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EDISON MOTION PICTURES

EDISON MOTION PICTURES PDF Author: MUSSER CHARLES
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 730

Book Description
"This book provides essential documentation of all known Edison films made between 1890 and 1900. Thomas Edison and his associates at the Edison Laboratory in West Orange, New Jersey, invented the first system of commercial motion pictures." "Making the historical framework predominant while retaining traditional cataloging features, Edison Motion Pictures, 18901900 is of value to a wide range of scholars interested in American life at the turn of the century - those working in performance studies, film and media studies, cultural history, ethnic studies, and social and political history. Documentary filmmakers, film programmers, archivists, and librarians can also benefit from using this catalog." "Edison films from the end of the nineteenth century offer a unique visual record of American entertainment and popular culture - moving images that become much more interesting and useful when they can be examined in conjunction with pertinent documentation." "Scholars concerned with portrayals of war, depictions of the American presidency, and many other topics in the nation's political history will find much useful information."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

EDISON MOTION PICTURES

EDISON MOTION PICTURES PDF Author: MUSSER CHARLES
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art
Languages : en
Pages : 730

Book Description
"This book provides essential documentation of all known Edison films made between 1890 and 1900. Thomas Edison and his associates at the Edison Laboratory in West Orange, New Jersey, invented the first system of commercial motion pictures." "Making the historical framework predominant while retaining traditional cataloging features, Edison Motion Pictures, 18901900 is of value to a wide range of scholars interested in American life at the turn of the century - those working in performance studies, film and media studies, cultural history, ethnic studies, and social and political history. Documentary filmmakers, film programmers, archivists, and librarians can also benefit from using this catalog." "Edison films from the end of the nineteenth century offer a unique visual record of American entertainment and popular culture - moving images that become much more interesting and useful when they can be examined in conjunction with pertinent documentation." "Scholars concerned with portrayals of war, depictions of the American presidency, and many other topics in the nation's political history will find much useful information."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Man Who Invented Motion Pictures

The Man Who Invented Motion Pictures PDF Author: Paul Fischer
Publisher: Simon and Schuster
ISBN: 1982114851
Category : History
Languages : en
Pages : 416

Book Description
One of the New York Times Best True Crime of 2022 A “spellbinding, thriller-like” (Shelf Awareness) history about the invention of the motion picture and the mysterious, forgotten man behind it—detailing his life, work, disappearance, and legacy. The year is 1888, and Louis Le Prince is finally testing his “taker” or “receiver” device for his family on the front lawn. The device is meant to capture ten to twelve images per second on film, creating a reproduction of reality that can be replayed as many times as desired. In an otherwise separate and detached world, occurrences from one end of the globe could now be viewable with only a few days delay on the other side of the world. No human experience—from the most mundane to the most momentous—would need to be lost to history. In 1890, Le Prince was granted patents in four countries ahead of other inventors who were rushing to accomplish the same task. But just weeks before unveiling his invention to the world, he mysteriously disappeared and was never seen or heard from again. Three and half years later, Thomas Edison, Le Prince’s rival, made the device public, claiming to have invented it himself. And the man who had dedicated his life to preserving memories was himself lost to history—until now. The Man Who Invented Motion Pictures pulls back the curtain and presents a “passionate, detailed defense of Louis Le Prince…unfurled with all the cliffhangers and red herrings of a scripted melodrama” (The New York Times Book Review). This “fascinating, informative, skillfully articulated narrative” (Kirkus Reviews, starred review) presents the never-before-told history of the motion picture and sheds light on the unsolved mystery of Le Prince’s disappearance.

Early Motion Pictures

Early Motion Pictures PDF Author: Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division
Publisher:
ISBN:
Category : Silent films
Languages : en
Pages : 540

Book Description


Vitagraph

Vitagraph PDF Author: Andrew A. Erish
Publisher: University Press of Kentucky
ISBN: 0813181216
Category : Performing Arts
Languages : en
Pages : 305

Book Description
Winner of the 2022 Peter C. Rollins Book Award and the 2022 Browne Best Edited Reference/Primary Source Work in Popular and American Culture Award In Vitagraph: America's First Great Motion Picture Studio, Andrew A. Erish provides a comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multimillion-dollar business. In fact, the truth about Vitagraph is far more interesting than the myths that later moguls propagated about themselves. Established in 1897 by J. Stuart Blackton and Albert E. Smith, Vitagraph was the leading producer of motion pictures for much of the silent era. Vitagraph established America's studio system, a division of labor utilizing specialized craftspeople and artists and developed fundamental aspects of American movies, from framing, lighting, and performance style to emphasizing character-driven comedy and drama in stories that respected and sometimes poked fun at every demographic of Vitagraph's vast audience. For most of its existence America's most influential studio was headquartered in Brooklyn, New York, before relocating to Hollywood. A historically rigorous and thorough account of the most influential producer of American motion pictures during the silent era, Erish draws on valuable primary material long overlooked by other historians to introduce readers to the fascinating, forgotten pioneers of Vitagraph.

