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Author: Marina Gerzic Publisher: Routledge ISBN: 0429683006 Category : Literary Criticism Languages : en Pages : 268
Book Description
From Medievalism to Early-Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early-modernism—a new term introduced in this collection—present in contemporary popular culture. By focusing on often overlooked uses of the past in contemporary culture—such as the allusions to John Webster’s The Duchess of Malfi (1623) in J.K. Rowling’s Harry Potter books, and the impact of intertextual references and internet fandom on the BBC’s The Hollow Crown: The Wars of the Roses—the contributors illustrate how cinematic, televisual, artistic, and literary depictions of the historical and cultural past not only re-purpose the past in varying ways, but also build on a history of adaptations that audiences have come to know and expect. From Medievalism to Early-Modernism: Adapting the English Past analyses the way that the medieval and early modern periods are used in modern adaptations, and how these adaptations both reflect contemporary concerns, and engage with a history of intertextuality and intervisuality.
Author: Marina Gerzic Publisher: Routledge ISBN: 0429683006 Category : Literary Criticism Languages : en Pages : 268
Book Description
From Medievalism to Early-Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early-modernism—a new term introduced in this collection—present in contemporary popular culture. By focusing on often overlooked uses of the past in contemporary culture—such as the allusions to John Webster’s The Duchess of Malfi (1623) in J.K. Rowling’s Harry Potter books, and the impact of intertextual references and internet fandom on the BBC’s The Hollow Crown: The Wars of the Roses—the contributors illustrate how cinematic, televisual, artistic, and literary depictions of the historical and cultural past not only re-purpose the past in varying ways, but also build on a history of adaptations that audiences have come to know and expect. From Medievalism to Early-Modernism: Adapting the English Past analyses the way that the medieval and early modern periods are used in modern adaptations, and how these adaptations both reflect contemporary concerns, and engage with a history of intertextuality and intervisuality.
Author: Jennifer Summit Publisher: University of Chicago Press ISBN: 0226781720 Category : Literary Criticism Languages : en Pages : 354
Book Description
In Jennifer Summit’s account, libraries are more than inert storehouses of written tradition; they are volatile spaces that actively shape the meanings and uses of books, reading, and the past. Considering the two-hundred-year period between 1431, which saw the foundation of Duke Humfrey’s famous library, and 1631, when the great antiquarian Sir Robert Cotton died, Memory’s Library revises the history of the modern library by focusing on its origins in medieval and early modern England. Summit argues that the medieval sources that survive in English collections are the product of a Reformation and post-Reformation struggle to redefine the past by redefining the cultural place, function, and identity of libraries. By establishing the intellectual dynamism of English libraries during this crucial period of their development, Memory’s Library demonstrates how much current discussions about the future of libraries can gain by reexamining their past.
Author: Albrecht Classen Publisher: Walter de Gruyter ISBN: 3110253984 Category : Literary Criticism Languages : de Pages : 813
Book Description
Although it seems that erotic love generally was the prevailing topic in the medieval world and the Early Modern Age, parallel to this the Ciceronian ideal of friendship also dominated the public discourse, as this collection of essays demonstrates. Following an extensive introduction, the individual contributions explore the functions and the character of friendship from Late Antiquity (Augustine) to the 17th century. They show the spectrum of variety in which this topic appeared ‐ not only in literature, but also in politics and even in painting.
Author: Jan-Peer Hartmann Publisher: Interventions: New Studies Med ISBN: 9780814214749 Category : Literary Criticism Languages : en Pages : 302
Book Description
Examines how medieval and early modern British texts use descriptions of archaeological objects to produce aesthetic and literary responses to questions of historicity and epistemology.
Author: Daniel E. O'Sullivan Publisher: Walter de Gruyter ISBN: 3110288818 Category : Literary Criticism Languages : en Pages : 264
Book Description
The game of chess was wildly popular in the Middle Ages, so much so that it became an important thought paradigm for thinkers and writers who utilized its vocabulary and imagery for commentaries on war, politics, love, and the social order. In this collection of essays, scholars investigate chess texts from numerous traditions – English, French, German, Latin, Persian, Spanish, Swedish, and Catalan – and argue that knowledge of chess is essential to understanding medieval culture. Such knowledge, however, cannot rely on the modern game, for today’s rules were not developed until the late fifteenth century. Only through familiarity with earlier incarnations of the game can one fully appreciate the full import of chess to medieval society. The careful scholarship contained in this volume provides not only insight into the significance of chess in medieval European culture but also opens up avenues of inquiry for future work in this rich field.
