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Author: JAMES. DOWTHWAITE Publisher: Routledge ISBN: 9781032092270 Category : American poetry Languages : en Pages : 222
Book Description
Ezra Pound is one of the most significant poets of the twentieth century, a writer whose poetry is particularly notable for the intensity of its linguistic qualities. Indeed, from the principles of Imagism to the polyphony of his Cantos, Pound is central to our conception of modernism's relationship with language. This volume explores the development of Pound's understanding of language in the context of twentieth-century linguistics and the philosophy of language. It draws on largely unpublished archival material in order to provide a broadly chronological account of the development of Pound's views and their relation to both his own poetry and to modernist writing as a whole. Beginning with Pound's contentious relationship with philology and his antagonism towards academia, the book traces continuities and shifts across Pound's career, culminating in a discussion of the centrality of language to the conception of his Cantos. While it contains discussions around significant figures in twentieth-century linguistic thought, such as Ferdinand de Saussure and Ludwig Wittgenstein, the book attempts to recover the work of theorists such as Leonard Bloomfield, Lucien Lévy-Bruhl, and C.K. Ogden, figures who were once central to modernism, but who have largely been pushed to the periphery of modernist studies. The picture of Pound that emerges is a figure whose understanding of language is not only bound up with modernist approaches to anthropology, politics, and philosophy, but which calls for a new understanding of modernism's relationship to each.
Author: JAMES. DOWTHWAITE Publisher: Routledge ISBN: 9781032092270 Category : American poetry Languages : en Pages : 222
Book Description
Ezra Pound is one of the most significant poets of the twentieth century, a writer whose poetry is particularly notable for the intensity of its linguistic qualities. Indeed, from the principles of Imagism to the polyphony of his Cantos, Pound is central to our conception of modernism's relationship with language. This volume explores the development of Pound's understanding of language in the context of twentieth-century linguistics and the philosophy of language. It draws on largely unpublished archival material in order to provide a broadly chronological account of the development of Pound's views and their relation to both his own poetry and to modernist writing as a whole. Beginning with Pound's contentious relationship with philology and his antagonism towards academia, the book traces continuities and shifts across Pound's career, culminating in a discussion of the centrality of language to the conception of his Cantos. While it contains discussions around significant figures in twentieth-century linguistic thought, such as Ferdinand de Saussure and Ludwig Wittgenstein, the book attempts to recover the work of theorists such as Leonard Bloomfield, Lucien Lévy-Bruhl, and C.K. Ogden, figures who were once central to modernism, but who have largely been pushed to the periphery of modernist studies. The picture of Pound that emerges is a figure whose understanding of language is not only bound up with modernist approaches to anthropology, politics, and philosophy, but which calls for a new understanding of modernism's relationship to each.
Author: James Dowthwaite Publisher: Routledge ISBN: 1000012360 Category : Literary Criticism Languages : en Pages : 222
Book Description
Ezra Pound is one of the most significant poets of the twentieth century, a writer whose poetry is particularly notable for the intensity of its linguistic qualities. Indeed, from the principles of Imagism to the polyphony of his Cantos, Pound is central to our conception of modernism’s relationship with language. This volume explores the development of Pound’s understanding of language in the context of twentieth-century linguistics and the philosophy of language. It draws on largely unpublished archival material in order to provide a broadly chronological account of the development of Pound’s views and their relation to both his own poetry and to modernist writing as a whole. Beginning with Pound’s contentious relationship with philology and his antagonism towards academia, the book traces continuities and shifts across Pound’s career, culminating in a discussion of the centrality of language to the conception of his Cantos. While it contains discussions around significant figures in twentieth-century linguistic thought, such as Ferdinand de Saussure and Ludwig Wittgenstein, the book attempts to recover the work of theorists such as Leonard Bloomfield, Lucien Lévy-Bruhl, and C.K. Ogden, figures who were once central to modernism, but who have largely been pushed to the periphery of modernist studies. The picture of Pound that emerges is a figure whose understanding of language is not only bound up with modernist approaches to anthropology, politics, and philosophy, but which calls for a new understanding of modernism’s relationship to each.
Author: Jean-Michel Rabate Publisher: SUNY Press ISBN: 9780887060366 Category : Literary Criticism Languages : en Pages : 354
Book Description
Ezra Pound's Cantos remains among the most influential and difficult of twentieth century poetic writings. But now, for the first time, Rabaté's powerful and original study presents a theory of reading adequate to the challenge of Pound's writing. Using elements from Lacanian psycho-analysis and Heidegger's powerful meditation of poetry and language, this book constructs a theory of reading which both gives full force to the strategies of writing deployed in the Cantos and to the historical and political situations to which those strategies are a response. This study provides a fresh reading of the familiar Pound canon: Homer, Dante, Ovid but also of the less well-known: Ruskin, Browning, Frobenius. Pound's practice of quotation is understood in the context of a new poetic discourse characterized by parapraxis, ellipsis, condensation and autonomous "voices" which refer the division of the speaking subject back to an "omniform" intellect capable of taking on any new personality at will. Crucial to an understanding of Pound's situation is the relationship between Chinese and Greek culture, an analysis of which allows Rabaté to elaborate the tragic dimension in Pound's life and works. This book also parallels and contrasts Pound with his major contemporaries such as Eliot and Joyce and with his immediate heirs, like William Carlos Williams, H.D., Zukofsky, and Olson.
