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Author: Stephen C. Craig Publisher: Cambridge Scholars Publishing ISBN: 1443894079 Category : History Languages : en Pages : 301
Book Description
Glimpsing Modernity is a collection of papers presented at the US Army Medical Museum-sponsored conference on medical aspects of the First World War held in San Antonio, Texas, in February 2012. It captures the metamorphosis of military medicine during the war in a series of inter-related vignettes. Some of these stories provide new and insightful interpretations of known military medical themes, while others depart from these to examine less well-known, but truly important medical topics.
Author: Stephen C. Craig Publisher: Cambridge Scholars Publishing ISBN: 1443894079 Category : History Languages : en Pages : 301
Book Description
Glimpsing Modernity is a collection of papers presented at the US Army Medical Museum-sponsored conference on medical aspects of the First World War held in San Antonio, Texas, in February 2012. It captures the metamorphosis of military medicine during the war in a series of inter-related vignettes. Some of these stories provide new and insightful interpretations of known military medical themes, while others depart from these to examine less well-known, but truly important medical topics.
Author: Jonathan Crary Publisher: MIT Press ISBN: 9780262531078 Category : Design Languages : en Pages : 190
Book Description
Jonathan Crary's Techniques of the Observer provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle. In Techniques of the Observer Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. Inverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of "subjective vision" were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision. Crary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as "realist," were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s.
Author: Trish Ferguson Publisher: Springer Nature ISBN: 3030292789 Category : Literary Criticism Languages : en Pages : 282
Book Description
Literature and Modern Time is a collection of essays that explore literature in the context of a wave of challenges to linear conceptions of time introduced by thinkers such as Bergson, Einstein, McTaggart, Freud and Nietzsche. These challenges were not uniform in character. The volume will demonstrate that literature of the era under scrutiny was not simply reacting to new theories of time—in some cases it is actually inspiring and anticipating them. Thus Literature and Modern Time promises to offer a genuine dialogue between literature and time theory and in doing so will uncover and examine influences and connections— sometimes unexpected—between philosophers and writers of the era. It will examine literary attempts to transcend and escape time and also challenge rupture-based accounts of modernist time by demonstrating that literary texts commonly associated with brokenness, decline or stasis, also, at the same time, maintain faith in healing, renewal and mobility. This collection contains interdisciplinary research of the quite highest kind - to see so many different kinds of time - narrative, historical, mechanical, subjective, non-linear time, myth and nostalgia - as well as time/space discussed here is very stimulating indeed. Professor Simon James
Author: Thomas Brent Smith Publisher: University of Oklahoma Press ISBN: 0806154101 Category : Art Languages : en Pages : 209
Book Description
Of the hundreds of foreign students who attended the Munich Art Academy between 1910 and 1915, Walter Ufer (1876–1936) and E. Martin Hennings (1886–1956) returned to the United States to foster the development of a national art. They ultimately established their reputations in the American Southwest. The two German American artists shared much in common, and both would gain membership in the celebrated Taos Society of Artists. Featuring nearly 150 color plates and historical photographs, A Place in the Sun is a long-overdue tribute to the lives, achievements, and artistic legacy of these two important artists. In tracing the lifelong friendship and intersecting careers of Ufer and Hennings, the contributors to this volume explore the social and artistic implications of the artists’ German heritage and training. Following their training in Munich, both men hoped to build careers in the spirited art environment of Chicago. Both were sponsored by wealthy businessmen, many of German descent. The support of these patrons allowed Ufer and Hennings to travel to the American Southwest, where they—like so many other talented artists—fell under the spell of Taos and its picturesque scenery. They also encountered the region’s Native peoples and Hispanic culture that inspired many of their paintings. Despite their mutual interests, Ufer and Hennings were not identical by any means. Each artist had a distinct artistic style and, as the essays in this volume reveal, the two men could not have had more different personalities or career trajectories. Connoisseurs of southwestern art have long admired the masterworks of Ufer and Hennings. By offering a rich sampling of their paintings alongside informative essays by noted art historians, A Place in the Sun ensures that their significant contributions to American art will be long remembered. A Place in the Sun is published in cooperation with the Denver Art Museum.
Author: Sotirios Paraschas Publisher: Routledge ISBN: 1351191853 Category : Literary Criticism Languages : en Pages : 432
Book Description
"The nineteenth century realist author was a contradictory figure. He was the focus of literary criticism, but obscured his creative role by insisting on presenting his works as 'copies' of reality. He was a celebrity who found himself subservient to publishers and the public, in a newly-industrialised literary marketplace. He was the owner of his work who was divested of his property by imperfect copyright laws, playwrights who adapted his novels for the stage, and sequel-writers. This combination of a conspicuous yet precarious status with a self-effacing attitude was expressed by an image of the author as a plural, Protean subject, possessing the faculty of sympathetic imagination - which the realists incorporated in their works in the form of a series of fictional characters who functioned as 'doubles' of the author. Paraschas focuses on two realists, Honorede Balzac and George Eliot, and traces this authorial scenario from its origins in the late eighteenth century to its demise in the early twentieth century, examining its presence in the works of E.T.A. Hoffmann, Friedrich Schlegel, Charles Baudelaire and Andre Gide."
