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Author: J. P. Telotte Publisher: Oxford University Press ISBN: 0190695277 Category : Art Languages : en Pages : 161
Book Description
Machine generated contents note: -- Acknowledgments -- Chapter 1: Introduction: Animation, Science Fiction, and the Modernist Spirit -- Chapter 2: Flights of Fantasy -- Chapter 3: Robots and Artificial Beings -- Chapter 4: Alien Visions -- Chapter 5: Inventions, Modern Marvels, and Mad Scientists -- Postscript: New SF Images for a Postwar World -- A Select Filmography of Science Fiction Animation -- A Science Fiction Animation Bibliography
Author: J. P. Telotte Publisher: Oxford University Press ISBN: 0190695277 Category : Art Languages : en Pages : 161
Book Description
Machine generated contents note: -- Acknowledgments -- Chapter 1: Introduction: Animation, Science Fiction, and the Modernist Spirit -- Chapter 2: Flights of Fantasy -- Chapter 3: Robots and Artificial Beings -- Chapter 4: Alien Visions -- Chapter 5: Inventions, Modern Marvels, and Mad Scientists -- Postscript: New SF Images for a Postwar World -- A Select Filmography of Science Fiction Animation -- A Science Fiction Animation Bibliography
Author: J. P. Telotte Publisher: ISBN: 9780190695309 Category : Animated films Languages : en Pages :
Book Description
From twentieth-century animations and comic strips to advertising, 'Animating the Science Fiction Imagination' unearths a significant body of cartoon science fiction from the pre-World War II era that appeared at approximately the same time the genre was itself struggling to find an identity, an audience, and even a name.
Author: William O. Gardner Publisher: U of Minnesota Press ISBN: 1452963126 Category : Architecture Languages : en Pages : 272
Book Description
Japan’s postwar urban imagination through the Metabolism architecture movement and visionary science fiction authors The devastation of the Second World War gave rise to imaginations both utopian and apocalyptic. In Japan, a fascinating confluence of architects and science fiction writers took advantage of this space to begin remaking urban design. In The Metabolist Imagination, William O. Gardner explores the unique Metabolism movement, which allied with science fiction authors to foresee the global cities that would emerge in the postwar era. This first comparative study of postwar Japanese architecture and science fiction builds on the resurgence of interest in Metabolist architecture while establishing new directions for exploration. Gardner focuses on how these innovators created unique versions of shared concepts—including futurity, megastructures, capsules, and cybercities—making lasting contributions that resonate with contemporary conversations around cyberpunk, climate change, anime, and more. The Metabolist Imagination features original documentation of collaborations between giants of postwar Japanese art and architecture, such as the landmark 1970 Osaka Expo. It also provides the most sustained English-language discussion to date of the work of Komatsu Sakyō, considered one of the “big three” authors of postwar Japanese science fiction. These studies are underscored by Gardner’s insightful approach—treating architecture as a form of speculative fiction while positioning science fiction as an intervention into urban design—making it a necessary read for today’s visionaries.
Author: J. P. Telotte Publisher: Oxford University Press ISBN: 0197557724 Category : Science fiction films Languages : en Pages : 361
Book Description
"For the contemporary film audience, science fiction has become a key locus for displaying-and imaginatively addressing-its most pressing concerns. Those concerns increasingly surface not just as displaced subjects, injected into conventional sf narratives, but as inflections in the very nature of the genre. We might describe these issues that bulk so large in our everyday world as angling into the world of science and technology, becoming a kind of slant presence in the genre, and in the process altering the thrust of our sf films and other screen media, resulting in what seems like a proliferation of sub-genre labels that mark off a substantially "new" group of sf cinemas. These cinemas challenge us to view or "read" them differently, from perspectives that are just coming into focus. Through an introductory overview and series of articles on various of these contemporary "slants" and the theories that drive them, this volume offers a guide to both what the new sf cinemas are about and how we have come to think about or "read" them differently. In the process, it also links these fragments of the constantly growing sf supertext to our changing sense of how genres function as a process, marked by consistent growth and evolution, and discussed in ways that reflect contemporary culture's own constant changes"--
Author: J. P. Telotte Publisher: University of Texas Press ISBN: 1477327355 Category : Performing Arts Languages : en Pages : 217
Book Description
How science fiction films in the 1950s were marketed and helped create the broader genre itself. For Hollywood, the golden age of science fiction was also an age of anxiety. Amid rising competition, fluid audience habits, and increasing government regulation, studios of the 1950s struggled to make and sell the kinds of films that once were surefire winners. These conditions, the leading media scholar J. P. Telotte argues, catalyzed the incredible rise of science fiction. Though science fiction films had existed since the earliest days of cinema, the SF genre as a whole continued to resist easy definition through the 1950s. In grappling with this developing genre, the industry began to consider new marketing approaches that viewed films as fluid texts and audiences as ever-changing. Drawing on trade reports, film reviews, pressbooks, trailers, and other archival materials, Selling Science Fiction Cinema reconstructs studio efforts to market a promising new genre and, in the process, shows how salesmanship influenced what that genre would become. Telotte uses such films as The Thing from Another World, Forbidden Planet, and The Blob, as well as the influx of Japanese monster movies, to explore the shifting ways in which the industry reframed the SF genre to market to no-longer static audience expectations. Science fiction transformed the way Hollywood does business, just as Hollywood transformed the meaning of science fiction.
