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Author: Nicole T. C. Chiang Publisher: Hong Kong University Press ISBN: 988852805X Category : Art Languages : en Pages : 167
Book Description
In this stunning reassessment, Nicole T. C. Chiang argues that the famous Qianlong art collection is really ‘the collection of the imperial household in the Qianlong reign’. The distinction is significant because it strips away the modern, Eurocentric preconceptions that have led scholars to misconstrue the size of the collection, the role of nationalism in its formation, the distinction between art and artifact, and the actual involvement of the emperor in assembling the collection. No one interested in Chinese art will be able to ignore the ramifications of this important study. Emperor Qianlong’s Hidden Treasures: Reconsidering the Collection of the Qing Imperial Household argues that the size of the collection was actually smaller than previously stated. Moreover, the idea that the collection put the whole of the empire on display (and thereby promoted political unity) does not square with the reality that most of the collection was hidden away. Instead, the collection was primarily for the emperor’s gaze alone. Chiang further explains that the collection was largely the product of work done by many specialists working at the Qianlong court, noting that the emperor often assumed a more supervisory role. Preliminary drawings, patterns, models, and prototypes of the items made in the imperial workshops also formed an important part of the collection, as they served to establish standardized models used to run the imperial household. The collection was thus both broader and narrower than previously stated. ‘Chiang has identified many misguided assumptions about the Qing imperial collection. In their place, she proposes a new definition of an imperial collection that does not give primacy to art objects. This bold revisionist thesis may be controversial, but it is important and deserves to be read widely for this exact reason.’ —Dorothy Ko, Barnard College, Columbia University ‘Chiang makes a new argument which will contribute to the literature on Qing imperial art. She shows that a distinction should be made between the Qianlong emperor’s activities in commissioning objects from the palace workshop and his activities in accumulating, assessing, and cataloguing objects that went into what she calls the “imperial household collection.” This work will attract wide attention from scholars in art history.’ —Evelyn S. Rawski, University of Pittsburgh
Author: Nicole T. C. Chiang Publisher: Hong Kong University Press ISBN: 988852805X Category : Art Languages : en Pages : 167
Book Description
In this stunning reassessment, Nicole T. C. Chiang argues that the famous Qianlong art collection is really ‘the collection of the imperial household in the Qianlong reign’. The distinction is significant because it strips away the modern, Eurocentric preconceptions that have led scholars to misconstrue the size of the collection, the role of nationalism in its formation, the distinction between art and artifact, and the actual involvement of the emperor in assembling the collection. No one interested in Chinese art will be able to ignore the ramifications of this important study. Emperor Qianlong’s Hidden Treasures: Reconsidering the Collection of the Qing Imperial Household argues that the size of the collection was actually smaller than previously stated. Moreover, the idea that the collection put the whole of the empire on display (and thereby promoted political unity) does not square with the reality that most of the collection was hidden away. Instead, the collection was primarily for the emperor’s gaze alone. Chiang further explains that the collection was largely the product of work done by many specialists working at the Qianlong court, noting that the emperor often assumed a more supervisory role. Preliminary drawings, patterns, models, and prototypes of the items made in the imperial workshops also formed an important part of the collection, as they served to establish standardized models used to run the imperial household. The collection was thus both broader and narrower than previously stated. ‘Chiang has identified many misguided assumptions about the Qing imperial collection. In their place, she proposes a new definition of an imperial collection that does not give primacy to art objects. This bold revisionist thesis may be controversial, but it is important and deserves to be read widely for this exact reason.’ —Dorothy Ko, Barnard College, Columbia University ‘Chiang makes a new argument which will contribute to the literature on Qing imperial art. She shows that a distinction should be made between the Qianlong emperor’s activities in commissioning objects from the palace workshop and his activities in accumulating, assessing, and cataloguing objects that went into what she calls the “imperial household collection.” This work will attract wide attention from scholars in art history.’ —Evelyn S. Rawski, University of Pittsburgh
Author: Zhang Hongxing Publisher: National Museums of Scotland ISBN: Category : Art Languages : en Pages : 196
Book Description
Qianlong, the great 18th-century Emperor, ruled China for 60 years, during which time the country became the mot wealthy and populous nation in the world. An open-minded, truthful and hard working ruler, the Emperor was also a poet, painter and calligrapher, as well as an art collector and connoisseur. In conjunction with the first exhibition from the Palace Museum Beijing to the UK, this illustrated catalogue covers the Qianlong Emperor and depicts the many facets of his life. It also looks in detail at the art produced during his rule, both by himself and the artists he employed including court and genre portraits, prints, gold, silver and jade objects and textiles. This catalogue consists of five essays by the experts of the Palace Museum and introductory texts to 90 exhibits from its superb collections.
Author: Arlene Leis Publisher: Taylor & Francis ISBN: 1000781410 Category : Art Languages : en Pages : 283
Book Description
This book examines collecting around the world and how women have participated in and formed collections globally. The edited volume builds on recent research and offers a wider lens through which to examine and challenge women’s collecting histories. Spanning from the seventeenth century to the twenty-first (although not organized chronologically) the research herein extends beyond European geographies and across time periods; it brings to light new research on how artificiallia and naturallia were collected, transported, exchanged, and/or displayed beyond Europe. Women, Collecting and Cultures Beyond Europe considers collections as points of contact that forged transcultural connections and knowledge exchange. Some authors focus mainly on collectors and what was collected, while others consider taxonomies, travel, patterns of consumption, migration, markets, and the after life of things. In its broad and interdisciplinary approach, this book amplifies women’s voices, and aims to position their collecting practices toward new transcultural directions, including women’s relation to distinct cultures, customs, and beliefs as well as exposing the challenges women faced when carving a place for themselves within global networks. This study will be of interest to scholars working in collections and collecting, conservation, museum studies, art history, women’s studies, material and visual cultures, Indigenous studies, textile histories, global studies, history of science, social and cultural histories.
