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Author: Scott Pfitzinger Publisher: Rowman & Littlefield ISBN: 1442272252 Category : Music Languages : en Pages : 628
Book Description
Functioning as its own fully cross-referenced index, this volume lists composers and their dates, followed by their teachers and their notable students. A short introduction lays out the parameters by which composers were selected and provides a survey of the literature available for further study.
Author: Scott Pfitzinger Publisher: Rowman & Littlefield ISBN: 1442272252 Category : Music Languages : en Pages : 628
Book Description
Functioning as its own fully cross-referenced index, this volume lists composers and their dates, followed by their teachers and their notable students. A short introduction lays out the parameters by which composers were selected and provides a survey of the literature available for further study.
Author: Jane D. Hatter Publisher: Cambridge University Press ISBN: 1108474918 Category : Art Languages : en Pages : 301
Book Description
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.
Author: Mark Everist Publisher: Oxford University Press, USA ISBN: 0197546005 Category : Biography & Autobiography Languages : en Pages : 229
Book Description
The history of music is most often written as a sequence of composers and works. But a richer understanding of the music of the past may be obtained by also considering the afterlives of a composer's works. Genealogies of Music and Memory asks how the stage works of Christoph Willibald Gluck (1714-87) were cultivated in nineteenth-century Paris, and concludes that although the composer was not represented formally on the stage until 1859, his music was known from a wide range of musical and literary environments. Received opinion has Hector Berlioz as the sole guardian of the Gluckian flame from the 1820s onwards, and responsible -- together with the soprano Pauline Viardot -- for the 'revival' of the composer's Orfeo in 1859. The picture is much clarified by looking at the concert performances of Gluck during the first two thirds of the nineteenth century, and the ways in which they were received and the literary discourses they engendered. Coupled to questions of music publication, pedagogy, and the institutional status of the composer, such a study reveals a wide range of individual agents active in the promotion of Gluck's music for the Parisian stage. The 'revival' of Orfeo is contextualised among other attempts at reviving Gluck's works in the 1860s, and the role of Berlioz, Viardot and a host of others re-examined.
Author: Library of Congress Publisher: Washington, D.C. : Library of Congress, Cataloging Distribution Service ISBN: Category : Genealogy Languages : en Pages : 1368
Book Description
The bibliographic holdings of family histories at the Library of Congress. Entries are arranged alphabetically of the works of those involved in Genealogy and also items available through the Library of Congress.
Author: Stephen Walsh Publisher: Knopf ISBN: 0593319044 Category : Biography & Autobiography Languages : en Pages : 720
Book Description
Widely regarded the greatest composer of the twentieth century, Igor Stravinsky was central to the development of modernism in art. Deeply influential and wonderfully productive, he is remembered for dozens of masterworks, from The Firebird and The Rite of Spring to The Rake's Progress, but no dependable biography of him exists. Previous studies have relied too heavily on his own unreliable memoirs and conversations, and until now no biographer has possessed both the musical knowledge to evaluate his art and the linguistic proficiency needed to explore the documentary background of his life--a life whose span extended from tsarist Russia to Switzerland, France, and ultimately the United States. In this revealing volume, the first of two, Stephen Walsh follows Stravinsky from his birth in 1882 to 1934. He traces the composer's early Russian years in new and fascinating detail, laying bare the complicated relationships within his family and showing how he first displayed his extraordinary talents within the provincial musical circle around his teacher, Nikolay Rimsky-Korsakov. Stravinsky's brilliantly creative involvement with the Ballets Russes is illuminated by a sharp sense of the internal artistic politics that animated the group. Portraying Stravinsky's circumstances as an émigré in France trying to make his living as a conductor and pianist as well as a composer while beset by emotional and financial demands, Walsh reveals the true roots of his notorious obsession with money during the 1920s and describes with sympathy the nature of his long affair with Vera Sudeykina. While always respecting Stravinsky's own insistence that life and art be kept distinct, Stravinsky makes clear precisely how the development of his music was connected to his life and to the intellectual environment in which he found himself. But at the same time it demonstrates the composer's remarkably pragmatic psychology, which led him to consider the welfare of his art to be of paramount importance, before which everything else had to give way. Hence, for example, his questionable attitude toward Hitler and Mussolini, and his reputation as a touchy, unpredictable man as famous for his enmities as for his friendships. Stephen Walsh, long established as an expert on Stravinsky's music, has drawn upon a vast array of material, much of it unpublished or unavailable in English, to bring the man himself, in all his color and genius, to glowing life. Written with elegance and energy, comprehensive, balanced, and original, Stravinsky is essential reading for anyone interested in the adventure of art in our time. Praise from the British press for Stephen Walsh's The Music of Stravinsky "One of the finest general studies of the composer." --Wilfrid Mellers, composer, Times Literary Supplement "The beautiful prose of The Music of Stravinsky is itself a fund of arresting images. For those who already love Stravinsky's music, Walsh's essays on each work will bring a smile of recognition and joy at new kernels of insight. For those unfamiliar with many of the works he discusses, Walsh's commentaries are likely to whet appetites for performances of the works." --John Shepherd, Notes "This book sent me scurrying back to the scores and made me want to recommend it to other people. Above all, it is a good read." --Anthony Pople, Music and Letters
Author: Nancy S. Dawson Publisher: Zondervan Academic ISBN: 0310536596 Category : Religion Languages : en Pages : 609
Book Description
The Bible contains hundreds of genealogies that fulfill multiple purposes, yet the significance of these genealogies can admittedly be difficult to grasp. In All the Genealogies of the Bible, author Nancy presents every genealogy in the Bible in a simple, visual format. Esteemed biblical scholars Eugene Merrill and Andreas Kostenberger supplement Dawson's work with brief commentary on each genealogy. Dawson works with both complete genealogies and partial lists, piecing together names in different passages to illustrate the interrelationships of various biblical characters for deeper study. Including more than 340 genealogies, All the Genealogies of the Bible is organized in biblical order and is equipped with tools you'll need to navigate the book easily: A detailed table of contents A Complete Index of Names Comprehensive cross-referencing A one-of-a-kind reference work, All the Genealogies of the Bible will be useful for pastors, Bible teachers, students, and anyone wanting to study the Bible more deeply from the unique vantage point of its many genealogies.
Author: Jane McRae Publisher: Auckland University Press ISBN: 1775589080 Category : History Languages : en Pages : 260
Book Description
Maori oral tradition is the rich, poetic record of the past handed down by voice over generations through whakapapa, whakatauki, korero and waiata. In genealogies and sayings, histories, stories and songs, Maori tell of ‘te ao tawhito' or the old world: the gods, the migration of the Polynesian ancestors from Hawaiki and life here in Aotearoa. A voice from the past, today this remarkable record underpins the speeches, songs and prayers performed on marae and the teaching of tribal genealogies and histories. Indeed, the oral tradition underpins Maori culture itself. This book introduces readers to the distinctive oral style and language of the traditional compositions, acknowledges the skills of the composers of old and explores the meaning of their striking imagery and figurative language. And it shows how nga korero tuku iho – the inherited words – can be a deep well of knowledge about the way of life, wisdom and thinking of the Maori ancestors.
Author: Scott Pfitzinger
Author: Scott Pfitzinger
Author: Wikipedia contributors
Author: Jane D. Hatter
Author: Mark Everist
Author: Library of Congress
Author: Stephen Walsh
Author: Karol J. Borowiecki
Author: Charles Jolly Werner
Author: Nancy S. Dawson
Author: Jane McRae