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Author: Isabel Kalous Publisher: transcript Verlag ISBN: 3839459532 Category : Literary Criticism Languages : en Pages : 275
Book Description
What does it mean for Black diasporic writers to travel to Africa? Focusing on the period between the 1990s and 2010s, Isabel Kalous examines autobiographical narratives of travel to Africa by African American and Black British authors. She places the texts within the long tradition of Black diasporic engagement with the continent, scrutinizes the significance of Black mobility, and demonstrates that travel writing serves as a means to negotiate questions of identity, belonging, history, and cultural memory. To provide a framework for the analyses of contemporary narratives, her study outlines the emergence, development, and key characteristics of the multifaceted genre of Black travel writing. Authors discussed include, among others, Saidiya Hartman, Barack Obama, and Caryl Phillips.
Author: Isabel Kalous Publisher: transcript Verlag ISBN: 3839459532 Category : Literary Criticism Languages : en Pages : 275
Book Description
What does it mean for Black diasporic writers to travel to Africa? Focusing on the period between the 1990s and 2010s, Isabel Kalous examines autobiographical narratives of travel to Africa by African American and Black British authors. She places the texts within the long tradition of Black diasporic engagement with the continent, scrutinizes the significance of Black mobility, and demonstrates that travel writing serves as a means to negotiate questions of identity, belonging, history, and cultural memory. To provide a framework for the analyses of contemporary narratives, her study outlines the emergence, development, and key characteristics of the multifaceted genre of Black travel writing. Authors discussed include, among others, Saidiya Hartman, Barack Obama, and Caryl Phillips.
Author: Robert Clarke Publisher: Routledge ISBN: 1317914759 Category : Literary Criticism Languages : en Pages : 196
Book Description
Over the past thirty years the Australian travel experience has been ‘Aboriginalized’. Aboriginality has been appropriated to furnish the Australian nation with a unique and identifiable tourist brand. This is deeply ironic given the realities of life for many Aboriginal people in Australian society. On the one hand, Aboriginality in the form of artworks, literature, performances, landscapes, sport, and famous individuals is celebrated for the way it blends exoticism, mysticism, multiculturalism, nationalism, and reconciliation. On the other hand, in the media, cinema, and travel writing, Aboriginality in the form of the lived experiences of Aboriginal people has been exploited in the service of moral panic, patronized in the name of white benevolence, or simply ignored. For many travel writers, this irony - the clash between different regimes of valuing Aboriginality - is one of the great challenges to travelling in Australia. Travel Writing from Black Australia examines the ambivalence of contemporary travelers’ engagements with Aboriginality. Concentrating on a period marked by the rise of discourses on Aboriginality championing indigenous empowerment, self-determination, and reconciliation, the author analyses how travel to Black Australia has become, for many travelers, a means of discovering ‘new’—and potentially transformative—styles of interracial engagement.
Author: Cheryl J. Fish Publisher: ISBN: 9780813027111 Category : Literary Criticism Languages : en Pages : 183
Book Description
Cheryl J. Fish argues that the concept of mobility offers a significant paradigm for reading literature of the United States and the Americas in the antebellum period, particularly for women writers of the African diaspora. Charting journeys across nations and literary traditions, she examines works by three undervalued writers--Mary Seacole, an Afro-Jamaican; Nancy Prince, an African American from Boston; and Margaret Fuller, a white New Englander and Transcendentalist--in whose lives mobility, travel literature, and benevolent work all converge. Refiguring the forms of domesticity, they traveled to the outposts of conflict and imperial expansion--colonial crossroads in Panama, Tsarist Russia, the Crimean War front, the U.S. frontier, and Jamaica after emancipation--and worked as healers, educators, and reformers. Each writer blended themes from exploration literature and various autobiographical genres to reconfigure racial and national identities and to issue a call for social action. They intervened strategically into discourses of medicine, education, religion, philanthropy, and emigration through a shifting and mobile subjectivity, negotiating relationships to various institutions, persons, and locations. For each woman, travel removed her from the familiar and placed her in a position of risk, "out-of-bounds," emotionally or physically. Seeking their own vision of the territories, they came to see themselves as citizens of the world, deeply involved in the causes they witnessed. As Fish documents, their desire to improve the quality of life for oppressed and wounded peoples distinguishes their works from other popular travel writers of the time. Drawing upon unpublished archival material such as letters, journals, and abolitionist periodicals, Fish incorporates print culture and theory into her discussion. She also examines historical accounts of the events and places with which these women were associated. She describes how Prince draws on the Bible and missionary discourse to make corrective readings of emigration policy and the lives of former slaves; Seacole appropriates the picaresque to embed her knowledge of Afro-Jamaican and Western medical tradition, and Fuller combines Romanticism and a fascination with racial science in her analysis of the American Midwest and in her evolving feminist critique. While writing in the popular 19th-century genre of the travelogue, Fish says, these black and white women were able to talk back, make and lose money, challenge stereotypes, and inform and entertain people with their adventures and benevolent work.