Author: Ezra Pound Publisher: Bloomsbury Publishing ISBN: 1472508483 Category : Literary Criticism Languages : en Pages : 404
Book Description
Collecting in full for the first time the correspondence between Ezra Pound and members of Leo Frobenius' Forschungsinstitut für Kulturmorphologie in Frankfurt across a 30 year period, this book sheds new light on an important but previously unexplored influence on Pound's controversial intellectual development in the Fascist era. Ezra Pound's long-term interest in anthropology and ethnography exerted a profound influence on early 20th century literary Modernism. These letters reveal the extent of the influence of Frobenius' concept of 'Paideuma' on Pound's poetic and political writings during this period and his growing engagement with the culture of Nazi Germany. Annotated throughout, the letters are supported by contextualising essays by leading Modernist scholars as well as relevant contemporary published articles by Pound himself and his leading correspondent at the Institute, the American Douglas C. Fox.
Author: Feng Lan Publisher: University of Toronto Press ISBN: 1442613114 Category : Literary Criticism Languages : en Pages : 256
Book Description
In Ezra Pound and Confucianism, Feng Lan offers the first study of Ezra Pound's project of establishing a Confucian humanism as an alternative to Western modernism. While Pound scholars are familiar with the American poet's commitment to Confucianism, the question of how Confucianism systematically shaped Pound's thoughts has not been convincingly answered. Lan shows that when confronted with what appeared to him a dehumanising modern world, Pound discovered in Confucianism possible solutions to issues that he encountered in language, politics, and religion, which Western intellectual tradition as a whole had failed to provide. By integrating Confucian doctrines with received ideas from Western tradition, Pound developed a humanist discourse and brought it to bear on the historical conditions of his time. The result was a discourse characterized primarily by the following beliefs: the human mind as the source of creation, the individual's moral will as the basis of truth and social order, the human partnership with the world of nature, the self-perfectibility of human beings, and their innate capability for internal transcendence in spiritual life. Lan examines the strategies with which Pound reconstructed Confucianism into a systematic modern discourse, focusing on his controversial translation of Confucian scriptures, his rethinking of the nature of language and poetry, his political theory of the individual and the state, and his formulation of an unorthodox spirituality. Situating Pound's works in diverse cultural, historical, and intellectual contexts, Ezra Pound and Confucianism demonstrates that, despite its frequent divergence from the Confucian canon, Pound's Confucian humanism gives his poetry an ideological coherence, enriches the Western humanist tradition, and asserts its relevance to the historical and cross-cultural development of Confucianism in modern times.
Author: Daniel Tiffany Publisher: Harvard University Press ISBN: 9780674746626 Category : Literary Criticism Languages : en Pages : 336
Book Description
Focusing on the necrophilic dimension of Pound's poetry and the inflections of materiality enabled by the modernist image, Tiffany finds a continuum between Decadent practice and the avant-garde, between the image's prehistory and its political afterlife, between the "corpse language" of Victorian poetry and a conception of the "radioactive" image
Author: David Ten Eyck Publisher: A&C Black ISBN: 1623566126 Category : Literary Criticism Languages : en Pages : 258
Book Description
Ezra Pound transformed his style of poetry when he wrote The Adams Cantos in the 1920s. But what caused him to rethink his earlier writing techniques? Grounded in archival material, this study explores the extent to which Pound's poetry changed in response to his reading of 17th-century American History and the social climate of the pre-war period. Drawing on the Ezra Pound papers, David Ten Eyck documents the changes to Pound's documentary techniques, establishing a chronology of the composition of The Cantos. His close readings of specific passages, set against the interwar years, allow Ten Eyck to gain insights into Pound's 1930s political and social criticism. Through references to the annotated copy of The Works of John Adams, he explores Pound's engagement with Adams at the expense of Thomas Jefferson: a figure formally at the heart of his previous work. Ultimately, this contextual and archival study uses John Adams and America to unlock the fascist beliefs and the later poetry of Ezra Pound.
Author: Alec Marsh Publisher: Bloomsbury Publishing ISBN: 1350096563 Category : Literary Criticism Languages : en Pages : 304
Book Description
The instalments of Ezra Pound's life-project, The Cantos, composed during his incarceration in Washington after the Second World War were to have served as a "Paradiso" for his epic. Beautiful and tormented, enigmatic and irascible by turns, they express the poet's struggle to reconcile his striving for justice with his extreme Right politics. In heavily coded language, Pound was writing activist political poetry. Through an in-depth reading of the "Washington Cantos" this book reveals the ways in which Pound integrated into his verse themes and ideas that remain central to American far-right ideology to this day: States' Rights, White-supremacy and racial segregation, the usurpation of the Constitution by the Supreme Court, and history as racial struggle. Pound's struggle was also personal. These poems also celebrate his passion for his muse and lover, Sheri Martinelli, as he tries to teach her his politics and, in the final poems, mount his legal defence against the unresolved treason charges hanging over his head. Reading the poetry alongside correspondence and unpublished archival writings, Ezra Pound's Washington Cantos and the Struggle for Light is an important new work on a poet who stands at the heart of 20th-century Modernism. Building on his previous book John Kasper and Ezra Pound: Saving the Republic (Bloomsbury, 2015), Alec Marsh explores the way the political ideas revealed in Pound's correspondence manifested themselves in his later poetry.
Author: JAMES. DOWTHWAITE
Author: JAMES. DOWTHWAITE
Author: James Dowthwaite
Author: Jean-Michel Rabate
Author: Ezra Pound
Author: Ezra Pound
Author: Feng Lan
Author: Daniel Tiffany
Author: Martin A Kayman
Author: David Ten Eyck
Author: Alec Marsh