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Author: Marco Duranti Publisher: Skenè. Texts and Studies ISBN: Category : Language Arts & Disciplines Languages : en Pages : 154
Book Description
In sixteenth-century England only two Greek plays in Greek were published: Euripides’ Troades (1575) and Aristophanes’ Equites (1593). This book raises questions on the scarceness of editions of Greek dramas and their late appearance in the English Renaissance, compared to continental editorial practices. It also seeks to reconstruct the intellectual and political context in which these two dramas were published. To this end, it examines the paratexts, especially the prefatory letters addressed either to patrons or to the readers, contained in contemporary Greek grammars and catechisms. Troades and Equites were probably published for educational purposes and their lack of paratexts invites further investigation as to the status of knowledge of Greek and how these editions were to be used in teaching. Against this backdrop, Troades and Equites appear as part and parcel of a humanistic programme connected with the education of the ruling class. The book shows that the Elizabethan age witnessed a growing interest in Greek as part of an overall project of consolidation of the Church of England and the monarchy, inspired by Protestant nationalism. In this context, reading and staging Greek dramas was regarded as a means to acquire rhetorical, ethical, philosophical, and political knowledge. These paratexts help us to understand the role of Greek and Greek literature held in the making of modern England.
Author: Marco Duranti Publisher: Skenè. Texts and Studies ISBN: Category : Language Arts & Disciplines Languages : en Pages : 154
Book Description
In sixteenth-century England only two Greek plays in Greek were published: Euripides’ Troades (1575) and Aristophanes’ Equites (1593). This book raises questions on the scarceness of editions of Greek dramas and their late appearance in the English Renaissance, compared to continental editorial practices. It also seeks to reconstruct the intellectual and political context in which these two dramas were published. To this end, it examines the paratexts, especially the prefatory letters addressed either to patrons or to the readers, contained in contemporary Greek grammars and catechisms. Troades and Equites were probably published for educational purposes and their lack of paratexts invites further investigation as to the status of knowledge of Greek and how these editions were to be used in teaching. Against this backdrop, Troades and Equites appear as part and parcel of a humanistic programme connected with the education of the ruling class. The book shows that the Elizabethan age witnessed a growing interest in Greek as part of an overall project of consolidation of the Church of England and the monarchy, inspired by Protestant nationalism. In this context, reading and staging Greek dramas was regarded as a means to acquire rhetorical, ethical, philosophical, and political knowledge. These paratexts help us to understand the role of Greek and Greek literature held in the making of modern England.
Author: Emanuel Stelzer Publisher: Skenè. Texts and Studies ISBN: Category : Language Arts & Disciplines Languages : en Pages : 279
Book Description
This volume aims at providing a comprehensive view of the performative as well as heuristic potentialities of the theatrical paradox in early modern plays. We are interested in discussing the functions and uses of paradoxes in early modern English drama by investigating how classical paradoxes were received and mediated in the Renaissance and by considering authors’ and playing companies’ purposes in choosing to explore the questions broached by such paradoxes. The book is articulated into three sections: the first, “Paradoxes of the Real”, is devoted to a theoretical investigation of the dramatic uses of paradoxes; the second, “Staging Mock Encomia” looks at the multiple dramatic functions of mock encomia and at the specific situations in which paradoxical praises were inserted in early modern plays; finally, the essays in “Paradoxical Dialogues” examine the connections between a number of early modern mock encomia and ancient or contemporary models.
Author: Marco Duranti Publisher: Skenè. Texts and Studies ISBN: 884676837X Category : Language Arts & Disciplines Languages : en Pages : 286
Book Description
This volume originates as a continuation of the previous volume in the CEMP series (1.1) and aims at furthering scholarly interest in the nature and function of theatrical paradox in early modern plays, considering how classical paradoxical culture was received in Renaissance England. The book is articulated into three sections: the first, “Paradoxical Culture and Drama”, is devoted to an investigation of classical definitions of paradox and the dramatic uses of paradox in ancient Greek drama; the second, “Paradoxes in/of Elizabethan and Jacobean Drama” looks at the functions and uses of paradox in the play-texts of Shakespeare and his contemporaries; finally, the essays in “Paradoxes in Drama and the Digital” examine how the Digital Humanities can enrich our knowledge of paradoxes in classical and early modern drama.
Author: Fabio Ciambella Publisher: Skenè. Texts and Studies ISBN: 8846767365 Category : Language Arts & Disciplines Languages : en Pages : 202
Book Description
Is Shakespeare’s The Tempest a Mediterranean play? This volume explores the relationship between The Tempest and the Mediterranean Sea and analyses it from different perspectives. Some essays focus on close readings of the text in order to explore the importance of the Mediterranean Sea for the genesis of the play and the narration of the past and present events in which the Shakespearean characters participate. Other chapters investigate the relationship between the Shakespearean play, its resources from the Mediterranean Graeco-Latin past and its afterlives in twentieth-century poems looking at the Mediterranean dimension of the play. Moreover, influences on and of The Tempest are investigated, looking at how Italian Renaissance music may have influenced some choices concerning Ariel’s song(s) and how The Tempest has shaped the production of twentieth-century Italian directors. Finally, other chapters try to reaffirm the centrality of the Mediterranean Sea in The Tempest, bringing to the fore new textual evidence in support of the Mediterraneity of the play, by adopting and/or criticising recent approaches.
