images through which to find God, they also held mystical potential, and likewise mystical writing, from the early medieval period onwards, is also filled with images of God that likewise refracts and reflects His glory. This collection of essays introduces the currents of thought and practice that underpin this artistic engagement with Western Christian mysticism, and explores the continued link between art and theology. The book features contributions from an international panel of leading academics, and is divided into four sections. The first section offers theoretical and philosophical considerations of mystical aesthetics and the interplay between mysticism and art. The final three sections investigate this interplay between the arts and mysticism from three key vantage points. The purpose of the volume is to explore this rarely considered yet crucial interface between art and mysticism. It is therefore an important and illuminating collection of scholarship that will appeal to scholars of theology and Christian mysticism as much as those who study literature, the arts and art history.
Author: Helena Hamerow Publisher: ISBN: 1785704680 Category : History Languages : en Pages : 192
Book Description
Rosemary Cramp's influence on the archaeology of early Medieval Britain is nowhere more apparent than in these essays in her honour by her former students. Monastic sites, Lindisfarne and Whithorn, are the inspiration for Deirdre O'Sullivan's and Peter Hill's papers; Chris Loveluck discusses the implications of the findings from the newly-discovered settlement at Flixborough in Lincolnshire; Nancy Edwards describes the early monumental sculpture from St David's in South Wales; Martin Carver reviews the politics of monumental sculpture and monumentality; and Catherine Hills reassesses the significance of imported ivory found in graves. Richard Bailey, Christopher Morris and Derek Craig top and tail the book with tributes to Rosemary Cramp and a bibliography of her work.
Author: Mary Carruthers Publisher: Oxford University Press ISBN: 019959032X Category : Art Languages : en Pages : 254
Book Description
Uses lexical analyses of key terms employed by medieval people to valuate their own aesthetic feelings to show how flux and change, and the creative tension of antithetical physical qualities from which all things were thought to be made (cold, hot, dry, wet), govern the pleasures medieval artists sought to produce.
Author: Catherine E. Karkov Publisher: Boydell Press ISBN: 1843836289 Category : Art Languages : en Pages : 350
Book Description
Providing a fresh appraisal of the art of Anglo-Saxon England, this text looks at its influence upon the creation of an identity as a nation.
Author: Catherine E. Karkov Publisher: Cambridge University Press ISBN: 9781108931977 Category : History Languages : en Pages : 75
Book Description
This Element covers the art produced in early medieval England from the departure of the Romans to the early twelfth century, an art that shows the input of multi-ethnic artists, patrons, and influences as it develops over the centuries. Art in early medieval England is an art of migrants and colonisers and the Element considers the way in which it was defined and developed by the different groups that travelled to or settled on the island. It also explores some of the key forms and images that define the art of the period and the role of both material and artist/patron in their creation. Art is an expression of identity, whether individual, regional, national, religious, or institutional, and this volume sheds light on the way art in early medieval England was and continues to be used to define particular identities, including that of the island on which it was produced.
Author: William Diebold Publisher: Routledge ISBN: 0429982615 Category : Art Languages : en Pages : 247
Book Description
This book provides an introduction to early medieval art, both the images themselves and the methods used to study them, focusing on the relationship of word and image, a relationship that was central in northern Europe and the Mediterranean from about 600 to about 1050.
Author: Tiffany Beechy
Author: Louise Nelstrop
Author: Caecilia Davis-Weyer (red.)
Author: Barbara C. Raw
Author: Helena Hamerow
Author: Mary Carruthers
Author: Catherine E. Karkov
Author: Caecilia Davis-Weyer
Author: Catherine E. Karkov
Author: William Diebold