Hegel and Shakespeare on Moral Imagination PDF Download

Author: Jennifer Ann Bates
Publisher:
ISBN: 9781441674128
Category : Literary Criticism
Languages : en
Pages : 378

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Book Description
Study of self-consciousness in Hegel and Shakespeare.

Author: Jennifer Ann Bates
Publisher: State University of New York Press
ISBN: 1438432437
Category : Philosophy
Languages : en
Pages : 411

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Book Description
Study of self-consciousness in Hegel and Shakespeare.

Author: Andy Amato
Publisher: Bloomsbury Publishing
ISBN: 1350083682
Category : Philosophy
Languages : en
Pages : 312

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Book Description
While large bodies of scholarship exist on the plays of Shakespeare and the philosophy of Heidegger, this book is the first to read these two influential figures alongside one another, and to reveal how they can help us develop a creative and contemplative sense of ethics, or an 'ethical imagination'. Following the increased interest in reading Shakespeare philosophically, it seems only fitting that an encounter take place between the English language's most prominent poet and the philosopher widely considered to be central to continental philosophy. Interpreting the plays of Shakespeare through the writings of Heidegger and vice versa, each chapter pairs a select play with a select work of philosophy. In these pairings the themes, events, and arguments of each work are first carefully unpacked, and then key passages and concepts are taken up and read against and through one another. As these hermeneutic engagements and cross-readings unfold we find that the words and deeds of Shakespeare's characters uniquely illuminate, and are uniquely illuminated by, Heidegger's phenomenological analyses of being, language, and art.

Author: Jennifer Ann Bates
Publisher: Edinburgh University Press
ISBN: 0748694978
Category : Philosophy
Languages : en
Pages : 288

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Book Description
This collection of 15 essays by celebrated authors in Shakespeare studies and in continental philosophy develops different aspects of the interface between continental thinking and Shakespeare's plays.

Author: Stephanie Adair
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110576074
Category : Philosophy
Languages : en
Pages : 312

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Book Description
In the third Critique Kant details an aesthetic operation of judgment that is surprising considering how judgment functioned in the first Critique. In this book, I defend an understanding of Kant’s theory of Geschmacksurteil as detailing an operation of the faculties that does not violate the cognitive structure laid out in the first Critique. My orientation is primarily epistemological, elaborating the determinations that govern the activity of pure aesthetic judging that specify it as a "bestimmte" type of judgment without transforming it into "ein bestimmendes Urteil". I focus on identifying how the logical functions from the table of judgments operate in the pure aesthetic judgment of taste to reveal "the moments to which this power of judgment attends in its reflection" (CPJ, 5:203). In the course of doing so, a picture emerges of how the world is not just cognizable in a Kantian framework but also charged with human feeling, acquiring the inexhaustible, inchoate meaningfulness that incites "much thinking" (CPJ, 5:315). The universal communicability of aesthetic pleasure serves as the foundation that grounds robust intersubjective relations, enabling genuine connection to others through a shared a priori feeling.

Author: Andrew Cutrofello
Publisher: MIT Press
ISBN: 0262326051
Category : Philosophy
Languages : en
Pages : 241

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Book Description
Hamlet as performed by philosophers, with supporting roles played by Kant, Nietzsche, and others. A specter is haunting philosophy—the specter of Hamlet. Why is this? Wherefore? What should we do? Entering from stage left: the philosopher's Hamlet. The philosopher's Hamlet is a conceptual character, played by philosophers rather than actors. He performs not in the theater but within the space of philosophical positions. In All for Nothing, Andrew Cutrofello critically examines the performance history of this unique role. The philosopher's Hamlet personifies negativity. In Shakespeare's play, Hamlet's speech and action are characteristically negative; he is the melancholy Dane. Most would agree that he has nothing to be cheerful about. Philosophers have taken Hamlet to embody specific forms of negativity that first came into view in modernity. What the figure of the Sophist represented for Plato, Hamlet has represented for modern philosophers. Cutrofello analyzes five aspects of Hamlet's negativity: his melancholy, negative faith, nihilism, tarrying (which Cutrofello distinguishes from “delaying”), and nonexistence. Along the way, we meet Hamlet in the texts of Kant, Coleridge, Hegel, Marx, Schopenhauer, Kierkegaard, Nietzsche, Freud, Russell, Wittgenstein, Heidegger, Benjamin, Arendt, Schmitt, Lacan, Deleuze, Foucault, Derrida, Badiou, Žižek, and other philosophers. Whirling across a kingdom of infinite space, the philosopher's Hamlet is nothing if not thought-provoking.

Author: David Fuller
Publisher: Oxford University Press, USA
ISBN: 0199679118
Category : Drama
Languages : en
Pages : 291

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Book Description
This volume illustrates the meanings the Romantics took from Shakespeare. It studies the critical practices and theories that evolved in England, Germany, and France, as well as the English stage and the relations between performance, criticism, and scholarship.

Author: Henry S. Turner
Publisher: Oxford University Press
ISBN: 0199641358
Category : Literary Collections
Languages : en
Pages : 637

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Book Description
Early Modern Theatricality brings together some of the most innovative critics in the field to examine the many conventions that characterized early modern theatricality. It generates fresh possibilities for criticism, combining historical, formal, and philosophical questions, in order to provoke our rediscovery of early modern drama.

Author: Ewan Fernie
Publisher: Cambridge University Press
ISBN: 1107130859
Category : Literary Criticism
Languages : en
Pages : 339

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Book Description
Cover -- Half-title page -- Title page -- Copyright page -- Dedication -- Contents -- List of Figures -- Acknowledgements -- 1 Reclaiming Shakespearean Freedom -- 2 Shakespeare Means Freedom -- 3 'Freetown!' (Romeo and Juliet) -- 4 Freetown-upon-Avon -- 5 Freetown-am-Main -- 6 Free Artists of Their Own Selves! -- 7 Freetown Philosopher -- 8 Against Shakespearean Freedom -- 9 The Freedom of Complete Being -- Notes -- Index

Author: Tom Stern
Publisher: Rowman & Littlefield
ISBN: 1783486236
Category : Philosophy
Languages : en
Pages : 216

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Book Description
A collection of new essays on the philosophy of theatre and the philosophy of drama, combining historical perspectives and new directions.