Art of the Holocaust PDF Download

Author: Janet Blatter
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 286

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A Layla Productions book.

Author: Northern Centre for Contemporary Art (Sunderland, Tyne and Wear, England)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164

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Book Description
The senseless horror of the Holocaust continues to send shockwaves through history. Few would question its profound influence on post-war philosophy, morality, theological and political thinking. Yet the impact of the Holocaust on the Fine Arts, and in particular on contemporary art, has still not received the attention it deserves. This new publication accompanies a pioneering touring exhibition. It comprises a series of illustrated essays by leading experts, addressing: the art produced by victims of the Holocaust during the Holocaust; the influence of the Holocaust on artists who were not camp inmates, working during the war and in the post-war period; Holocaust memorials and their significance; and the work of a younger generation of artists, many of them non-Jews, whose relationship to the Holocaust is more oblique. Among the artists included are R. B. Kitaj, Picasso, Francis Bacon, Magdalena Abakanowicz, Christian Boltanski, Melvin Charney, Shimon Attie, Zoran Music, Susanna Pieratzki, Mick Rooney and Nancy Spero. The works selected have in common a determination not to rely on over-used visual stereotypes, nor to indulge in nostalgia, morbidity or sentimentality. Aesthetically compelling, they force us to reassess a subject all too often dismissed as overworked, and to reconsider the nature and potential of artistic activity 'after Auschwitz', as the century nears its end.

Author: Kathrin Hoffmann-Curtius
Publisher:
ISBN: 9781780239071
Category : Art
Languages : en
Pages : 0

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Judenmord is the first collection of works of art specifically by German artists from the end of the war to the end of the 1960s that comment on the Holocaust.

Author: Ernst van Alphen
Publisher: Stanford University Press
ISBN: 9780804729154
Category : Art
Languages : en
Pages : 252

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Book Description
In the face of strong moral and aesthetic pressure to deal with the Holocaust in strictly historical and documentary modes, this book discusses why and how reenactment of the Holocaust in art and imaginative literature can be successful in simultaneously presenting, analyzing, and working through this apocalyptic moment in human history. In pursuing his argument, the author explores such diverse materials and themes as: the testimonies of Holocaust survivors; the works of such artists and writers as Charlotte Salomon, Christian Boltanski, and Armando; and the question of what it means to live in a house built by a jew who was later transported to the death camps. He shows that reenactment, as an artistic project, also functions as a critical strategy, one that, unlike historical methods requiring a mediator, speaks directly to us and lures us into the Holocaust. We are then placed in the position of experiencing and being the subjects of that history. We are there, and history is present--but not quite. A confrontation with Nazism or with the Holocaust by means of a re-enactment takes place within the representational realm of art. Our access to this past is no longer mediated by the account of a witness, by a narrator, by the eye of a photographer. We do not respond to a re-presentation of the historical event, but to a presentation or performance of it, and our response is direct or firsthand in a different way. That different way of "keeping in touch” is the subject of inquiry that propels this study.

Author: Shelley Hornstein
Publisher: NYU Press
ISBN: 0814798268
Category : Art
Languages : en
Pages : 311

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Impossible Images brings together a distinguished group of contributors, including artists, photographers, cultural critics, and historians, to analyze the ways in which the Holocaust has been represented in and through paintings, architecture, photographs, museums, and monuments. Exploring frequently neglected aspects of contemporary art after the Holocaust, the volume demonstrates how visual culture informs Jewish memory, and makes clear that art matters in contemporary Jewish studies. Accepting that knowledge is culturally constructed, Impossible Images makes explicit the ways in which context matters. It shows how the places where an artist works shape what is produced, in what ways the space in which a work of art is exhibited and how it is named influences what is seen or not seen, and how calling attention to certain details in a visual work, such as a gesture, a color, or an icon, can change the meaning assigned to the work as a whole. Written accessibly for a general readership and those interested in art and art history, the volume also includes 20 color plates from leading artists Alice Lok Cahana, Judy Chicago, Debbie Teicholz, and Mindy Weisel.

Author: Nelly Toll
Publisher: Praeger
ISBN:
Category : Art
Languages : en
Pages : 152

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Book Description
Although the Holocaust represents one of the worst atrocities in the history of mankind, it is thought of by many only in terms of statistics—the brutal slaughter of over 6 million lives. The art of those who suffered under the most unspeakable conditions and the art of those who reflect on the genocide remind us that statistics cannot tell the entire story. This important and diverse collection focuses on the art expression from the inferno, documenting the Holocaust through sketches of camp life drawn surreptitiously by victims on scraps of paper, and through contemporary paintings, sculpture, and personal reflections. From an informative and comprehensive perspective, this book evokes a powerful response to the 20th-century catastrophe.

