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Author: Jo Riley Publisher: Cambridge University Press ISBN: 9780521570909 Category : Drama Languages : en Pages : 372
Book Description
This work gives an 'inside' view of Chinese theatre and the actor in performance for the first time. It challenges western theatre artists such as Brecht, Grotowski, Barba and Schechner, who have extracted from Chinese theatre elements which might enrich their own theatres. It is based on personal observations of and dialogue with Chinese actors, experiences which were impossible before 1980. Riley's study is well illustrated with photographs and diagrams and is accessible to anyone interested in theatre, even those with no knowledge of Chinese or Chinese theatre.
Author: Jo Riley Publisher: Cambridge University Press ISBN: 9780521570909 Category : Drama Languages : en Pages : 372
Book Description
This work gives an 'inside' view of Chinese theatre and the actor in performance for the first time. It challenges western theatre artists such as Brecht, Grotowski, Barba and Schechner, who have extracted from Chinese theatre elements which might enrich their own theatres. It is based on personal observations of and dialogue with Chinese actors, experiences which were impossible before 1980. Riley's study is well illustrated with photographs and diagrams and is accessible to anyone interested in theatre, even those with no knowledge of Chinese or Chinese theatre.
Author: Guo Chao Publisher: Routledge ISBN: 1000538966 Category : History Languages : en Pages : 224
Book Description
This book examines male dan, a male actor who performs female roles in Chinese theatre. Through the rise, fall and tenuous survival of male dan in Chinese history, Guo Chao reflects the transformations in the social zeitgeist in China, especially the politics of gender and sexuality. The breadth of this study reflects a diversified set of sources, ranging from classical to contemporary texts (texts of jingju plays, memoirs, collections of notation books) and other commentaries and critical evaluations of dan actors (in both English and Chinese languages) to video and audio materials, films and personal interviews. This book will be of great interest to students and scholars of East Asian/Chinese studies across the fields of theatre, history, culture and literature.
Author: M. Tian Publisher: Springer ISBN: 1137010436 Category : Social Science Languages : en Pages : 308
Book Description
The first book-length study in any language of the presence and influence of Mei Lanfang, the internationally known Chinese actor who specialized in female roles on the twentieth-century international stage. Tian investigates Mei Lanfang's presence and influence and the transnational and intercultural appropriations of his art.
Author: Wang-Ngai Siu Publisher: Hong Kong University Press ISBN: 9888208268 Category : Performing Arts Languages : en Pages : 227
Book Description
Chinese opera embraces over 360 different styles of theatre that make one of the richest performance arts in the world. It combines music, speech, poetry, mime, acrobatics, stage fighting, vivid face-painting and exquisite costumes. First experiences of Chinese opera can be baffling because its vocabulary of stagecraft is familiar only to the seasoned aficionado. Chinese Opera: The Actor’s Craft makes the experience more accessible for everyone. This book uses breath-taking images of Chinese opera in performance by Hong Kong photographer Siu Wang-Ngai to illustrate and explain Chinese opera stage technique. The book explores costumes, gestures, mime, acrobatics, props and stage techniques. Each explanation is accompanied by an example of its use in an opera and is illustrated by in-performance photographs. Chinese Opera: The Actor’s Craft provides the reader with a basic grammar for understanding uniquely Chinese solutions to staging drama.
Author: Colin Mackerras Publisher: University of Hawaii Press ISBN: 9780824812201 Category : Performing Arts Languages : en Pages : 264
Book Description
This volume is the first concise introduction to the splendid variety of the Chinese theatrical tradition. It presents a rounded perspective on the development of Chinese theater by considering all of its major aspects—history and social context, performance, costume, makeup, actors, playwrights, and theaters—and by discussing all the major forms of Chinese theater, including the Beijing opera, which arose in the eighteenth century, and the spoken play, an entirely twentieth-century form. Its contributors are uniquely qualified to write about the Chinese theater. They have enjoyed an intimate relationship with their subject, both as academics and as theater workers, and they have combined a deep knowledge of Chinese theater with a high regard for its long tradition and continuing vitality. The book is intended for general as well as more specialized readers. Those with an interest in theater as a worldwide phenomenon and those wanting a new light on Chinese culture and society will find it equally useful. To those with a particular interest in Chinese theater, it will be a rich and important resource.
Author: A.C. Scott Publisher: Routledge ISBN: 1136575812 Category : Drama Languages : en Pages : 264
Book Description
First published in 1957. Besides tracing the history and development of the Peking Theatre, this volume explains acting techniques, stage costume and symbolism, musical forms and the various types of plays.
Author: Jin Fu Publisher: Cambridge University Press ISBN: 0521186668 Category : Drama Languages : en Pages : 145
Book Description
Chinese opera has a history of over 800 years. However, since the early twentieth century, following increased contact with the West, drama without music has also become popular in China. The development and prosperity of modern drama has created a new landscape for Chinese theater, which, as a whole, has become more diverse.
Author: Guangren Shen Publisher: Psychology Press ISBN: 9780415343268 Category : History Languages : en Pages : 216
Book Description
Theatre in Ming China represents a golden age of Asian performance, when an enthusiasm for theatre on the part of the national populace became a nationwide phenomena. Theatre occupied a particularly important place in the life of the elite, for whom owning a theatre troupe was highly fashionable and for whom theatre performances were an integral part of formal gatherings, various rituals and ceremonies. This book provides an overview of elite theatre in Ming China. It is based on an exploration of the original historical records, and includes comparisons with other forms of ancient theatre, and an examination of the details of theatrical performance.
Author: Siyuan Liu Publisher: University of Michigan Press ISBN: 0472128728 Category : Performing Arts Languages : en Pages : 473
Book Description
Shortly after the establishment of the People’s Republic of China in 1949, the PRC launched a reform campaign that targeted traditional song and dance theater encompassing more than a hundred genres, collectively known as xiqu. Reformers censored or revised xiqu plays and techniques; reorganized star-based private troupes; reassigned the power to create plays from star actors to the newly created functions of playwright, director, and composer; and eliminated market-oriented functionaries such as agents. While the repertoire censorship ended in the 1980s, major reform elements have remained: many traditional scripts (or parts of them) are no longer in performance; actors whose physical memory of repertoire and acting techniques had been the center of play creation, have been superseded by directors, playwrights, and composers. The net result is significantly diminished repertoires and performance techniques, and the absence of star actors capable of creating their own performance styles through new signature plays that had traditionally been one of the hallmarks of a performance school. Transforming Tradition offers a systematic study of the effects of the comprehensive reform of traditional theater conducted in the 1950s and ’60s, and is based on a decade’s worth of exhaustive research of official archival documents, wide-ranging interviews, and contemporaneous publications, most of which have never previously been referenced in scholarly research.
Author: Jo Riley
Author: Jo Riley
Author: Guo Chao
Author: M. Tian
Author: Wang-Ngai Siu
Author: Colin Mackerras
Author: Colin Mackerras
Author: A.C. Scott
Author: Jin Fu
Author: Guangren Shen
Author: Siyuan Liu