An Exploration of Hatred in Pop Music PDF Download

Author: Glenn Fosbraey
Publisher: Cambridge Scholars Publishing
ISBN: 1527586235
Category : Music
Languages : en
Pages : 170

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Book Description
‘Love’ may be the major theme of the majority of pop songs, but ‘hate’, including its subcategories malevolence, vengeance, self-loathing, and contempt, run it close. Looking at artists across the history of popular music, and songs ranging from ‘Runaround Sue’ to ‘W.A.P’, this book explores the concept of hatred in lyrics, album art, music video, and the music industry itself, asking important questions about misogyny, politics, psychology, and family along the way.

Author: Christopher J. Washburne
Publisher: Routledge
ISBN: 1135946833
Category : Music
Languages : en
Pages : 390

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Book Description
Why are some popular musical forms and performers universally reviled by critics and ignored by scholars-despite enjoying large-scale popularity? How has the notion of what makes "good" or "bad" music changed over the years-and what does this tell us about the writers who have assigned these tags to different musical genres? Many composers that are today part of the classical "canon" were greeted initially by bad reviews. Similarly, jazz, country, and pop musics were all once rejected as "bad" by the academy that now has courses on these and many other types of music. This book addresses why this is so through a series of essays on different musical forms and performers. It looks at alternate ways of judging musical performance beyond the critical/academic nexus, and suggests new paths to follow in understanding what makes some music "popular" even if it is judged to be "bad." For anyone who has ever secretly enjoyed ABBA, Kenny G, or disco, Bad Music will be a guilty pleasure!

Author: Pascal Quignard
Publisher: Yale University Press
ISBN: 0300211384
Category : History
Languages : en
Pages : 216

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Book Description
How does a man who once adored music beyond measure come to revile it as a form of tyranny? Throughout Pascal Quignard's distinguished literary career, music has been a recurring obsession. As a musician he organized the International Festival of Baroque Opera and Theatre at Versailles in the early 1990s, and thus was instrumental in the rediscovery of much forgotten classical music. Yet in 1994 he abruptly renounced all musical activities. The Hatred of Music is Quignard's masterful exploration of the power of music and what history reveals about the dangers it poses. From prehistoric chants to challenging contemporary compositions, Quignard reflects on music of all kinds and eras. He draws on vast cultural knowledge--the Bible, Greek mythology, early modern history, modern philosophy, the Holocaust, and more--to develop ten accessible treatises on music. In each of these small masterpieces the author exposes music's potential to manipulate, to mesmerize, to domesticate. Especially disturbing is his scrutiny of the role music played in the concentration camps of Nazi Germany. Quignard's provocative book takes on particular relevance today, as we find ourselves surrounded by music as never before in history.

Author: Adrian King
Publisher: Nelson Thornes
ISBN: 9780748767175
Category : Citizenship
Languages : en
Pages : 196

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Book Description
Real Health for Real Lives is a brand new series offering practical support for teachers involved in PSHE, Citizenship and emotional wellbeing. It also provides teachers with a way in to the best selling Health for Life series.

Author: Nathan Rabin
Publisher: Simon and Schuster
ISBN: 1451626908
Category : Music
Languages : en
Pages : 272

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Book Description
One of Rolling Stone’s 20 Best Music Books of 2013 and one of Slate’s Staff Picks for Best Books of 2013 The ebook edition now includes Nathan Rabin’s "Extended Jam Session"—a two-part bonus chapter about what writing this book did to (and for) his life. The first part chronicles the author’s melancholy yet hilarious excursion on the maiden voyage of the Kid Rock Chillin’ the Most cruise, and the second part depicts the life lessons gleaned from getting sued by American Express over the charges the author racked up writing the book. The chapter sheds new light on a singular and unique exploration of personal and musical obsession and further highlights the book’s theme of transcendence through utter, abject failure. When memoirist and former head writer for The A.V. Club Nathan Rabin first set out to write about obsessed music fans, he had no idea the journey would take him to the deepest recesses of both the pop culture universe and his own mind. For two very curious years, Rabin, who Mindy Kaling called "smart and funny" in The New Yorker, hit the road with two of music’s most well-established fanbases: Phish’s hippie fans and Insane Clown Posse’s notorious "Juggalos." Musically or style-wise, these two groups could not be more different from each other, and Rabin, admittedly, was a cynic about both bands. But once he gets deep below the surface, past the caricatures and into the essence of their collective cultures, he discovers that both groups have tapped into the human need for community. Rabin also grapples with his own mental well-being—he discovers that he is bipolar—and his journey is both a prism for cultural analysis and a deeply personal exploration, equal parts humor and heart.

Author: Phil Dellio
Publisher:
ISBN:
Category :
Languages : en
Pages : 286

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Book Description
A exploration of pop music as it has been used in movies and on TV, mostly (but not exclusively) in the post-Mad Men era: 59 mini-essays, from Better Call Saul to The Perks of Being a Wallflower, with an appendix of 108 memorable pop-music moments from films and TV shows. With a preface by Gavin Edwards.

Author: Kelefa Sanneh
Publisher: Penguin
ISBN: 0525559604
Category : Music
Languages : en
Pages : 497

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Book Description
One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.

Author: Phil Dellio
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 0

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Book Description
A exploration of pop music as it has been used in movies and on TV, mostly (but not exclusively) in the post-Mad Men era: 64 mini-essays, from Better Call Saul to The Perks of Being a Wallflower, with an appendix of 117 memorable pop-music moments from films and TV shows. With a preface by Gavin Edwards. An expanded and updated version of the first edition, published in 2020.

Author: Theodor W. Adorno
Publisher:
ISBN:
Category : Popular music
Languages : en
Pages : 52

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Author: Anne Thurmann-Jajes
Publisher: transcript Verlag
ISBN: 3839436176
Category : Art
Languages : en
Pages : 313

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Book Description
Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission which have brought forth a great number of artistic practices. Up to and into the digital present radio has been and is employed and explored as an apparatus-based structure as well as an expanded model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio, and the use of radio as a means of disseminating artistic concepts. With exemplary case studies, its contributions link conceptual, recipient-response-related, and sociocultural issues to matters of relevance to radio art's mediation.