Author: Joas Adiprasetya Publisher: Wipf and Stock Publishers ISBN: 1621898393 Category : Religion Languages : en Pages : 280
Book Description
In contrast to the popular notion that the doctrine of the Trinity hinders Christians from engaging with the reality of religious diversity, this book argues that the doctrine is the best way of constructing contemporary theology of religions. An Imaginative Glimpse reexamines three prominent Trinitarian theologians of religions (Raimundo Panikkar, Gavin D'Costa, and S. Mark Heim) and proposes a fresh and creative model by bringing the classical idea of perichoresis to its present-day multifaith situation. Opening a new alternative in both Trinitarian theology and theology of religions, Adiprasetya's approach adds a distinctive contribution to the ongoing and challenging discussion in both fields. By using perichoresis imaginatively as a multidimensional category for multiple religious participations within the Trinity, Adiprasetya argues that the model is able to respect all religions on their own terms, while at the same time being faithful to the Christian standpoint.
Author: Hannu Salmi Publisher: Routledge ISBN: 1317307208 Category : History Languages : en Pages : 251
Book Description
The notions of culture and civilization are at the heart of European self-image. This book focuses on how space and spatiality contributed to defining the concepts of culture and civilization and, conversely, what kind of spatial ramifications "culture" and "civilization" entailed. These questions have vital importance to the understanding of this formative period of modern Europe. The chapters of this volume concentrate on the following themes: What were the sites of culture, civilization and Bildung and how were these sites employed in defining these concepts? What kind of borders did this process of definition and its inherent spatial imagination produce? What were the connecting routes between the supposed centers and peripheries? What were the strategies of envisioning, negotiating and transforming cultural territories in early nineteenth-century Europe? This book adds new perspectives on ways of approaching spatiality in history by investigating, for example: the decisive role of the French revolution, the persistent interest in classical civilization and its sites, emerging urbanism and the culture of the cities, the changing constellations between centers and peripheries and the colonial extensions, or transfigurations, of culture. It also pays attention to the spatiality of culture as a metaphor, but simultaneously emphasizes the production of space in an era of technological innovation and change.
Author: Iman Al-Attar Publisher: Taylor & Francis ISBN: 1000719553 Category : Literary Criticism Languages : en Pages : 103
Book Description
The history of Baghdad in the 18th and 19th centuries had predominantly been written by two groups. The first group is Baghdadi scholars, and the second group is travellers. These two resources complement each other; while the literature of Baghdadi scholars provides insights from inside, travelogues provide observations from outside. By implementing this interlocking method of investigation, we can reach a comprehensive understanding of the history of Baghdad. Having investigated some sources from inside in my previous book; Baghdad: an urban history through the lens of literature, the focus of this book is on travel literature. The history of travelogues throughout different periods of Baghdad’s history is highlighted, with a particular focus on 18th and 19th century travelogues. This period was a critical epoch of change, not just in Baghdad, but across the world. Nevertheless, this book does not intend to provide a documentary of the travellers who visited Baghdad. It is rather an analytical study of the colonial literature in relation to the historiography of Baghdad.
Author: C. B. Johnson Publisher: punctum books ISBN: 0692351264 Category : Art Languages : en Pages : 215
Book Description
"Entering the 21st century, the postmodern succession has given way to a doom-laden, apolitical orthodoxy. This book offers suggestive readings of "the contemporary" in light of high modernity, postwar modernity, and postmodernity, as framed by the influential institutions of modern art and the spectacles of millennial architecture. Modernity without a Project critiques and connects historical avant-garde currents as they are institutionally expressed or captured, and scrutinizes the remake of New York's Museum of Modern Art, Minoru Yamasaki's vanished Utopias, the "anarchitecture" of Lebbeus Woods, recent work of Rem Koolhaas, delirious developments in Dubai, and the unexpected contribution to architectural debate by the late Hugo Chavez."--Publisher's website.
Author: Tarek El-Ariss Publisher: Fordham Univ Press ISBN: 0823252353 Category : Literary Criticism Languages : en Pages : 248
Book Description
Challenging prevalent conceptualizations of modernity—which treat it either as a Western ideology imposed by colonialism or as a universal narrative of progress and innovation—this study instead offers close readings of the simultaneous performances and contestations of modernity staged in works by authors such as Rifa’a al-Tahtawi, Ahmad Faris al-Shidyaq, Tayeb Salih, Hanan al-Shaykh, Hamdi Abu Golayyel, and Ahmad Alaidy. In dialogue with affect theory, deconstruction, and psychoanalysis, the book reveals these trials to be a violent and ongoing confrontation with and within modernity. In pointed and witty prose, El-Ariss bridges the gap between Nahda (the so-called Arab project of Enlightenment) and postcolonial and postmodern fiction.
Author: Stephen C. Craig
Author: Stephen C. Craig
Author: Jonathan Crary
Author: Trish Ferguson
Author: Thomas Brent Smith
Author: Sotirios Paraschas
Author: Joas Adiprasetya
Author: Hannu Salmi
Author: Iman Al-Attar
Author: C. B. Johnson
Author: Tarek El-Ariss