Art, War and Revolution in France, 1870-1871 PDF Download

Author: John Milner
Publisher: Yale University Press
ISBN: 0300084072
Category : History
Languages : en
Pages : 268

View

Book Description
En beskrivelse af franske kunstneres opfattelse af Frankrigs krig mod Preussen, Pariserkommunen og den nye franske republik, som det kommer til udtryk i deres kunst

Author: Albert Boime
Publisher: Princeton University Press
ISBN: 0691015554
Category : Art
Languages : en
Pages : 250

View

Book Description
This exploration of the forces that shaped Impressionism proposes that at the heart of the modern is a "guilty secret" - the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology.

Author: Owen Holland
Publisher: Rutgers University Press
ISBN: 197882193X
Category : History
Languages : en
Pages : 269

View

Book Description
The Parisian Communards fought for a vision of internationalism, radical democracy and economic justice for the working masses that cut across national borders. Its eventual defeat resonated far beyond Paris. Literature and Revolution examines how authors in Britain projected their hopes and fears in literary representations of the Commune.

Author: Shalon Parker
Publisher: Rowman & Littlefield
ISBN: 1611496713
Category : Art
Languages : en
Pages : 185

View

Book Description
In late nineteenth-century France, when Charles Darwin’s theories of evolution had finally begun to permeate French culture and society, several academic artists turned to a relatively new sub-genre of history painting, the prehistoric-themed subject. This artistic interest in Darwin’s theories was manifested as paintings and sculptures of prehistoric humanity engaged in physical conflict with each other or other animals, struggling for food, or hunting—all nineteenth-century popular understandings of “survival of the fittest.” This book examines how this sub-genre captured the imagination of French Salon painters from the 1880s to early 1900s, in particular that of Fernand Cormon (1845–1924), one of the foremost academic painters during the final quarter of the nineteenth century. A central argument of this book concerns the unique interpretation of prehistoric humanity that Cormon visualized in his paintings. While the vast majority of prehistoric-themed images made by his salon colleagues focused on violence, combat, and sexual conquest, Cormon’s paintings depict a conflict-free humanity, in which collaboration and cooperation dominate, rather than physical struggle. This study probes the French intellectual understanding and appropriation of Darwin’s theories and considers how the French (mis)translation of The Origin of Species by Clémence-Auguste Royer, the first French translator of the text—along with Neo-Lamarckism and republican ideology in Third Republic France—may have collectively shaped Cormon’s representation of early humanity. The art press overwhelmingly favored Cormon’s visualization of the prehistoric world over that of his Salon peers. Through extended analysis of the art criticism concerning Cormon’s work, Shalon Parker argues that critics’ very clear preference for Cormon’s paintings was rooted in their awareness that he utilized the sub-genre of the prehistoric as a forum in which to reimagine and revive academic figurative painting at a time when the critical reception of Salon art had reached its nadir. Additionally, this study provides a broad overview of the visual models, in particular the anthropological and ethnographic texts and imagery, most readily available to Cormon as sources for shaping his vision of the prehistoric world.

Author: Douglas Fermer
Publisher: Pen and Sword
ISBN: 1473831458
Category : History
Languages : en
Pages : 460

View

Book Description
Tension and rivalry between France and Germany shaped the history of Western Europe in the century from 1860. Three times that hostility led to war and the invasion of France - in 1870, 1914 and 1940. The outcomes of the battles that followed reset the balance of power across the continent. Yet the German invasions tend to be viewed as separate events, in isolation, rather than as connected episodes in the confrontation between the two nations. Douglas Fermer's fresh account of the military campaigns and the preparations for them treats them as part of a cycle of fear, suspicion, animosity and conflicting ambitions extending across several generations. In a clear, concise account of the decisive opening phase of each campaign, he describes the critical decision-making, the manoeuvres and clashes of arms in eastern France as German forces advanced westwards. As the 100th anniversary of the start of the Great War approaches, this is a fitting moment to reconsider these momentous events and how they fit into the broad sweep of European history.

