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Author: Samuel L. Leiter Publisher: McFarland ISBN: 147665137X Category : Performing Arts Languages : en Pages : 388
Book Description
America's third largest city until 1890, Brooklyn, New York, had a striking theatrical culture before it became a borough of Greater New York in 1898. As the city gained size and influence, more and more theatres arose, with at least 15 venues ultimately vying for favor. Too many theatregoers, however, preferred the discomforts of a ferry and horsecar trip to New York's playhouses instead of supporting the local product. Nor did the completion of the Brooklyn Bridge in 1883 do Brooklyn's theatres any favors. Manhattan's Goliath slayed Brooklyn's David. This first comprehensive study of Brooklyn's old-time theatre describes the city's early history, each of its many playhouses, its plays and actors (including nearly every foreign and domestic star), and its scandals and catastrophes, including the theatre fire that killed nearly 300. Brooklyn's ongoing struggle to establish theatres in a society dominated by anti-theatrical preachers, including Henry Ward Beecher, is detailed, as are all the ways that Brooklyn typified 19th century American theatre, from stock companies to combinations. Replete with fascinating anecdotes, this is the story of a major city from which theatre all but vanished before being reborn as a present-day artistic mecca.
Author: Samuel L. Leiter Publisher: McFarland ISBN: 147665137X Category : Performing Arts Languages : en Pages : 388
Book Description
America's third largest city until 1890, Brooklyn, New York, had a striking theatrical culture before it became a borough of Greater New York in 1898. As the city gained size and influence, more and more theatres arose, with at least 15 venues ultimately vying for favor. Too many theatregoers, however, preferred the discomforts of a ferry and horsecar trip to New York's playhouses instead of supporting the local product. Nor did the completion of the Brooklyn Bridge in 1883 do Brooklyn's theatres any favors. Manhattan's Goliath slayed Brooklyn's David. This first comprehensive study of Brooklyn's old-time theatre describes the city's early history, each of its many playhouses, its plays and actors (including nearly every foreign and domestic star), and its scandals and catastrophes, including the theatre fire that killed nearly 300. Brooklyn's ongoing struggle to establish theatres in a society dominated by anti-theatrical preachers, including Henry Ward Beecher, is detailed, as are all the ways that Brooklyn typified 19th century American theatre, from stock companies to combinations. Replete with fascinating anecdotes, this is the story of a major city from which theatre all but vanished before being reborn as a present-day artistic mecca.
Author: Brooklyn Beckham Publisher: Penguin UK ISBN: 0141375779 Category : Photography Languages : en Pages : 304
Book Description
WHAT I SEE, the first book by Brooklyn Beckham, is a series of snapshots of his life. Each chapter tells a different story through pictures by and of Brooklyn, accompanied by captions and passages of text in his own words. Unique, authentic and stylish, WHAT I SEE is a glimpse behind the lens.