Author: Gretchen Sorin Publisher: Liveright Publishing ISBN: 1631495704 Category : History Languages : en Pages : 320
Book Description
Bloomberg • Best Nonfiction Books of 2020: "[A] tour de force." The basis of a major PBS documentary by Ric Burns, this “excellent history” (The New Yorker) reveals how the automobile fundamentally changed African American life. Driving While Black demonstrates that the car—the ultimate symbol of independence and possibility—has always held particular importance for African Americans, allowing black families to evade the dangers presented by an entrenched racist society and to enjoy, in some measure, the freedom of the open road. Melding new archival research with her family’s story, Gretchen Sorin recovers a lost history, demonstrating how, when combined with black travel guides—including the famous Green Book—the automobile encouraged a new way of resisting oppression.
Author: Virginia Whatley Smith Publisher: Univ. Press of Mississippi ISBN: 9781604737714 Category : African Americans Languages : en Pages : 415
Book Description
Attracted to remote lands by his interest in the postcolonial struggle, Richard Wright (1908-1960) became one of the few African Americans of his time to engage in travel writing. He went to emerging nations not as a sightseer but as a student of their cultures, learning the politics and the processes of social transformation. When Wright fled from the United States in 1946 to live as an expatriate in Paris, he was exposed to intellectual thoughts and challenges that transcended his social and political education in America. Three events broadened his world view- his introduction to French existentialism, the rise of the Pan-Africanist movement to decolonize Africa, and Indonesia's declaration of independence from colonial rule in 1945. During the 1950s as he traveled to emerging nations his encounters produced four travel narratives-Black Power (1953), The Color Curtain (1956), Pagan Spain (1956), and White Man, Listen! (1957). Upon his death in 1960, he left behind an unfinished book on French West Africa, which exists only in notes, outlines, and a draft. Written by multinational scholars, this collection of essays exploring Wright's travel writings shows how in his hands the genre of travel writing resisted, adapted, or modified the forms and formats practiced by white authors. Enhanced by nine photographs taken by Wright during his travels, the essays focus on each of Wright's four separate narratives as well as upon his unfinished book and reveal how Wright drew on such non-Western influences as the African American slave narrative and Asian literature of protest and resistance. The essays critique Wright's representation of customs and people and employ a broad range of interpretive modes, including the theories of formalism, feminism, and postmodernism, among others. Wright's travel books are proved here to be innovative narratives that laid down the roots of such later genres as postcolonial literature, contemporary travel writing, and resistance literature. Virginia Whatley Smith is an associate professor of English at the University of Alabama, Birmingham. Her work has appeared in African American Review, Mississippi Quarterly, and MLA Approaches to Teaching Wright's 'Native Son.'
Author: Nandini Das Publisher: Cambridge University Press ISBN: 110861681X Category : Literary Criticism Languages : en Pages :
Book Description
Bringing together original contributions from scholars across the world, this volume traces the history of travel writing from antiquity to the Internet age. It examines travel texts of several national or linguistic traditions, introducing readers to the global contexts of the genre. From wilderness to the urban, from Nigeria to the polar regions, from mountains to rivers and the desert, this book explores some of the key places and physical features represented in travel writing. Chapters also consider the employment in travel writing of the diary, the letter, visual images, maps and poetry, as well as the relationship of travel writing to fiction, science, translation and tourism. Gender-based and ecocritical approaches are among those surveyed. Together, the thirty-seven chapters here underline the richness and complexity of this genre.
Author: Robert Clarke Publisher: Cambridge University Press ISBN: 1108548717 Category : Literary Criticism Languages : en Pages : 292
Book Description
The Cambridge Companion to Postcolonial Travel Writing offers readers an insight into the scope and range of perspectives that one encounters in this field of writing. Encompassing a diverse range of texts and styles, performances and forms, postcolonial travel writing recounts journeys undertaken through places, cultures, and communities that are simultaneously living within, through, and after colonialism in its various guises. The Companion is organized into three parts. Part I, 'Departures', addresses key theoretical issues, topics, and themes. Part II, 'Performances', examines a range of conventional and emerging travel performances and styles in postcolonial travel writing. Part III, 'Peripheries' continues to shift the analysis of travel writing from the traditional focus on Eurocentric contexts. This Companion provides a comprehensive overview of developments in the field, appealing to students and teachers of travel writing and postcolonial studies.
Author: Isabel Kalous
Author: Isabel Kalous
Author: Robert Clarke
Author: Cheryl J. Fish
Author: Gretchen Sorin
Author: Virginia Whatley Smith
Author: Elaine Lee
Author: Gary Totten
Author: Nandini Das
Author: Robert Clarke
Author: Alfred Bendixen