Author: Alexander Nagel Publisher: Thames and Hudson ISBN: 9780500238974 Category : Antiques & Collectibles Languages : en Pages : 0
Book Description
Rich collisions and fresh perspectives illuminate the profound continuities of thought and practice that have marked Western art through the ages This groundbreaking study offers a radical new reading of art since the Middle Ages. Moving across the familiar period lines set out in conventional histories, Alexander Nagel explores the deep connections between modern and premodern art to reveal the underlying patterns and ideas traversing centuries of artistic practice. In a series of episodic chapters, he reconsiders from an innovative double perspective a number of key issues in the history of art, from iconoclasm and idolatry to installation and the museum as institution. He shows how the central tenets of modernism – serial production, site-specificity, collage, the readymade, and the questioning of the nature of art and authorship – were all features of earlier times before modernity, revived by recent generations. Nagel examines, among other things, the importance of medieval cathedrals to the 1920s Bauhaus movement, the parallels between Renaissance altarpieces and modern preoccupations with surface and structure; the relevance of Byzantine models to Minimalist artists; the affinities between ancient holy sites and early earthworks; and the similarities between the sacred relic and the modern readymade. Alongside the work of leading 20th-century medievalist writes such as Walter Benjamin, Marshall McLuhan, Leo Steinberg, and Duchamp, Kurt Schwitters, Robert Smithson, and Damien Hirst. The effect of these encounters goes in two directions at once: each age offers new insights into the other, deepening our understanding of both past and present, and providing a new set of reference points that reframe the history of art itself.
Author: Sergio Escribano-Ruiz Publisher: ISBN: 9782503593999 Category : Languages : en Pages : 300
Book Description
The study of the movement of ?things? - the exchange of objects as gifts or through trade, the itineraries that they followed when on the move, and their changing importance from location to location - can offer unique insights into our understanding of past societies; and archaeology plays a vital role in allowing such movements to be traced. Nonetheless, the circulation of objects across time, and between peoples and places, has long been neglected as a field of research in its own right. This volume aims to address this gap in scholarship by drawing on recent archaeological research to provide a detailed study of the moment of objects across Europe in the late medieval and early modern period. The contributions gathered here trace the interactions between peoples, ideas, and objects in order to explore the impact of movement both on the material things themselves, and on the people who manufactured, exchanged, or used such goods. The volume draws on a wide range of archaeological evidence to explore subjects as varied as production and transport, modes of trade, the connections between trade and religion, and the emotional connections between things and people. Together, they offer a pioneering approach to our understanding of objects and their movement in the past.
Author: Robin Macdonald Publisher: Routledge ISBN: 131705718X Category : History Languages : en Pages : 422
Book Description
This volume traces transformations in attitudes toward, ideas about, and experiences of religion and the senses in the medieval and early modern period. Broad in temporal and geographical scope, it challenges traditional notions of periodisation, highlighting continuities as well as change. Rather than focusing on individual senses, the volume’s organisation emphasises the multisensoriality and embodied nature of religious practices and experiences, refusing easy distinctions between asceticism and excess. The senses were not passive, but rather active and reactive, res-ponding to and initiating change. As the contributions in this collection demonstrate, in the pre-modern era, sensing the sacred was a complex, vexed, and constantly evolving process, shaped by individuals, environment, and religious change. The volume will be essential reading not only for scholars of religion and the senses, but for anyone interested in histories of medieval and early modern bodies, material culture, affects, and affect theory.
Author: R. Burt Publisher: Springer ISBN: 0230614566 Category : Performing Arts Languages : en Pages : 279
Book Description
Medieval and Early Modern Film and Media contextualizes historical films in an innovative way - not only relating them to the history of cinema, but also to premodern and early modern media. This philological approach to the (pre)history of cinema engages both old media such as scrolls, illuminated manuscripts, the Bayeux Tapestry, and new digital media such as DVDs, HD DVDs, and computers. Burt examines the uncanny repetitions that now fragment films into successively released alternate cuts and extras (footnote tracks, audiocommentaries, and documentaries) that (re)structure and reframe historical films, thereby presenting new challenges to historicist criticism and film theory. With a double focus on recursive narrative frames and the cinematic paratexts of medieval and early modern film, this book calls our attention to strange, sometimes opaque phenomena in film and literary theory that have previously gone unrecognized.
Author: Publisher: BRILL ISBN: 9004193596 Category : History Languages : en Pages : 512
Book Description
Although modernity historically defined itself by relation to the medieval, the ways in which early moderns invoked and conceptualized the medieval are still insufficiently understood. This volume's seventeen essays present some preliminary explorations into the field of early modern medievalisms.
Author: Marina Gerzic
Author: Marina Gerzic
Author: Jennifer Summit
Author: Albrecht Classen
Author: Jan-Peer Hartmann
Author: Daniel E. O'Sullivan
Author: Alexander Nagel
Author: Sergio Escribano-Ruiz
Author: Robin Macdonald
Author: R. Burt
Author: