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Author: Min Wild Publisher: Routledge ISBN: 1317166418 Category : Literary Criticism Languages : en Pages : 265
Book Description
Christopher Smart and Satire explores the lively and idiosyncratic world of satire in the eighteenth-century periodical, focusing on the way that writers adopted personae to engage with debates taking place during the British Enlightenment. Taking Christopher Smart's audacious and hitherto underexplored Midwife, or Old Woman's Magazine (1750-1753) as her primary source, Min Wild provides a rich examination of the prizewinning Cambridge poet's adoption of the bizarre, sardonic 'Mary Midnight' as his alter-ego. Her analysis provides insights into the difficult position in which eighteenth-century writers were placed, as ideas regarding the nature and functions of authorship were gradually being transformed. At the same time, Wild also demonstrates that Smart's use of 'Mary Midnight' is part of a tradition of learned wit, having an established history and characterized by identifiable satirical and rhetorical techniques. Wild's engagement with her exuberant source materials establishes the skill and ingenuity of Smart's often undervalued, multilayered prose satire. As she explores Smart's use of a peculiarly female voice, Wild offers us a picture of an ingenious and ribald wit whose satirical overview of society explores, overturns, and anatomises questions of gender, politics, and scientific and literary endeavors.
Author: Min Wild Publisher: Routledge ISBN: 1317166418 Category : Literary Criticism Languages : en Pages : 265
Book Description
Christopher Smart and Satire explores the lively and idiosyncratic world of satire in the eighteenth-century periodical, focusing on the way that writers adopted personae to engage with debates taking place during the British Enlightenment. Taking Christopher Smart's audacious and hitherto underexplored Midwife, or Old Woman's Magazine (1750-1753) as her primary source, Min Wild provides a rich examination of the prizewinning Cambridge poet's adoption of the bizarre, sardonic 'Mary Midnight' as his alter-ego. Her analysis provides insights into the difficult position in which eighteenth-century writers were placed, as ideas regarding the nature and functions of authorship were gradually being transformed. At the same time, Wild also demonstrates that Smart's use of 'Mary Midnight' is part of a tradition of learned wit, having an established history and characterized by identifiable satirical and rhetorical techniques. Wild's engagement with her exuberant source materials establishes the skill and ingenuity of Smart's often undervalued, multilayered prose satire. As she explores Smart's use of a peculiarly female voice, Wild offers us a picture of an ingenious and ribald wit whose satirical overview of society explores, overturns, and anatomises questions of gender, politics, and scientific and literary endeavors.
Author: Chris Mounsey Publisher: Bucknell University Press ISBN: 9780838754832 Category : Biography & Autobiography Languages : en Pages : 356
Book Description
"This new biography of Christopher Smart offers a picture of a multifaceted eighteenth-century wit whose writing has far-reaching social, political, and historical significance. Poet, journalist, theater performer, cross-dresser, and theologian, who was questionably incarcerated for insanity, wherever Smart found himself his approach to life was at once serious and joyful, confirming him as one of God's clowns." "Building on previous biographical, bibliographical, and critical work - as well as on a broad scholarship on the publishing trade, on Grub Street and the position of the professional writer, and on the institutional treatment of madness in eighteenth-century England - Chris Mounsey constructs a version of Smart's life that is radically original. In its intelligent use of legal, parliamentary, and other archives, Mounsey both reappraises the familiar source material and mounts a challenge to earlier accounts of Smart's life and career. New interpretations of Smart's relationship with others (including his father-in-law John Newbery), his life on Grub Street as a political satirist, and his involvement in theological speculations provide a fuller and more engaging picture of the social, political, scientific, and religious context of his life and work."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Min Wild Publisher: Bucknell University Press ISBN: 1611485207 Category : Literary Criticism Languages : en Pages : 275
Book Description
Front Flap: Poet, essayist, actor, hymn-writer, wit, magazine editor, transvestite stage performer: Christopher Smart, Georgian don-turned-writer, was all of these. He was, and remains, a mercurial individual, an idiosyncratic yet strangely familiar writer of spiritual heights and material depths. His paradoxical exuberance fascinates scholars of eighteenth-century culture, and this collection of essays, a snapshot of current scholarship from both new and established Smart scholars, offers, among others, literary, theological, dramatic and philosophical perspectives on his writing. Here are new ways of reading familiar Smart works — including the astonishing, devout poem of his incarceration, Jubilate Agno — and unfamiliar ones, such as his translations and writing for children. Unexpected readers of Smart, from Coleridge to a testy anonymous annotator, are examined, and Smart's sacred translations and profane stage presence each find a place. Tom Keymer's re-evaluating afterword finds the quality of “betweenness” in Smart's work: between eras, between genres, between forms, Smart's vitality demands reassessment for each new generation of readers. Contributors: Karina Williamson, Min Wild, Rosalind Powell, Fraser Easton, Clement Hawes, William E. Levine, Noel Chevalier, Lori A. Branch, Daniel J. Ennis, Chris Mounsey, Debbie Welham, Tom Keymer. Back Flap: The editors Min Wild's monograph Christopher Smartand Satire on Smart's Midwife, was published in 2008, and various articles and reviews of a Smartian bent have followed. Her interest in that eighteenth-century favorite, the literary mode of prosopopoeia, has led her to investigate the personification of words, texts and literary modes themselves. She lectures in eighteenth-century literature and theory at Plymouth University, UK, and reviews in the Times Literary Supplement and elsewhere. Noel Chevalier is Associate Professor of English at Luther College, University of Regina, Canada. He has published articles on Jubilate Agno and on Smart’s challenge to “legitimate” playhouses in Mrs. Midnight’sOratory. Although his specialty lies in the eighteenth century, his teaching and research cover a diverse range of topics, from literary responses to the Bible, to the roots of globalization, to literary representations of science and scientists. He has helped create two interdisciplinary programs at Luther: one which addresses literature for students in the sciences, and one which explores the philosophical, political, economic, and cultural contexts of globalization. Jacket illustration: "Amaryllis sarniensis or Guernsey Amaryllis," from William Curtis, The Botanical Magazine; or, Flower-GardenDisplayed, Vol. IX. No. 294. London, 1795.
Author: Rosalind Powell Publisher: Routledge ISBN: 1317166396 Category : Literary Criticism Languages : en Pages : 220
Book Description
In the first full-length study of Christopher Smart’s translations and the place and function of translation in Smart’s poetry, Rosalind Powell proposes a new approach to understanding the relationship between Smart’s poetics and his practice. Drawing on translation theory from the early modern period to the present day, this book addresses Smart's translations of Horace, Phaedrus and the Psalms alongside the better-known religious works such as Jubilate Agno and A Song to David. Five recurrent threads run throughout Powell’s study: the effect of translation on the identity of a narrative voice in a rewritten text; the techniques that are used to present translated texts to a new literary, cultural and linguistic readership; performance and reading contexts; the translation of great works as an attempt to achieve literary permanence; and, finally, the authorial influence of Smart himself in terms of the overt religiosity and nationalism that he champions in his writing. In exploring Smart’s major translation projects and revisiting his original poems, Powell offers insights into classical reception and translation theory; attitudes towards censorship; expressions of nationalism in the period; developments in liturgy and hymnody; and the composition of children’s books and school texts in the early modern era. Her detailed analysis of Smart’s translating poetics places them within a new, contemporary context and locality to uncover the poet's works as a coherent project of Englishing.
Author: Christopher Smart Publisher: ISBN: Category : Language Arts & Disciplines Languages : en Pages : 530
Book Description
Published here for the first time since 1767, Christopher Smart's verse translation of Horace was made in the years between his release from the madhouse and his death. The introduction places Smart's methods in the context of 18th-century attitudes to the translation of classical works.
Author: Christopher Smart Publisher: Palala Press ISBN: 9781348042891 Category : Languages : en Pages : 58
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Christopher Buckley Publisher: Corsair ISBN: 178033673X Category : Fiction Languages : en Pages : 186
Book Description
In an attempt to gain Congressional approval for a top secret weapons system, Washington lobbyist "Bird" McIntyre and sexy Neo-Con wonkette Angel Templeton start a rumour that the Chinese secret service is trying to assassinate the Dalai Lama. Their outrageous scheme provokes a series of crises involving the White House, the CIA, and a strangely sympathetic and vulnerable Chinese president, with both countries veering perilously towards war. Buckley has drawn his most convincing and outrageous characters to date: Bird, failed novelist of amusingly awful Clancy-esque thrillers; Angel, combination Anne Coulter and Ayn Rand; Bird's demanding, equestrian wife, Myndi; Bewks, his feckless but endearing Civil War re-enactor brother; the mild-mannered Chinese President Fa and his devoted aide Gang, manoeuvring desperately against sinister Politburo hard-liners Minister Lo and General Han. Blending the skewering genius of Thank You For Smoking with Dr. Strangelove's dark comedy, They Eat Puppies Don't They? has something to offend -- and amuse -- everyone. Praise for Christopher Buckely: "One of the funniest writers in the English language." Tom Wolfe. "A Benchley with WordPerfect." John Updike. "An effervescent joy." Joseph Heller.
Author: Min Wild
Author: Min Wild
Author: Chris Mounsey
Author: Min Wild
Author: Rosalind Powell
Author: Christopher Smart
Author: Christopher Smart
Author: Moira Dearnley
Author: Christopher Smart
Author: Christopher Buckley
Author: Christopher Smart