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Digital Filmmaking

Digital Filmmaking PDF Author: Thomas Ohanian
Publisher: CRC Press
ISBN: 1136053549
Category : Performing Arts
Languages : en
Pages : 333

Book Description
Digital Filmmaking has been called the bible for professional filmmakers in the digital age. It details all of the procedural, creative, and technical aspects of pre-production, production, and post-production within a digital filmmaking environment. It examines the new digital methods and techniques that are redefining the filmmaking process, and how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. The second edition includes updates and new information, including four new chapters that examine key topics like digital television and high definition television,making films using digital video, 24 P and universal mastering, and digital film projection. Digital Filmmaking provides a clear overview of the traditional filmmaking process, then goes on to illuminate the ways in which new methods can accomplish old tasks. It explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques. Various filmmakers discuss their use of digital techniques to enhance the creative process in the "Industry Viewpoints" sections in each chapter .

Digital Filmmaking

Digital Filmmaking PDF Author: Thomas Ohanian
Publisher: CRC Press
ISBN: 1136053549
Category : Performing Arts
Languages : en
Pages : 333

Book Description
Digital Filmmaking has been called the bible for professional filmmakers in the digital age. It details all of the procedural, creative, and technical aspects of pre-production, production, and post-production within a digital filmmaking environment. It examines the new digital methods and techniques that are redefining the filmmaking process, and how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. The second edition includes updates and new information, including four new chapters that examine key topics like digital television and high definition television,making films using digital video, 24 P and universal mastering, and digital film projection. Digital Filmmaking provides a clear overview of the traditional filmmaking process, then goes on to illuminate the ways in which new methods can accomplish old tasks. It explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques. Various filmmakers discuss their use of digital techniques to enhance the creative process in the "Industry Viewpoints" sections in each chapter .

Anthropological Filmmaking

Anthropological Filmmaking PDF Author: J.R Rollwagen
Publisher: Routledge
ISBN: 1134332106
Category : Social Science
Languages : en
Pages : 412

Book Description
First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

Cross-Cultural Filmmaking

Cross-Cultural Filmmaking PDF Author: Ilisa Barbash
Publisher: Univ of California Press
ISBN: 0520915097
Category : Performing Arts
Languages : en
Pages : 572

Book Description
This extraordinary handbook was inspired by the distinctive concerns of anthropologists and others who film people in the field. The authors cover the practical, technical, and theoretical aspects of filming, from fundraising to exhibition, in lucid and complete detail—information never before assembled in one place. The first section discusses filmmaking styles and the assumptions that frequently hide unacknowledged behind them, as well as the practical and ethical issues involved in moving from fieldwork to filmmaking. The second section concisely and clearly explains the technical aspects, including how to select and use equipment, how to shoot film and video, and the reasons for choosing one or the other, and how to record sound. Finally, the third section outlines the entire process of filmmaking: preproduction, production, postproduction, and distribution. Filled with useful illustrations and covering documentary and ethnographic filmmaking of all kinds, Cross-Cultural Filmmaking will be as essential to the anthropologist or independent documentarian on location as to the student in the classroom.

Filmmaking For Dummies

Filmmaking For Dummies PDF Author: Bryan Michael Stoller
Publisher: John Wiley & Sons
ISBN: 0470446250
Category : Performing Arts
Languages : en
Pages : 384

Book Description
Now updated--the step-by-step secrets to capturing great moments on film With all the recent advancements in filmmaking technology, more people than ever are trying their hand at filmmaking. Keeping up with the newest information in this booming field, this updated edition of Filmmaking For Dummies features up-to-the-minute coverage of the latest and greatest hardware, software, accessories, and trends--including high-definition technology and new outlets for films such as YouTube and MySpace. It demystifies the nuts-and-bolts of filmmaking, from developing a project and securing financing to hiring a cast and crew, editing, and getting distribution. This new edition also provides new movie examples and updated contacts and resources. Whether people want to become professional filmmakers or simply shoot quality home movies, this practical guide has all the advice and tips needed to succeed.