Moving Pictures

Moving Pictures PDF Author: Nancy Mowll Mathews
Publisher: Hudson Hills
ISBN: 9781555952280
Category : Art
Languages : en
Pages : 212

Book Description
Explores the complex relationship between American art and the new medium of film.

Early Film History

Early Film History PDF Author:
Publisher:
ISBN: 9781465291271
Category :
Languages : en
Pages :

Book Description


History of the Kinetograph, Kinetoscope And Kinetophonograph

History of the Kinetograph, Kinetoscope And Kinetophonograph PDF Author: W. K. L. Dickson
Publisher:
ISBN: 9780756782733
Category : Performing Arts
Languages : en
Pages : 55

Book Description
This is a facsimile ed. of the first history of the cinema by W.K.L. Dickson & Antonia Dickson, & was reproduced from W.K.L. Dickson's own annotated copy of the book. When this book was first published in 1895, practical moving pictures were barely two years old, & film projection was yet to be perfected. Dickson had begun to work with Edison in 1883; within 5 years, he was leader of the team that was attempting to build an instrument which does for the eye what the phonograph does for the Ear.Ó The results of their labor were the kinetograph (the camera used for photographing motion pictures) & the kinetoscope (the means for viewing them). This book allows the reader to experience the wonder & promise of the cinema in its infancy. Illustrations.

Networks of Entertainment

Networks of Entertainment PDF Author: Frank Kessler
Publisher: Indiana University Press
ISBN: 0861969375
Category : Performing Arts
Languages : en
Pages : 353

Book Description
Essays by prominent scholars examining film distribution in the early years of cinema. This collection of essays explores the complex issue of film distribution from the invention of cinema into the 1910s. From regional distribution networks to international marketing strategies, from the analysis of distribution catalogs to case studies on individual distributors, these essays written by well-known specialists in the field discuss the intriguing question of how films came to meet their audiences. Contributors include Richard Abel, Marta Braun, Joseph Garncarz, André Gaudreault, François Jost, Charlie Keil, Martin Loiperdinger, Viva Paci, Wanda Strauven, Gregory Waller, and many more.

Film: A Very Short Introduction

Film: A Very Short Introduction PDF Author: Michael Wood
Publisher: Oxford University Press
ISBN: 0192803530
Category : Art
Languages : en
Pages : 153

Book Description
Offers a wealth of insight into the paradoxical nature of film, considering its role and impact on society in the 20th century as well as its future in the digital age. Original.

Thomas A. Edison and His Kinetographic Motion Pictures

Thomas A. Edison and His Kinetographic Motion Pictures PDF Author: Charles Musser
Publisher: Rutgers University Press
ISBN: 9780813522104
Category : Performing Arts
Languages : en
Pages : 62

Book Description
Much controversy has surrounded Thomas A. Edison's role in the birth of motion pictures. His earliest biographers gave all honor to him; later historians gave credit to his assistants or to foreign inventors whose recognition Edison stole. Charles Musser provides a balanced assessment, arguing that while Edison left the day-to-day experimentation to his talented employees, he provided the ideas and encouragement as well as financial support. Without him, the technical hurdles would not have been overcome so quickly. As time went on, and innovations in the motion picture business shifted from improving machines to improving the moving pictures themselves and the meyhods of exhibiting them, Edison's Laboratory lost its advantage. After three decades of patent wars and attempted monopolization of cameras and projectors, the battle moved away from the inventor and toward the producers and nickelodeon owners. Edison briefly experimented with a home movie projector, to steal a march on his rivals, but he was way ahead of his time. After thirty years, he closed down his movie studio and moved on to other projects. This brief, informative story of Edison's key contributions to the invention of motion pictures is heavily illustrated and beautifully designed.