Author: Berel Lang
Publisher: JHU Press
ISBN: 0801876362
Category : History
Languages : en
Pages : 198

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Book Description
Since Theodor Adorno's attack on the writing of poetry "after Auschwitz," artists and theorists have faced the problem of reconciling the moral enormity of the Nazi genocide with the artist's search for creative freedom. In Holocaust Representation, Berel Lang addresses the relation between ethics and art in the context of contemporary discussions of the Holocaust. Are certain aesthetic means or genres "out of bounds" for the Holocaust? To what extent should artists be constrained by the "actuality" of history—and is the Holocaust unique in raising these problems of representation? The dynamics between artistic form and content generally hold even more intensely, Lang argues, when art's subject has the moral weight of an event like the Holocaust. As authors reach beyond the standard conventions for more adequate means of representation, Holocaust writings frequently display a blurring of genres. The same impulse manifests itself in repeated claims of historical as well as artistic authenticity. Informing Lang's discussion are the recent conflicts about the truth-status of Benjamin Wilkomirski's "memoir" Fragments and the comic fantasy of Roberto Benigni's film Life Is Beautiful. Lang views Holocaust representation as limited by a combination of ethical and historical constraints. As art that violates such constraints often lapses into sentimentality or melodrama, cliché or kitsch, this becomes all the more objectionable when its subject is moral enormity. At an extreme, all Holocaust representation must face the test of whether its referent would not be more authentically expressed by silence—that is, by the absence of representation.

Author: Mark Godfrey
Publisher: Yale University Press
ISBN: 9780300126761
Category : Art
Languages : en
Pages : 316

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Mark Godfrey looks closely at a series of American art and architectural projects that respond to the memory of the Holocaust. He investigates how abstract artists and architects have negotiated Holocaust memory without representing the Holocaust figuratively or symbolically.

Author: Justus Rosenberg
Publisher: HarperCollins
ISBN: 0062742213
Category : History
Languages : en
Pages : 309

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Book Description
"Thrillingly tells the story of an Eastern European Jew’s flight from the Holocaust and the years he spent fighting in the French underground.” —USA Today An American Library in Paris Book Award "Coups de Coeur" Selection The Art of Resistance is unlike any World War II memoir before it. Its author, Justus Rosenberg, has spent the past seventy years teaching the classics of literature to American college students. Hidden within him, however, was a remarkable true story of wartime courage and romance worthy of a great novel. Here is Professor Rosenberg’s elegant and gripping chronicle of his youth in Nazi-occupied Europe, when he risked everything to stand against evil. In 1937, after witnessing a violent Nazi mob in his hometown of Danzig, a majority German city on the Baltic Sea, sixteen-year-old Justus Rosenberg was sent by his Jewish parents to Paris to finish his education in safety. Three years later, the Nazis came again, as France fell to the Germans. Alone and in danger, Justus fled Paris, heading south. A chance meeting led him to Varian Fry, an American journalist in Marseille who led a clandestine network helping thousands of men and women—including many legendary artists and intellectuals, among them Hannah Arendt, Marc Chagall, Andre Breton, and Max Ernst—escape the Nazis. With his intimate understanding of French and German culture, and fluency in several languages, including English, Justus became an invaluable member of Fry’s operation as a spy and scout. After the Vichy government expelled Fry from France, Justus worked in Grenoble, recruiting young men and women for the Underground Army. For the next four years, he would be an essential component of the Resistance, relying on his wits and skills to survive several close calls with death. Once, he found himself in a Nazi internment camp, with his next stop Auschwitz—and yet Justus found an ingenious way to escape. He two years during the war gathering intelligence, surveying German installations and troop movements on the Mediterranean. Then, after the allied invasion at Normandy in 1944, Justus became a guerrilla fighter, participating in and leading commando raids to disrupt the German retreat across France. At the end of the Second World War, Justus emigrated to America, and built a new life. For the past fifty years, he has taught literature at Bard College, shaping the inner lives of generations of students. Now he adds his own story to the library of great coming-of-age memoirs: The Art of Resistance is a powerful saga of bravery and defiance, a true-life spy thriller touched throughout by a professor’s wisdom.

Author: Susan Willoughby
Publisher: Capstone Classroom
ISBN: 9781403432001
Category : Juvenile Nonfiction
Languages : en
Pages : 60

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Book Description
Looks at the art, music, and literature created during the Holocaust.