Death Metal and Music Criticism PDF Download

Author: Michelle Phillipov
Publisher: Lexington Books
ISBN: 0739164619
Category : Music
Languages : en
Pages : 183

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Book Description
Death metal is one of popular music's most extreme variants, and is typically viewed as almost monolithically nihilistic, misogynistic, and reactionary. Studies tend to view the music as a reflection of these listeners' social conditions and are concerned with metal's pleasures so long as these can be seen within that context: as responses to cultural and economic circumstances. Michelle Phillipov's Death Metal and Music Criticism: Analysis at the Limits, in contract, offers an account of listening pleasure on its own terms. Through an analysis of death metal's sonic and lyrical extremity, Phillipov shows how violence and aggression can be configured as sites for pleasure and play in death metal music, with little relation to the 'real' lives of listeners. In some cases, gruesome lyrical themes and fractured song forms invite listeners to imagine new experiences of the body and of the self. In others, the speed and complexity of the music foster a 'technical' or distanced appreciation akin to the viewing experiences of graphic horror film fans. These aspects of death metal listening are often neglected by scholarly accounts concerned with evaluating music as either 'progressive' or 'reactionary.' By contextualizing the discussion of death metal via substantial overviews of popular music studies as a field, Phillipov's Death Metal and Music Criticism highlights how the premium placed on political engagement in popular music studies not only circumscribes our understanding of the complexity and specificity of death metal, but of other musical styles as well. Exploring death metal at the limits of conventional music criticism helps not only to develop a more nuanced account of death metal listening—it also offers some important starting points for a rethinking of popular music scholarship as a whole.

Author: Keith Kahn-Harris
Publisher: Berg
ISBN: 1845203992
Category : Music
Languages : en
Pages : 204

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Book Description
Includes interviews with band members and fans, from countries ranging from the UK and US to Israel and Sweden, this book demonstrates the power and subtlety of an often surprising and misunderstood musical form. It draws on first-hand research to explore the global extreme metal scene.

Author: Andy R. Brown
Publisher: Routledge
ISBN: 1317587251
Category : Music
Languages : en
Pages : 370

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Book Description
This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philosophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom metal, Death metal, and Progressive metal. They interrogate production technologies, sound engineering, album artwork and band promotion, logos and merchandising, t-shirt and jewellery design, and fan communities that define the global metal music economy and subcultural scene. The volume explores how the new academic discipline of metal studies was formed, also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, and sociology, as well as those interested in metal communities around the world.

Author: William Phillips
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Music
Languages : en
Pages : 576

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Book Description
It has been reviled, dismissed, attacked, and occasionally been the subject of Congressional hearings, but still, the genre of music known as heavy metal maintains not only its market share in the recording and downloading industry, but also as a cultural force that has united millions of young and old fans across the globe. Characterized by blaring distorted guitars, drum solos, and dramatic vibrato, the heavy metal movement headbanged its way to the popular culture landscape with bands like Led Zeppelin and Black Sabbath the 1970s. Motley Crue and Metallica made metal a music phenomenon in the 1980s. Heavy metal continues to evolve today with bands like Mastodon and Lamb of God. Providing an extensive overview of the music, fashion, films, and philosophies behind the movement, this inclusive encyclopedia chronicles the history and development of heavy metal, including sub-movements such as death metal, speed metal, grindcore, and hair metal. Essential and highly entertaining reading for high school and undergraduate courses in popular music studies, communications, media studies, and cultural studies, the Encyclopedia of Heavy Metal Music and Culture offers a guide to the ultimate underground music, exploring its rich cultural diversity, resilience, and adaptability. Entries for musicians include a discography for those wanting to start or develop their music collections.

Author: Ashkan Soltani Stone
Publisher: U of Nebraska Press
ISBN: 1496222504
Category : Music
Languages : en
Pages : 114

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Book Description
Rez Metal captures the creative energy of Indigenous youth culture in the twenty-first century. Bridging communities from disparate corners of Indian Country and across generations, heavy metal has touched a collective nerve on the Navajo Reservation in Arizona in particular. Many cultural leaders—including former Navajo president Russell Begaye—have begun to recognize heavy metal’s ability to inspire Navajo communities facing chronic challenges such as poverty, depression, and addiction. Heavy metal music speaks to the frustrations, fears, trials, and hopes of living in Indian Country. Rez Metal highlights a seminal moment in Indigenous heavy metal: when Kyle Felter, lead singer of the Navajo heavy metal band I Dont Konform, sent a demo tape to Flemming Rasmussen, the Grammy Award–winning producer of several Metallica albums, including Master of Puppets. A few months later, Rasmussen, captivated by the music, flew from Denmark to Window Rock, Arizona, to meet the band. Through a series of vivid images and interviews focused on the venues, bands, and fans of the Navajo Nation metal scene, Rez Metal provides a window into this fascinating world.

