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"Genial" Perception

Author: William C. Edinger
Publisher: Liverpool University Press
ISBN: 1638040230
Category : Literary Criticism
Languages : en
Pages : 304

Book Description
Genial Perception offers a critical examination of Wordsworth’s and Coleridge’s naturalist construction of creative and critical perception, and a historical study of the perceptual dimension of poetic taste. “Genial” is the adjectival form of “genius,” and eighteenth-century critical naturalism understands “genial” perception as a gift of nature, as an inborn power operating autonomously through the senses and imagination and thus independently of cultural influence. By exploring the philology of keywords and binaries inherited by the two poet-critics and used to describe and interpret their perceptual experience, both creative (imaginative) and critical, Genial Perception traces how that experience reveals an unacknowledged indebtedness to discourse and language, having been silently and perhaps unconsciously shaped by patterns and trends in the literary culture in which Wordsworth and Coleridge came of age. This study shows that critical perception, often thought to be too elusive and subjective to make a proper subject for historical investigation, can be approached through study of the terms—the language—of the practical criticism that attempts to communicate it; that both critical and creative perception are far more dependent on language than is commonly recognized; and that philology, by recovering the original usage, functions, and contexts of critical keywords, provides for an accurate historical understanding of the claims made by critics in the long eighteenth century for “genial” perception, and can illuminate the dynamics of “genial” perception itself.

"Genial" Perception

Author: William C. Edinger
Publisher: Liverpool University Press
ISBN: 1638040230
Category : Literary Criticism
Languages : en
Pages : 304

Book Description
Genial Perception offers a critical examination of Wordsworth’s and Coleridge’s naturalist construction of creative and critical perception, and a historical study of the perceptual dimension of poetic taste. “Genial” is the adjectival form of “genius,” and eighteenth-century critical naturalism understands “genial” perception as a gift of nature, as an inborn power operating autonomously through the senses and imagination and thus independently of cultural influence. By exploring the philology of keywords and binaries inherited by the two poet-critics and used to describe and interpret their perceptual experience, both creative (imaginative) and critical, Genial Perception traces how that experience reveals an unacknowledged indebtedness to discourse and language, having been silently and perhaps unconsciously shaped by patterns and trends in the literary culture in which Wordsworth and Coleridge came of age. This study shows that critical perception, often thought to be too elusive and subjective to make a proper subject for historical investigation, can be approached through study of the terms—the language—of the practical criticism that attempts to communicate it; that both critical and creative perception are far more dependent on language than is commonly recognized; and that philology, by recovering the original usage, functions, and contexts of critical keywords, provides for an accurate historical understanding of the claims made by critics in the long eighteenth century for “genial” perception, and can illuminate the dynamics of “genial” perception itself.

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ISBN:
Category : English literature
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Book Description


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Publisher: Grand Central Publishing
ISBN: 1455583790
Category : Humor
Languages : en
Pages : 256

Book Description
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Languages : en
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ISBN: 8175741562
Category : Buddhism
Languages : en
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Book Description
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Publisher: James Clarke & Company
ISBN: 0227903439
Category : Biography & Autobiography
Languages : en
Pages : 302

Book Description
The first intellectual history to study the ideal-type of model-building methodology of Otto Hintze (1861-1940) to Western historical thought and to suggests that Martin Luther also held to a way that was deeply incarnational, dynamic, and/or 'in-with-and-under'. This dual vision and 'a Lutheran ethos' strongly influenced Leibniz, Hamann, and Herder, and was therefore a matter of considerable significance for the rise of a distinctly modern form of historical consciousness in Protestant Germany. Smith's essay suggests a new time period for the formative age of modern German thought, culture, and education: 'The Cultural Revolution in Germany'.

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Category : Prussia (Germany)
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