Independent Filmmaking Around the Globe

Independent Filmmaking Around the Globe PDF Author: Doris Baltruschat
Publisher: University of Toronto Press
ISBN: 1442620382
Category : Performing Arts
Languages : en
Pages : 328

Book Description
Independent Filmmaking around the Globe calls attention to the significant changes taking place in independent cinema today, as new production and distribution technology and shifting social dynamics make it more and more possible for independent filmmakers to produce films outside both the mainstream global film industry and their own national film systems. Identifying and analyzing the many complex forces that shape the production and distribution of feature films, the authors detail how independent filmmakers create work that reflects independent voices and challenges political, economic, and cultural constraints. With chapters on the under-explored cinemas of Greece, Turkey, Iraq, China, Malaysia, Peru, and West Africa, as well as traditional production centres such as the United States, the United Kingdom, Canada, and Australia, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time.

Practical DV Filmmaking

Practical DV Filmmaking PDF Author: Russell Evans
Publisher: Taylor & Francis
ISBN: 0240807383
Category : Performing Arts
Languages : en
Pages : 421

Book Description
First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

Post-Production and the Invisible Revolution of Filmmaking

Post-Production and the Invisible Revolution of Filmmaking PDF Author: George Larkin
Publisher: Routledge
ISBN: 0429960654
Category : Performing Arts
Languages : en
Pages : 208

Book Description
The introduction of post-production during the transition from silent cinema to the Synchronized Sound era in the 1920s' American studio system resulted in what has been a previously unheralded revolution in filmmaking. This transition made possible a product that could be easily mass-produced, serving both to transform and homogenize film presentation, fundamentally creating a new art form. This book studies the discourses surrounding post-production, as well as the aesthetic effects of the post-production’s introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period.

The Art of Filmmaking

The Art of Filmmaking PDF Author: James D. Rauch
Publisher: Trafford Publishing
ISBN: 1426927843
Category : Performing Arts
Languages : en
Pages : 231

Book Description
This book will teach you how to make a movie that won't break your bank account. Not only will it teach you how to make a movie for little or no money, but will teach you to potentially make a "box office hit" that won't require your first born, and two kidneys to do so. This book will take you through the whole process of filmmaking from Pre-Production, Production, and Post-Production. You'll learn all the key elements in which are forgotten that always cost more money in the long run then originally planned. If you are a first time filmmaker, seasoned professional, or just someone with a dream to make a movie one day, then this book will change your life.

NO BUDGET FILMMAKING or How to be a Well-Known Filmmaker & Be Broke at the Same Time

NO BUDGET FILMMAKING or How to be a Well-Known Filmmaker & Be Broke at the Same Time PDF Author: Jack Truman
Publisher: Lulu.com
ISBN: 1300615184
Category : Performing Arts
Languages : en
Pages : 201

Book Description
An informative, alternative, out-of-the-box reference book for the film industry, NO BUDGET FILMMAKING covers a wide range of tips and tools: from proven filmmaking techniques, valuable industry resources, and more, this book guides the aspiring filmmaker

Post-beur Cinema: North African Emigre and Maghrebi-French Filmmaking in France since 2000

Post-beur Cinema: North African Emigre and Maghrebi-French Filmmaking in France since 2000 PDF Author: Will Higbee
Publisher: Edinburgh University Press
ISBN: 0748678174
Category : Performing Arts
Languages : en
Pages : 288

Book Description
Since the early 1980s, filmmakers of Maghrebi origin have made a key contribution to the representation of issues such as immigration, integration and national identity in French cinema. However, they have done so mostly from a position on the margins of the industry. In contrast, since the early 2000s, Maghrebi-French and North African emigre filmmakers have occupied an increasingly prominent position in on both sides of the camera, announcing their presence on French screens in a wider range of genres and styles than ever before. This greater prominence and move to the mainstream has not automatically meant that these films have lost any of the social or political relevance of Beur cinema of the 1980s or the banlieue film of the 1990s. Indeed in the 2000s these films have increasingly questioned the boundaries between national, transnational and diasporic cinema, whilst simultaneously demanding, either implicitly or explicitly, a reconsideration of the very difference that has traditionally been seen as a barrier to the successful integration of North African immigrants and their descendants into French society. Through a detailed study of this transformative decade for Maghrebi-French and North African emigre filmmaking in France, this book argues for the emergence of a Post-Beur cinema in the 2000s that is simultaneously global and local in its outlook. An absorbing introduction to this key development in contemporary French cinema, Post-Beur Cinema is essential reading for students and scholars in Film Studies, French Studies and Diaspora Studies.