Author: Yaelle Biro Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110757664 Category : Art Languages : en Pages : 236
Book Description
Zirkulation und Nachahmung haben einen wesentlichen Einfluss auf die Gestaltung der materiellen Welt. Die Beiträge des Bandes untersuchen, wie technisches Wissen, immaterielle Wünsche und politische Agenden die Produktion und Rezeption der visuellen und materiellen Kultur im Wandel der Zeit und Orte prägten. Sie gehen den Wanderungen von Kulturgütern unter besonderer Berücksichtigung ihrer Entstehungskontexte nach. Mit dem Begriff des „rhapsodischen Objektes" werden dabei die vielschichtigen, nicht immer in einem Zusammenhang stehenden Erzählungen der Objekte angesprochen.
Author: Nancy Berliner Publisher: ISBN: 9780875772219 Category : Beijing (China) Languages : en Pages : 0
Book Description
For centuries, China's Forbidden City has captured the world's imagination. Yet the elegant, intimate Qianlong Garden - itself within a 'mini-Forbidden City' inside the Forbidden City - has remained sequestered from public view. This title gives an analysis of the garden, which is one of the most refined and elegant of imperial Chinese gardens.
Author: Adam Brookes Publisher: Simon and Schuster ISBN: 1982149302 Category : History Languages : en Pages : 384
Book Description
The “gripping and meticulously researched” (The Times, London) true story of the determined museum curators who saved the priceless treasures of China’s Forbidden City in the years leading up to World War II and beyond. Spring 1933: The silent courtyards and palaces of Peking’s Forbidden City, for centuries the home of Chinese emperors, are tense with fear and expectation. Japan’s aircrafts drone overhead, its troops and tanks are only hours away. All-out war between China and Japan is coming, and the curators of the Forbidden City are faced with an impossible question: how will they protect the vast imperial art collections in their charge? A difficult and monumental decision is made: to safeguard the treasures, they will need to be evacuated. The magnificent collections contain a million pieces of art—objects that carry China’s deepest and most ancient memories. Among them are irreplaceable artefacts: exquisite paintings on silk, rare Ming porcelain, and the extraordinary Stone Drums of Qin, which are adorned with 2,500-year-old inscriptions of cultural significance. For sixteen years, under the quiet leadership of museum director Ma Heng, the curators would go on to transport the imperial art collections thousands of miles across China—up rivers of white water, across mountain ranges, and through burning cities. In their search for safety the curators and their fragile, invaluable cargo journeyed through the maelstrom of violence, chaos, and starvation that was China’s Second World War. Told for the first time in English and playing out across a vast historical canvas, this “compelling story of art, war, and adventure” (Simon Sebag Montefiore, author of The Romanovs: 1613-1918) follows the small group of men and women who, when faced with war’s onslaught on civilization, chose to resist.
Author: Chuimei Ho Publisher: ISBN: 9781858942032 Category : Art Languages : en Pages : 0
Book Description
Offering an unprecedented insight into one of the most glittering courts in history, this sumptuous book brings together some China's priceless national treasures, housed in Beijing's royal palace complex, the Forbidden City, and collected by Emperor Qianlong during his sixty-year reign from 1736 to 1795.
Author: Publisher: BRILL ISBN: 900467750X Category : Art Languages : en Pages : 462
Book Description
Centring the Periphery: New Perspectives on Collecting East Asian Objects, edited by Nataša Vampelj Suhadolnik, explores East Asian collections in "peripheral" areas of Europe and North America and their relationship with the East Asian collections in former imperial and colonial centres. The authors not only present the stories of a number of less well-known individual objects and collections, but also discuss the evolution of fashions and tastes in East Asian objects in areas that were not centres of European colonial power, and the socioeconomic conditions in which they were collected. To date, research on the collecting of East Asian objects in the Euro-American region has focused primarily on larger collections and collectors. The stories from the periphery, however, deserve to be told. They point to important departures from the dominant discourses and practices of East Asian collecting, thus raising questions about established taxonomies and knowledge systems. With contributions by Tina Berdajs, Chou Wei-Chiang, Györgyi Fajcsák, Jin Han, Sarah Laursen, Beatrix Mecsi, Motoh Helena, Stacey Pierson, Maria Sobotka, Filip Suchomel, Barbara Trnovec, Nataša Vampelj Suhadolnik, Brigid Vance, Maja Veselič, Nataša Visočnik Gerželj, Bettina Zorn.
Author: Thomas Kelly Publisher: Columbia University Press ISBN: 0231558031 Category : Literary Criticism Languages : en Pages : 382
Book Description
Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written. Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things broadens understandings of the links between the literary and the material.
Author: Nicole T. C. Chiang
Author: Nicole T. C. Chiang
Author: Zhang Hongxing
Author: Hongxing Zhang
Author: Arlene Leis
Author: Yaelle Biro
Author: Nancy Berliner
Author: Adam Brookes
Author: Chuimei Ho
Author: 
Author: Thomas Kelly