Author: Estelle R. Jorgensen Publisher: Indiana University Press ISBN: 0253058198 Category : Education Languages : en Pages : 311
Book Description
What values should form the foundation of music education? And once we decide on those values, how do we ensure we are acting on them? In Values and Music Education, esteemed author Estelle R. Jorgensen explores how values apply to the practice of music education. We may declare values, but they can be hard to see in action. Jorgensen examines nine quartets of related values and offers readers a roadmap for thinking constructively and critically about the values they hold. In doing so, she takes a broad view of both music and education while drawing on a wide sweep of multidisciplinary literature. Not only does Jorgensen demonstrate an analytical and dialectical philosophical approach to examining values, but she also seeks to show how theoretical and practical issues are interconnected. An important addition to the field of music education, Values and Music Education highlights values that have been forgotten or marginalized, underscores those that seem perennial, and illustrates how values can be double-edged swords.
Author: Larrie Dudenhoeffer Publisher: Bloomsbury Publishing USA ISBN: 1501364189 Category : Performing Arts Languages : en Pages : 251
Book Description
This volume closely examines the near-ubiquitous images of state security walls, domes, and other such defense enclosures flashing across movie screens since 2006, the year of the ratification of George W. Bush's Secure Fence Act. This study shows that many of the films of this era enable us to imaginatively test the effects of these security mechanisms on citizens, immigrants, refugees, and other sovereign states, challenging our commitment to constructing them, maintaining them, staffing them, and subsidizing their enormous overheads. With case studies ranging from Atomic Blonde and Ready Player One to Black Panther and Elysium; Walls without Cinema serves as a timely counterpoint to the xenophobic rhetoric and abusive, carceral security conditions that characterize the Trump administration's management of the Mexico-U.S. border situation.
Author: Emily Midkiff Publisher: Univ. Press of Mississippi ISBN: 1496839005 Category : Literary Criticism Languages : en Pages : 151
Book Description
Winner of the 2023 Science Fiction Research Association (SFRA) Book Award 2022 Longlist Nominee for the Best Non-Fiction Award from the British Science Fiction Association Equipping Space Cadets: Primary Science Fiction for Young Children argues for the benefits and potential of “primary science fiction,” or science fiction for children under twelve years old. Science fiction for children is often disregarded due to common misconceptions of childhood. When children are culturally portrayed as natural and simple, they seem like a poor audience for the complex scientific questions brought up by the best science fiction. The books and the children who read them tell another story. Using three empirical studies and over 350 children’s books including If I Had a Robot Dog, Bugs in Space, and Commander Toad in Space, Equipping Space Cadets presents interdisciplinary evidence that science fiction and children are compatible after all. Primary science fiction literature includes many high-quality books that cleverly utilize the features of children’s literature formats in order to fit large science fiction questions into small packages. In the best of these books, authors make science fiction questions accessible and relevant to children of various reading levels and from diverse backgrounds and identities. Equipping Space Cadets does not stop with literary analysis, but also presents the voices of real children and practitioners. The book features three studies: a survey of teachers and librarians, quantitative analysis of lending records from school libraries across the United States, and coded read-aloud sessions with elementary school students. The results reveal how children are interested in and capable of reading science fiction, but it is the adults, including the most well-intentioned librarians and teachers, who hinder children's engagement with the genre due to their own preconceptions about the genre and children.
Author: J. P. Telotte
Author: J. P. Telotte
Author: J. P. Telotte
Author: William O. Gardner
Author: J. P. Telotte
Author: J. P. Telotte
Author: Patricia S. Warrick
Author: Estelle R. Jorgensen
Author: Frank M. Robinson
Author: Larrie Dudenhoeffer
Author: Emily Midkiff