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Author: Abimbola Adelakun Publisher: Springer ISBN: 3319913107 Category : History Languages : en Pages : 341
Book Description
This book explores the politics of artistic creativity, examining how black artists in Africa and the diaspora create art as a procedure of self-making. Essays cross continents to uncover the efflorescence of black culture in national and global contexts and in literature, film, performance, music, and visual art. Contributors place the concerns of black artists and their works within national and transnational conversations on anti-black racism, xenophobia, ethnocentrism, migration, resettlement, resistance, and transnational feminisms. Does art by the subaltern fulfill the liberatory potential that critics have ascribed to it? What other possibilities does political art offer? Together, these essays sort through the aesthetics of daily life to build a thesis that reflects the desire of black artists and cultures to remake themselves and their world.
Author: Abimbola Adelakun Publisher: Springer ISBN: 3319913107 Category : History Languages : en Pages : 341
Book Description
This book explores the politics of artistic creativity, examining how black artists in Africa and the diaspora create art as a procedure of self-making. Essays cross continents to uncover the efflorescence of black culture in national and global contexts and in literature, film, performance, music, and visual art. Contributors place the concerns of black artists and their works within national and transnational conversations on anti-black racism, xenophobia, ethnocentrism, migration, resettlement, resistance, and transnational feminisms. Does art by the subaltern fulfill the liberatory potential that critics have ascribed to it? What other possibilities does political art offer? Together, these essays sort through the aesthetics of daily life to build a thesis that reflects the desire of black artists and cultures to remake themselves and their world.
Author: Abimbola Asojo Publisher: ISBN: 9781531017576 Category : Africa Languages : en Pages :
Book Description
"African Humanity: Creativity, Identity and Personhood is a collection of thought-provoking essays from scholars around the world on topics that inform new ways of thinking while engaging critical perspectives about Africa and the African Diaspora. The essays focus on the discourse of creativity, culture, identity and well-being from multiple fields such as design, art, gender studies, education, health and museum studies in pre-colonial, colonial and post-colonial Africa and the African Diaspora. This multidisciplinary group of global scholars offer a critical dialogue on topics such as the creative process in Africa and the African Diaspora; gender and creative space; histories of creativity and inventions; globalized modernity and its consequence on cultural performances; politics of creativity; creativity, performance and Nollywood; social, political, and economic ramifications of creativity and design; ethical issues in creativity; and sustainability, well-being and the environment. The book's goal is to offer a comparative critical dialogue for a multidisciplinary academic audience, artists, grassroots activists, diverse communities and interested members of the general public. It has five distinct sections: Gender, Education, and Language; Design and Art in Africa and Its Diaspora; Creativity, Performance and Nollywood; Identity and Institutions of Politics and Living; and Sustainability, Health and the Environment. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin"--
Author: Abimbola Asojo Publisher: ISBN: 9781531017569 Category : Africa Languages : en Pages : 552
Book Description
"African Humanity: Creativity, Identity and Personhood is a collection of thought-provoking essays from scholars around the world on topics that inform new ways of thinking while engaging critical perspectives about Africa and the African Diaspora. The essays focus on the discourse of creativity, culture, identity and well-being from multiple fields such as design, art, gender studies, education, health and museum studies in pre-colonial, colonial and post-colonial Africa and the African Diaspora. This multidisciplinary group of global scholars offer a critical dialogue on topics such as the creative process in Africa and the African Diaspora; gender and creative space; histories of creativity and inventions; globalized modernity and its consequence on cultural performances; politics of creativity; creativity, performance and Nollywood; social, political, and economic ramifications of creativity and design; ethical issues in creativity; and sustainability, well-being and the environment. The book's goal is to offer a comparative critical dialogue for a multidisciplinary academic audience, artists, grassroots activists, diverse communities and interested members of the general public. It has five distinct sections: Gender, Education, and Language; Design and Art in Africa and Its Diaspora; Creativity, Performance and Nollywood; Identity and Institutions of Politics and Living; and Sustainability, Health and the Environment. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin"--
Author: Eddie Chambers Publisher: Bloomsbury Publishing ISBN: 1350140341 Category : Art Languages : en Pages : 337
Book Description
World is Africa brings together more than 30 important texts by Eddie Chambers, who for several decades has been an original and a critical voice within the field of African diaspora art history. The texts range from book chapters and catalogue essays, to shorter texts. Chambers focuses on contemporary artists and their practices, from a range of international locations, who for the most part are identified with the African diaspora. None of the texts are available online and none have been available outside of the original publication in which they first appeared. The volume contains several new pieces of writing, including a consideration of the art world 'fetishization' of the 1980s, as the manifestation of a reluctance to accept the majority of Black British artists as valid individual practitioners, choosing instead to shackle them to exhibitions that took place three decades ago. Another new text re-examines the 'map paintings' of Frank Bowling, the Guyana-born artist who was the subject of a major retrospective at Tate Britain in 2019. The third introduces the little-known record sleeve illustrations of Charles White, the American artist who was the subject of a major retrospective in 2018 at major galleries across the US. Among the other new texts is a critical reflection on the patronage the Greater London Council extended to Black artists in 1980s London. World is Africa makes a valuable contribution to the emerging discipline of black British art history, the field of African diaspora studies and African diaspora art history.
