Author: Rebecca Olson
Publisher: Rutgers University Press
ISBN: 1644530686
Category : Literary Criticism
Languages : en
Pages : 148
Book Description
Textiles have long provided metaphors for storytelling: a compelling novel “weaves a tapestry” and we enjoy hearing someone “spin” a tale. To what extent, however, should we take these metaphors seriously? Arras Hanging: The Textile That Determined Early Modern Literature and Drama reveals that in the early modern period, when cloth-making was ubiquitous and high-quality tapestries called arras hangings were the most valuable objects in England, such metaphors were literal. The arras in particular provided a narrative model for writers such as Edmund Spenser and William Shakespeare, who exploited their audience’s familiarity with weaving to engage them in highly idiosyncratic and “hands on” ways. Specifically, undescribed or “blank” tapestries in the period’s fiction presented audiences with opportunities to “see” whatever they desired, and thus weave themselves into the story. Far more than background objects, literary and dramatic arras hangings have much to teach us about the intersections between texts and textiles at the dawn of print, and, more broadly, about the status of visual art in post-Reformation England. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Arras Hanging
Author: Rebecca Olson
Publisher: Rutgers University Press
ISBN: 1644530686
Category : Literary Criticism
Languages : en
Pages : 148
Book Description
Textiles have long provided metaphors for storytelling: a compelling novel “weaves a tapestry” and we enjoy hearing someone “spin” a tale. To what extent, however, should we take these metaphors seriously? Arras Hanging: The Textile That Determined Early Modern Literature and Drama reveals that in the early modern period, when cloth-making was ubiquitous and high-quality tapestries called arras hangings were the most valuable objects in England, such metaphors were literal. The arras in particular provided a narrative model for writers such as Edmund Spenser and William Shakespeare, who exploited their audience’s familiarity with weaving to engage them in highly idiosyncratic and “hands on” ways. Specifically, undescribed or “blank” tapestries in the period’s fiction presented audiences with opportunities to “see” whatever they desired, and thus weave themselves into the story. Far more than background objects, literary and dramatic arras hangings have much to teach us about the intersections between texts and textiles at the dawn of print, and, more broadly, about the status of visual art in post-Reformation England. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Publisher: Rutgers University Press
ISBN: 1644530686
Category : Literary Criticism
Languages : en
Pages : 148
Book Description
Textiles have long provided metaphors for storytelling: a compelling novel “weaves a tapestry” and we enjoy hearing someone “spin” a tale. To what extent, however, should we take these metaphors seriously? Arras Hanging: The Textile That Determined Early Modern Literature and Drama reveals that in the early modern period, when cloth-making was ubiquitous and high-quality tapestries called arras hangings were the most valuable objects in England, such metaphors were literal. The arras in particular provided a narrative model for writers such as Edmund Spenser and William Shakespeare, who exploited their audience’s familiarity with weaving to engage them in highly idiosyncratic and “hands on” ways. Specifically, undescribed or “blank” tapestries in the period’s fiction presented audiences with opportunities to “see” whatever they desired, and thus weave themselves into the story. Far more than background objects, literary and dramatic arras hangings have much to teach us about the intersections between texts and textiles at the dawn of print, and, more broadly, about the status of visual art in post-Reformation England. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
A History of Tapestry from the Earliest Times Until the Present Day
Author: William George Thomson
Publisher:
ISBN:
Category : Tapestry
Languages : en
Pages : 694
Book Description
Publisher:
ISBN:
Category : Tapestry
Languages : en
Pages : 694
Book Description
A New Dictionary of the Portuguese and English Languages
Author: José Maria de Almeida e Araujo Corrẽa de Lacerda
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 962
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 962
Book Description
Catalogue of the Collection of Engravings Bequeathed to Harvard College by Francis Calley Gray. By Louis Thies. [With a Portrait.]
Catalogue of the Collection of Engravings Bequeathed to Harvard College by Francis Calley Gray
The European Magazine, and London Review
The European Magazine and London Review, by the Philological Society of London
American Carpet and Upholstery Journal
The History and Antiquities of Hengrave, in Suffolk
Author: John Gage
Publisher:
ISBN:
Category : Hengrave (England : Parish)
Languages : en
Pages : 382
Book Description
Publisher:
ISBN:
Category : Hengrave (England : Parish)
Languages : en
Pages : 382
Book Description
Dictionary of the English and German and German and English Languages
Author: Newton Ivory Lucas
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 2432
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 2432
Book Description