Author: Elliot Willensky Publisher: Harmony ISBN: Category : Brooklyn (New York, N.Y.) Languages : en Pages : 248
Book Description
Around the corner. The next block. Across the At the end of the line. Borough Park. Gowanus. Flatbush. Canarsie. Ridgewood. Greenpoint. Brownsville. Bay Ridge. Bensonhurst. City Line. What was the place called Brooklyn really like back then... when Brooklyn was the world? Elliot Willensky, born in Brooklyn and now official Borough Historian, takes us back to a sweeter time when a trip on the new BMT subway was a delightful adventure, when summer days were a picnic on the sand and evenings were Nathan's hotdogs at Coney Island and a whirl of lights, spills, and chills at dazzling Luna Park. Remembering Brooklyn, it's the neighborhoods you think of first -- or maybe it's your own block, the one you were raised on. In those days, the street was a more animated, more colorful place. Jacks and jump rope, hit-the-stick, double-dutch and skelly or potsy (hopscotch to you) were played everywhere. The street was a natural amphitheater, and the stoop was the perfect place for grown-ups to sit and watch and visit with neighbors. Stores-on-wheels selling fruit, baked goods, and the old standby, seltzer, rolled right down the block, and the Fuller Brush man and Electrolux vacuum-cleaner salesmen worked door to door, saving housewives countless shopping trips. For many, a big night out was dinner at a Chinese restaurant, where 99 percent of the patrons were non-Chinese, and you could get mysterious-sounding dishes like moo goo gai pan and subgum chow mein -- "One from column A, two from column B." If you could afford to go somewhere really classy, the Marine Roof of the Bossert Hotel was one of the hottest nightspots. A hot date on Saturday night featured big bands at the clubs on TheStrip (Flatbush Avenue below Prospect Park) -- the Patio, the Parakeet Club, the Circus Lounge -- or gala stage shows at the Brooklyn Academy of Music or the enormous Paramount Theatre. Still, for family entertainment you couldn't beat a day at the beach and a night on Surf Avenue, taking in the sideshows and the penny arcades. For Brooklyn, the years between 1920 and 1957 were a special time. It was in 1920 that the subway system reached to Brooklyn's outer edge -- linking the entire borough with Manhattan and making it an ideal spot for millions of new families to build their homes. The end of the era came in 1957 -- the last year that Brooklyn's beloved Dodgers played at Ebbets Field before moving to sunny California. For many loyal fans the fate of "Dem Bums" represents the fate of Brooklyn. With a brilliant, entertaining text and hundreds of exciting, nostalgic photographs (many never before published), When Brooklyn Was the World recovers the history of this lively city, as remembered by the millions of people who knew Brooklyn in its golden era.
Author: Nona Faustine Publisher: ISBN: 9781913620516 Category : Female nude in art Languages : en Pages : 0
Book Description
White Shoes' is a collection of self-portraits taken in locations around New York that were central to the city's once pivotal - and now largely obscured and unacknowledged - involvement in the slave trade. Nona Faustine depicts herself at the sites of slave auctions, burial grounds, slave-owning farms, and the coastal locations where slave ships docked, posing nude apart from a pair of white high-heeled shoes. Documenting herself in places where history becomes tangible, Faustine acts as a conduit or receptor, in solidarity with people whose names and memories have been lost but are embedded in the land. Through quiet but defiant self-representation, Faustine responds to a history of depiction of Black people that is shaped by subjugation, phrenology, and pseudo-science. Her complex large-format images refer and respond to a range of sources including daguerrotypes of slaves and photographs commissioned by naturalists, while her nudity - expressive of fearless self-possession as well as vulnerability - subverts the legacy of Black and female nudes in Western art. Running throughout the images, the talismanic white shoes that give the series its name suggest the many adaptations to dominant White culture that were and are still demanded of people of colour. At once historical and speculative, White Shoes confronts the relationship between the visible and invisible, between what is displayed and what is kept from view. Includes newly commissioned texts by Pamela Sneed, Jessica Lanay, Jonathan Michael Square and Seph Rodney, together with an interview of the artist by Jessica Lanay
Author: Cezar Del Valle Publisher: Cezar Del Valle ISBN: 9780982772409 Category : Brooklyn (New York, N.Y.) Languages : en Pages : 512
Book Description
From 19th Century playhouses to the opulence of the 1920s movie palace and the multiplexes of today, The Brooklyn Theatre Index acts as a resource guide to the borough's performance spaces. The Index has its origins in two earlier surveys of Brooklyn theatres conducted independently by Dario Marotta and Michael Miller, each compiling an extensive listing of Brooklyn venues. For the purpose of the Index, the two lists were combined and extensive research was carried out on each auditorium with new information uncovered and a number of new venues added. Volume I begins with Gothic Hall on Adams Street and ends with a "moving picture show" at Lorimer and Meserole Streets..
Author: Samuel L. Leiter
Author: Samuel L. Leiter
Author: Brooklyn Beckham
Author: Elliot Willensky
Author: Matt Lambros
Author: Nona Faustine
Author: Cezar Del Valle
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Author: John Willis
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