Author: Myron Beasley Publisher: Taylor & Francis ISBN: 0429639821 Category : Art Languages : en Pages : 106
Book Description
This book examines necropolitics and performance art, with a particular focus on the black body and the African diaspora. In this book, Myron M. Beasley situates artists as cultural workers and theorists who illuminate the political linkages between their own and others’ specific locales. The focus is an interrogation of the political systems that dictate and determine the value of lives (and decide which lives matter) through a lens of performance and art. Beasley highlights how the performances of rupture, which are of artistic, and historical significance, reveal both strategies of survival and promises of possibility. Artists and curators examined include Jelili Atiku, Giscard Bouchotte, Nona Faustine, Vanessa German, Simone Leigh, Nathalie Anguezomo Mba Bikoro, Ebony G. Patterson, and Dianne Smith. The volume is an ideal research and reference book for students and scholars of Contemporary Art, African Studies, and Performance Theory.
Author: Sally Price Publisher: Beacon Press ISBN: 9780807085516 Category : Art Languages : en Pages : 388
Book Description
Cultural Vitality in the African Diaspora Lavishly illustrated with more than 350 images, this groundbreaking new book traces traditions in woodcarving, textiles, clothing, and jewelry created by the Maroon people of Suriname and French Guiana.
Author: Sidney J. Lemelle Publisher: Verso ISBN: 9780860915850 Category : History Languages : en Pages : 388
Book Description
This collection of original essays brilliantly interrogates the often ambivalent place of Africa in the imaginations, cultures and politics of its “New World” descendants. Combining literary analysis, history, biography, cultural studies, critical theory and politics, Imagining Home offers a fresh and creative approach to the history of Pan-Africanism and diasporic movements. A critical part of the book’s overall project is an examination of the legal, educational and political institutions and structures of domination over Africa and the African diaspora. Class and gender are placed at center stage alongside race in the exploration of how the discourses and practices of Pan-Africanism have been shaped. Other issues raised include the myriad ways in which grassroots religious and cultural movements informed Pan-Africanist political organizations; the role of African, African-American and Caribbean intellectuals in the formation of Pan-African thought—including W.E.B. DuBois, C.L.R. James and Adelaide Casely Hayford; the historical, ideological and institutional connections between African-Americans and South Africans; and the problems and prospects of Pan-Africanism as an emancipatory strategy for black people throughout the Atlantic.
Author: Moyo Okediji Publisher: Taylor & Francis ISBN: 1003848931 Category : Art Languages : en Pages : 423
Book Description
This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism. Chapters break the externally imposed boundaries of Africa-related works beyond the conventional fragments of traditional, contemporary and diaspora. The contributions are significantly broad in their methodologies, ideologies and pedagogical coverage; yet, they all address various aspects of African artistic creativity, demonstrating the possibilities for analytical experiments that art history presents to scholars of the discipline today. The Ìwà (character) of each approach is unique; nevertheless, each is useful toward a fuller understanding of African art studies as an independent aspect of art historical research that is a branch or bud of the larger family of art history. The volume respects, highlights and celebrates the distinctiveness of each methodical approach, recognizing its contribution to the overall character or Ìwà of African art studies. The book will be of interest to students in undergraduate or graduate, intermediate or advanced courses as well as scholars in art history and African studies.
Author: Toyin Falola Publisher: ISBN: Category : Africa Languages : en Pages : 516
Book Description
Contributors ranging from architects to linguists explore the cultural and spiritual dynamics of migrations in Africa and the African diaspora. The co-authored volume provides readers with fresh insights on African migration and the attendant implications, productions and generations of the historic experiences of those who were forcefully displaced and others who willfully relocated to other spaces of the world. The book seeks to: engage debates on multiple issues which underpin the provoking history of African migration and their attendant implications; provoke a rethinking of the sociology and politics of migrating souls and resistant spirits in the Americas, Europe and Africa, the restive yet resolute entities, scattered, still, metaphorically united in their quest for, and hold on to identity; engender fresh understanding and interpretations of cultural ethos of African native homelands and establish, where present, their replication in migrant communities in the diaspora; and tie African migration history with modernity thereby underscoring the points of their interactions, departures, and tangentially establishing remembrances.
Author: Gitti Salami Publisher: John Wiley & Sons ISBN: 1444338374 Category : Art Languages : en Pages : 650
Book Description
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art
Author: Abimbola Adelakun
Author: Abimbola Adelakun
Author: Abimbola Asojo
Author: Abimbola Asojo
Author: Eddie Chambers
Author: Myron Beasley
Author: Sally Price
Author: Sidney J. Lemelle
Author: Moyo Okediji
Author: Toyin Falola
Author: Gitti Salami