Author: Garry Sharpe-Young
Publisher:
ISBN: 9780958268448
Category : Music
Languages : en
Pages : 612

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Book Description
Reviled and revered in equal measure since its inception over a decade ago the phenomenon known as Death Metal has pushed Hard Rock music to the very edge of acceptability, and way beyond. Death metal and its bastard offspring Grindcore, has become the pariah of the music world. From the founding fathers Death, Napalm Death, Carcass, Incantation, Impetigo, and Morbid Angel, to the rise of Swedish Death Metal legends In Flames, Carnage and At The Gates, the Black Death Metal of Marduk, the Christian Death Metal of Mortification and the political Noisecore of Agathocles. Every major force in the genre is included - Aborted, Malevolent Creation, Deicide, Dismember, Dissection, Cannibal Corpse, Six Feet Under, Vader, Krisiun, et al. All genres old and new are analysed in depth with full histories and detailed discographies of well over 3,000 bands. Also included are many rare photographs. No area of the globe has provided a safe haven and this book documents the burgeoning uprise of Death Metal bands in the Far East, Eastern Europe and South America. Despite its unceasing growth and increasing legions of fans quite remarkably the phenomenon of Extreme Metal has never been fully documented until now. This book, newly updated and amended, is a must for all serious extreme metal fans.

Author: Robert McParland
Publisher: McFarland
ISBN: 1476632987
Category : Music
Languages : en
Pages : 210

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Book Description
 Myth pervades heavy metal. With visual elements drawn from medieval and horror cinema, the genre’s themes of chaos, dissidence and alienation transmit an image of Promethean rebellion against the conventional. In dialogue with the modern world, heavy metal draws imaginatively on myth and folklore to construct an aesthetic and worldview embraced by a vast global audience. The author explores the music of Black Sabbath, Iron Maiden, Judas Priest, Metallica and many others from a mythological and literary perspective.

Author: Nelson Varas-Díaz
Publisher: Lexington Books
ISBN: 1793607524
Category : Music
Languages : en
Pages : 361

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Book Description
In Heavy Metal Music in Latin America: Perspectives from the Distorted South, the editors bring together scholars engaged in the study of heavy metal music in Latin America to reflect on the heavy metal genre from a regional perspective. The contributors’ southern voices diversify metal scholarship in the global north. An extreme musical genre for an extreme region, the contributors explore how issues like colonialism, dictatorships, violence, ethnic extermination and political persecution have shaped heavy metal music in Latin America, and how music has helped shape Latin American culture and politics.

Author: Dr Gerd Bayer
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409493857
Category : Music
Languages : en
Pages : 214

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Book Description
Heavy metal has developed from a British fringe genre of rock music in the late 1960s to a global mass market consumer good in the early twenty-first century. Early proponents of the musical style, such as Black Sabbath, Deep Purple, Judas Priest, Saxon, Uriah Heep and Iron Maiden, were mostly seeking to reach a young male audience. Songs were often filled with violent, sexist and nationalistic themes but were also speaking to the growing sense of deterioration in social and professional life. At the same time, however, heavy metal was seriously indebted to the legacies of blues and classical music as well as to larger literary and cultural themes. The genre also produced mythological concept albums and rewritings of classical poems. In other words, heavy metal tried from the beginning to locate itself in a liminal space between pedestrian mass culture and a rather elitist adherence to complexity and musical craftsmanship, speaking from a subaltern position against the hegemonic discourse. This collection of essays provides a comprehensive and multi-disciplinary look at British heavy metal from its beginning through The New Wave of British Heavy Metal up to the increasing internationalization and widespread acceptance in the late 1980s. The individual chapter authors approach British heavy metal from a textual perspective, providing critical analyses of the politics and ideology behind the lyrics, images and performances. Rather than focus on individual bands or songs, the essays collected here argue with the larger system of heavy metal music in mind, providing comprehensive analyses that relate directly to the larger context of British life and culture. The wide range of approaches should provide readers from various disciplines with new and original ideas about the study of this phenomenon of popular culture.

Author: Jared Meeker
Publisher: Shredding Styles
ISBN: 9780739095393
Category : Music
Languages : en
Pages : 0

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Book Description
"Features: Techniques, scales, modes, patterns and sequences for death metal guitarists ; Sample riffs in the styles of Death, Opeth, Meshuggah, and more! ; Covers classic, melodic, and progressive death metal ; Detailed breakdown of picking styles, including alternate, tremolo, sweep, economy, and cross picking ; Lessons in bending, tapping, pick harmonics, string crossing, rhythm, and odd time signatures. Includes CD with over 50 minutes of authentic and powerful demonstrations." -- front cover.