Brecht and East Asian Theatre

Brecht and East Asian Theatre PDF Author: Anthony Tatlow
Publisher: Hong Kong University Press
ISBN: 9789622090682
Category : Performing Arts
Languages : en
Pages : 244

Book Description
This book contains unique information about Bertolt Brecht and East Asian theatre. It focuses in particular on China and offers first and detailed accounts of important Brecht productions from those directly involved. Hence it grants remarkable insight into the problems of modern Chinese theatre and its relationship to Western theatre and into possible future developments. The book also throws light on Brecht's work and suggests ways of 're-producing' Brecht in the West. It consists of papers presented at a Hong Kong conference by distinguished Western critics (John Willett, Klaus Volker) and prominent practitioners of the theatre in China - directors (Huang Zuolin, Chen Yong), stage designers, translators and scholars. There are also accounts of Brecht productions in Japan and India, which form a stimulating contrast with the Chinese experience. With a wealth of practical examples, the book enables us to appreciate how theatre develops within different social structures. Presenting examples of cultural affinity and cultural disjunction, it also makes a useful contribution to intercultural study.

Brecht and East Asian Theatre

Brecht and East Asian Theatre PDF Author: Antony Tatlow
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description


Brecht and East Asian Theatre

Brecht and East Asian Theatre PDF Author: Antony Tatlow
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

Book Description


Transnational Chinese Theatres

Transnational Chinese Theatres PDF Author: Rossella Ferrari
Publisher: Springer Nature
ISBN: 3030372731
Category : Performing Arts
Languages : en
Pages : 306

Book Description
This is the first systematic study of networks of performance collaboration in the contemporary Chinese-speaking world and of their interactions with the artistic communities of the wider East Asian region. It investigates the aesthetics and politics of collaboration to propose a new transnational model for the analysis of Sinophone theatre cultures and to foreground the mobility and relationality of intercultural performance in East Asia. The research draws on extensive fieldwork, interviews with practitioners, and direct observation of performances, rehearsals, and festivals in Asia and Europe. It offers provocative close readings and discourse analysis of an extensive corpus of hitherto untapped sources, including unreleased video materials and unpublished scripts, production notes, and archival documentation.

East Asia and America

East Asia and America PDF Author: Sang-Kyong Lee
Publisher: Wild Peony (AU)
ISBN:
Category : Drama
Languages : en
Pages : 198

Book Description
From the middle of the nineteenth century, East Asia fell increasingly under the influence of the West. However, at the same time, there was a decided trend in the opposite direction, especially in the realm of theater, the central meeting point of the cultural encounter. While the stimuli and impulses emanating from American drama are sufficiently well documented, there are no thoroughgoing studies on the effects of East Asian theater on drama and theater in America. This relatively neglected aspect of cultural cross-fertilization is investigated in the book. The research is based on the evaluation of interviews and theater visits, and an analysis of historical sources and the relevant works/productions of Eugene O'Neill, Thornton Wilder, T. S. Eliot, Ezra Pound, Robert Wilson, and Stephen Sondheim.

The Use of Asian Theatre for Modern Western Theatre

The Use of Asian Theatre for Modern Western Theatre PDF Author: Min Tian
Publisher: Springer
ISBN: 3319971786
Category : Performing Arts
Languages : en
Pages : 313

Book Description
This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self-)reflection or, more precisely, a (self-)projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.

Chinese Adaptations of Brecht

Chinese Adaptations of Brecht PDF Author: Wei Zhang
Publisher: Springer Nature
ISBN: 3030377784
Category : Literary Criticism
Languages : en
Pages : 210

Book Description
This book examines the two-way impacts between Brecht and Chinese culture and drama/theatre, focusing on Chinese theatrical productions since the end of the Cultural Revolution all the way to the first decades of the twenty-first century. Wei Zhang considers how Brecht’s plays have been adapted/appropriated by Chinese theatre artists to speak to the sociopolitical, economic, and cultural developments in China and how such endeavors reflect and result from dynamic interactions between Chinese philosophy, ethics, and aesthetics, especially as embodied in traditional xiqu and the Brechtian concepts of estrangement (Verfremdungseffekt) and political theatre. In examining these Brecht adaptations, Zhang offers an interdisciplinary study that contributes to the fields of comparative drama/theatre studies, intercultural studies, and performance studies.

Chinese Theatre and the Actor in Performance

Chinese Theatre and the Actor in Performance PDF Author: Jo Riley
Publisher: Cambridge University Press
ISBN: 9780521570909
Category : Drama
Languages : en
Pages : 372

Book Description
This work gives an 'inside' view of Chinese theatre and the actor in performance for the first time. It challenges western theatre artists such as Brecht, Grotowski, Barba and Schechner, who have extracted from Chinese theatre elements which might enrich their own theatres. It is based on personal observations of and dialogue with Chinese actors, experiences which were impossible before 1980. Riley's study is well illustrated with photographs and diagrams and is accessible to anyone interested in theatre, even those with no knowledge of Chinese or Chinese theatre.

The Poetics of Difference and Displacement

The Poetics of Difference and Displacement PDF Author: Min Tian
Publisher: Hong Kong University Press
ISBN: 9622099076
Category : Poetry
Languages : en
Pages : 293

Book Description
Intercultural theater is a prominent phenomena of twentieth-century international theater. This books views intercultural theatre as a process of displacement and re-placement of various cultural and theatrical forces, a process which the author describes as 'the poetics of displacement'.

Shakespeare, Brecht, and the Intercultural Sign

Shakespeare, Brecht, and the Intercultural Sign PDF Author: Antony Tatlow
Publisher: Duke University Press
ISBN: 0822380897
Category : Literary Criticism
Languages : en
Pages : 309

Book Description
In Shakespeare, Brecht, and the Intercultural Sign renowned Brecht scholar Antony Tatlow uses drama to investigate cultural crossings and to show how intercultural readings or performances question the settled assumptions we bring to interpretations of familiar texts. Through a “textual anthropology” Tatlow examines the interplay between interpretations of Shakespeare and readings of Brecht, whose work he rereads in the light of theories of the social subject from Nietzsche to Derrida and in relation to East Asian culture, as well as practices within Chinese and Japanese theater that shape their versions of Shakespearean drama. Reflecting on how, why, and to what effect knowledges and styles of performance pollinate across cultures, Tatlow demonstrates that the employment of one culture’s material in the context of another defamiliarizes the conventions of representation in an act that facilitates access to what previously had been culturally repressed. By reading the intercultural, Tatlow shows, we are able not only to historicize the effects of those repressions that create a social unconscious but also gain access to what might otherwise have remained invisible. This remarkable study will interest students of cultural interaction and aesthetics, as well as readers interested in theater, Shakespeare, Brecht, China, and Japan.