Author: Fabio Ciambella Publisher: Skenè. Texts and Studies ISBN: Category : Language Arts & Disciplines Languages : en Pages : 228
Book Description
In 1602 and 1604 two collections of paradoxes, both entitled Four Paradoxes, authored by Thomas Scott, and Thomas and Dudley Digges, respectively, were published. Scott, a Protestant preacher, wrote four poems about art, law, war, and service. On the other hand, the diplomat and intellectual Dudley Digges published his father’s two paradoxes about the art of war together with his own two texts concerning the worthiness of war and warriors. What do these two collections of paradoxes have in common, and why publishing their critical edition together? Apparently, besides sharing the same title, the two works do not seem to have anything else in common. Nevertheless, this modern spelling critical edition of both texts aims at demonstrating that they share political, cultural, and genre-related features connected with the circulation of paradoxical discourse about war in early modern England.
Author: Alessandro Grilli Publisher: Skenè. Texts and Studies & ETS ISBN: 8846765826 Category : Language Arts & Disciplines Languages : en Pages : 171
Book Description
This study aims to provide a comparative analysis of the dynamics of musical and poetical meta-performance as they emerge both from the surviving corpus of ancient Attic comedy (which adds up, for our purposes, to Aristophanes’ eleven extant plays) and from Ben Jonson’s comedies. As a matter of fact, both corpora show a huge presence of meta-performative elements, that is, of moments in which musical and/or poetical performance is explicitly thematized or enacted in the drama. Those moments are hardly ever fortuitous, or not significant. On the contrary, they play each time a vital role in the development of the plot, in the portrait of characters, or in the definition of the ideology of the play. By means of a comparative analysis between the two authors, the book aims at providing a taxonomy of meta-performance in Aristophanes and Ben Jonson, with particular attention to its role in the definition of the characters' poetic ability. Such comparison will show that, despite using similar comic and performative strategies, the two authors draw a completely different ideology around the crucial themes of culture and titularity.
Author: Peter C. Phan Publisher: Liturgical Press ISBN: 9780814628935 Category : Religion Languages : en Pages : 196
Book Description
2006 Catholic Press Association Award Winner After suffering an eclipse during the post-Vatican II liturgical reform, popular piety has regained its vital role in the spiritual life of Catholics. In response to its re-emergence, the Congregation for divine Worship and the Discipline of the Sacraments issued the Directory on Popular Piety and the Liturgy on December 17, 2001. The Directory was written for bishops and their collaborators as a pastoral guide addressing the relationship between liturgy and popular piety. Directory on Popular Piety and the Liturgy: Principles and Guidelines, A Commentary by Peter C. Phan provides a chapter-by-chapter commentary on the Directory, summarizing its contents, highlighting its strengths and weaknesses, and offering suggestions on how devotional practices can be implemented in the United States. For liturgists, religious educators and students, pastoral leaders, and other interested Christians, this volume is helpful toward promoting a vigorous and authentic devotional life in the community, while respecting the preeminence of liturgical worship. The Commentary begins with a preface by Peter C. Phan and an introduction by James Empereur, entitled Popular Piety and the Liturgy: Principles and Guidelines." Chapters in Part One: Emerging Trends: History, Magisterium, Theology are *Liturgy and Popular Piety in a Historical Perspective, - by Mark R. Francis; *Liturgy and Popular Piety in the Church's Magisterium, - by Peter Fink; and *Theological Principles for an Evaluation and Renewal of Popular Piety, - by Nathan Mitchell. Chapters in Part Two: Guidelines for the Harmonization of Popular Piety with the Liturgy are *The Liturgical Year and Popular Piety, - by Keith F. Pecklers; *Veneration of the Holy Mother of God, - by Joyce Ann Zimmerman; *Veneration of the Saints and Beati, - by Rail Gomez; *Suffrage for the Dead, - by Peter C. Phan; *Shrines and Pilgrimages, - by Ana Maria Pineda. Concludes with a bibliography that presents the most significant recent writings on popular piety and liturgy, by Robert Brancatelli. Peter C. Phan, PhD, is the Ignacio Ellacuria Professor of Catholic Social Thought at Georgetown University. "
Author: James Bryce Publisher: Jazzybee Verlag ISBN: 3849650162 Category : Law Languages : en Pages : 632
Book Description
This volume contains a collection of studies composed at different times over a long series of years. It treats of diverse topics: yet through many of them there runs a common thread, that of a comparison between the history and law of Rome and the history and law of England. The author has handled this comparison from several points of view, applying it in one essay to the growth of the Roman and British Empires, in another to the extension over the world of their respective legal systems, in another to their Constitutions, in others to their legislation, in another to an important branch of their private civil law. The topic is one profitable to a student of the history of either nation; and it has not been largely treated by any writers before Bryce, as indeed few historians touch upon the legal aspects of history. This is volume two out of two.
Author: Marco Duranti
Author: Marco Duranti
Author: Emanuel Stelzer
Author: Marco Duranti
Author: Fabio Ciambella
Author: Fabio Ciambella
Author: Alessandro Grilli
Author: Otto Friedrich von Gierke
Author: Francis Lieber
Author: Peter C. Phan
Author: James Bryce