Author: Karine Varley
Publisher: Taylor & Francis
ISBN: 1040046126
Category : History
Languages : en
Pages : 204

View

Book Description
The Franco-Prussian War of 1870–71 has traditionally been seen as a limited conflict between French and German forces. This edited volume challenges this view and shows that it was a war of ideas, values, and perceptions, which transformed the political, diplomatic, and military culture across Europe. Based on interdisciplinary research, the book suggests that the war raised new questions about power, the nation, violence, and notions of civilization, which brought about a decisive shift in how warfare was experienced and perceived. While the Franco-Prussian War may have begun as a traditional dynastic struggle, it became a modern war and an important precursor to the First World War in its use of new weaponry and industrialized warfare. At the same time, the development of humanitarian movements and international law on the conduct of war meant that the fighting was subjected to unprecedented scrutiny, while new technologies accelerated the pace at which narratives about the war were constructed and consumed. This volume will appeal to scholars in the fields of war studies, international relations and diplomacy, and intellectual and cultural history. It will also be a useful addition to undergraduate and postgraduate courses on nineteenth-century European history and cultural studies.

Author: Thijs Dekeukeleire
Publisher: Leuven University Press
ISBN: 9462702810
Category : Social Science
Languages : en
Pages : 321

View

Book Description
Masculinities in nineteenth-century art through the lens of gender and queer history Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men’s lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the contributing authors present case studies of men’s relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siècle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.

Author: K. Varley
Publisher: Springer
ISBN: 0230582346
Category : History
Languages : en
Pages : 299

View

Book Description
Based on extensive archival research, this book is the first wide-ranging analysis of how memories of the Franco-Prussian War shaped French political culture and identities. Examining war remembrance as an emerging mass phenomenon in Europe, it sheds new light on the relationship between memories and the emergence of new concepts of the nation.

Author: Thomas Cardoza
Publisher: Indiana University Press
ISBN: 025335451X
Category : History
Languages : en
Pages : 313

View

Book Description
"Based on previously unpublished French archival records as well as published primary sources from France, its enemies, and its allies from the early 1700s until the Great War, Intrepid women is the first serious ... study of a previously ignored aspect women's and military history. Thomas Cardoza shows that these women were far more numerous and far more important to French logistics and morale than previously recognized, and suggests that their suppression was both premature and ultimately counterproductive. He also paints ... a complete picture of these women's daily lives: social origins, recruitment, business dealings, behavior on the battlefield, marriage and family life, retirement, and death"--Jacket.

Author: Ross King
Publisher: Anchor Canada
ISBN: 0307374963
Category : Art
Languages : en
Pages : 690

View

Book Description
Another fascinating book by the author of Brunelleschi’s Dome and Michelangelo and the Pope’s Ceiling: a saga of artistic rivalry and cultural upheaval in the decade leading to the birth of Impressionism. If there were two men who were absolutely central to artistic life in France in the second half of the nineteenth century, they were Edouard Manet and Ernest Meissonier. While the former has been labelled the “Father of Impressionism” and is today a household name, the latter has sunk into obscurity. It is difficult now to believe that in 1864, when this story begins, it was Meissonier who was considered the greatest French artist alive and who received astronomical sums for his work, while Manet was derided for his messy paintings of ordinary people and had great difficulty getting any of his work accepted at the all-important annual Paris Salon. Manet and Meissonier were the Mozart and Salieri of their day, one a dangerous challenge to the establishment, the other beloved by rulers and the public alike for his painstakingly meticulous oil paintings of historical subjects. Out of the fascinating story of their parallel careers, Ross King creates a lens through which to view the political tensions that dogged Louis-Napoleon during the Second Empire, his ignominious downfall, and the bloody Paris Commune of 1871. At the same time, King paints a wonderfully detailed and vivid portrait of life in an era of radical social change. When Manet painted Dejeuner sur l’herbe or Olympia, he shocked not only with his casual brushstrokes but with his subject matter: top-hatted white-collar workers (and their mistresses) were not considered suitable subjects for ‘Art.’ Ross King shows how, benign as they might seem today, these paintings changed the course of history. The struggle between Meissonier and Manet to see their paintings achieve pride of place at the Salon was not just about artistic competitiveness, it was about how to see the world. Full of fantastic tidbits of information and a colourful cast of characters that includes Baudelaire, Courbet and Zola, with walk-on parts for Monet, Renoir, Degas and Cezanne, The Judgment of Paris casts new light on the birth of Impressionism and takes us to the heart of a time in which the modern French identity was being forged.