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Author: Corey Evan Thompson Publisher: McFarland ISBN: 1476621209 Category : Literary Criticism Languages : en Pages : 216
Book Description
In early to mid-19th century America, there were growing debates concerning the social acceptability of alcohol and its consumption. Temperance reformers publicly decried the evils of liquor, and America’s greatest authors began to write works of temperance fiction, stories that urged Americans to refrain from imbibing. Herman Melville was born in an era when drunkenness was part of daily life for American men but came of age at a time when the temperance movement had gained social and literary momentum. This first full-length analysis of alcohol and intoxication in Melville’s novels, short fiction and poetry shows how he entered the debate in the latter half of the 19th century. Throughout his work he cautions readers to avoid alcohol and consistently illustrates negative outcomes of drinking.
Author: Corey Evan Thompson Publisher: McFarland ISBN: 1476621209 Category : Literary Criticism Languages : en Pages : 216
Book Description
In early to mid-19th century America, there were growing debates concerning the social acceptability of alcohol and its consumption. Temperance reformers publicly decried the evils of liquor, and America’s greatest authors began to write works of temperance fiction, stories that urged Americans to refrain from imbibing. Herman Melville was born in an era when drunkenness was part of daily life for American men but came of age at a time when the temperance movement had gained social and literary momentum. This first full-length analysis of alcohol and intoxication in Melville’s novels, short fiction and poetry shows how he entered the debate in the latter half of the 19th century. Throughout his work he cautions readers to avoid alcohol and consistently illustrates negative outcomes of drinking.
Author: Jack Wang Publisher: Chronicle Books ISBN: 1452154074 Category : Juvenile Fiction Languages : en Pages : 27
Book Description
Presents Melville's tale of Captain Ahab and his obsession with the great white whale, Moby Dick, condensed to twelve words, and accompanied by hand-felted illustrations.
Author: Julia Deitermann Publisher: GRIN Verlag ISBN: 3638546225 Category : Literary Collections Languages : en Pages : 12
Book Description
Seminar paper from the year 2004 in the subject American Studies - Literature, grade: 1,0, San Diego State University, course: The American Renaissance, 2 entries in the bibliography, language: English, abstract: In the 19th century, when both Moby-Dick and Joaquín Murieta were written, a separation of gender roles was common. Whereas men were responsible for work and money, women usually accounted for the domestic sphere and did not have much of a voice. At first glance, both Moby-Dick and Joaquín Murieta seem to support this view as women play a rather passive if not invisible role in the novels. However, an examination of the role of femininity shows that it is indeed a major part of both stories. In Joaquín Murieta, Ridge regards the love of a woman as support and refuge for men. Women show such a strong affection towards their men that they would never leave them alone and vice versa, men appreciate the loyal love of their woman which they can also count on in miserable times. Ridge also uses femininity to describe both Murieta’s appearance and his gentle character, for he is loved by women and treats them with respect. Melville, on the other hand, does not allow women an active role in the story. He puts emphasis on the ideal relationship between men on a whaling ship where they depend on each other and are in some way wedded. Women, on the contrary, are left behind by the sailors and represent the domestic sphere which mostly exists in the sailors’ memories and forms a sharp contrast to the adventures at sea. Whereas Ridge generally allows women a more active role in his story and at times presents them as almost equivalent companions of men, Melville ascribes a domestic role to the dependent widows and substitutes women for men, whales, and nature - all of them turning into symbols of femininity. In his novel Moby-Dick, Melville creates a generally male world. A striking fact is the frequent use of the words “he”, appearing almost 2000 times, and “man” or “men”, being used over 800 times. Words connected to “woman” or “wife”, however, only appear about 35 times in the book. On the whole, Melville does not allow women an active role, but commonly refers to them as “sailors’ wives or widows” (p. 43) being left behind by their men when they go on a long journey across the sea that might be their last. Melville repeatedly underlines women’s abandonment and dependence; for example, when he asserts that the Pequod is held by Captain Bildad and Captain Peleg but also “by a crowd of old annuitants; widows, fatherless children, and chancery wards; each owning about the value of a timber head, or a foot of plank, or a nail or two in the ship” (p. 73). [...]
Author: John Bryant Publisher: Kent State University Press ISBN: 9780873385626 Category : Literary Criticism Languages : en Pages : 452
Book Description
This collection of analytical essays is the result of several conferences throughout 1991, the centennary of Herman Melville's death. They survey the past and present of Melville Studies and suggest directions for the future.
Author: Christopher Sten Publisher: Kent State University Press ISBN: 9780873384445 Category : Art Languages : en Pages : 372
Book Description
He explains when and where in Melville's wanderings throughout America, Europe, and the Near East he saw these works, then describes how Melville made use of the life and work of these artists in his own fiction and poetry. The collection includes new essays on Moby Dick and J.M.W. Turner; Melville's fascination with Dutch genre painting; his appropriation of work by Cole and Vanderlyn for his magazine fiction; his use of early representations of the plague in Israel Potter; the relationship between the satirical cartoons of Daumier and the figures of The Confidence-Man; Timoleon's many artistic subjects; and the power of classical icons to shape the moral and aesthetic conflicts in Billy Budd. Also found here are theoretical essays on Melville and the picturesque; the modernism of Melville's aesthetic vision; his "anti-architectural" theory of literature; and his extensive reading in art history and art theory, from the classical to his own period.
Author: Corey Evan Thompson
Author: Corey Evan Thompson
Author: Jack Wang
Author: Harold Bloom
Author: Julia Deitermann
Author: Hans Walter Gottschalk
Author: Walter Everett Bezanson
Author: Cecil Saul Abramovitz
Author: John Bryant
Author: Christopher Sten
Author: Brian Higgins