The Bronzes of Nalanda and Hindu-javanese Art PDF Download

Author:
Publisher: Brill Archive
ISBN:
Category :
Languages : en
Pages : 124

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Author: Robert W. Hefner
Publisher: Princeton University Press
ISBN: 0691224285
Category : Social Science
Languages : en
Pages : 312

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The description for this book, Hindu Javanese: Tengger Tradition and Islam, will be forthcoming.

Author: Jaap Kunst
Publisher: Springer Science & Business Media
ISBN: 9401191859
Category : Music
Languages : en
Pages : 225

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Author: Hee Sook Lee-Niinioja
Publisher: Archaeopress Publishing Ltd
ISBN: 1803270497
Category : Social Science
Languages : en
Pages : 296

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This book assesses the continuity and significance of Hindu-Buddhist design motifs in Islamic mosques in Java. The volume investigates four pre-Islamic motifs in Javanese mosque ornamentation from the 15th century to the present day: prehistoric tumpals, Hindu-Buddhist kala-makaras, lotus buds, and scrolls.

Author: RAVI KUMAR
Publisher: Suruchi Prakashan
ISBN: 9381500479
Category :
Languages : en
Pages : 81

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This is the astonishing and inspiring story of millions of Muslims returning to their ancestral faith of Hinduism. A country with the largest Muslims population of the world, Indonesia where majority of the Indonesian Hindus are located in Bali Island, Java, Sumatra, Lombok, Kalimantan and Sulawesi. Hinduism in Indonesia is conspicuously different from India as they never apply the Indian caste system rigidly. The Balinese caste system is a system social organization similar to and yet different from the Indian caste system. In recent years, the resurgence of Hinduism in Indonesia is occurring in all parts of the country. Inspirations from Hindu Majapahit Empire, influence of Ramayana, Mahabharat, and Sanskrit are few reasons for resurgence among Muslims. The author has presented this book in a meticulous way for all the readers.

Author: Jolita Zabarskaitė
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311098606X
Category : History
Languages : en
Pages : 444

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This book is the first systematic study of the genealogy, discursive structures, and political implications of the concept of ‘Greater India’, implying a Hindu colonization of Southeast Asia, and used by extension to argue for a past Indian greatness as a colonial power, reproducible in the present and future. From the 1880s to the 1960s, protagonists of the Greater India theme attempted to make a case for the importance of an expansionist Indian civilisation in civilizing Southeast Asia. The argument was extended to include Central Asia, Africa, North and South America, and other regions where Indian migrants were to be found. The advocates of this Indocentric and Hindu revivalist approach, with Hindu and Indian often taken to be synonymous, were involved in a quintessentially parochial project, despite its apparently international dimensions: to justify an Indian expansionist imagination that viewed India’s past as a colonizer and civilizer of other lands as a model for the restoration of that past greatness in the future. Zabarskaite shows that the crucial ideologues and elements used for the formation of the construct of Greater India can be traced to the svadeśī movement of the turn of the century, and that Greater India moved easily between the domains of the scholarly and the popular as it sought to establish itself as a form of nationalist self-assertion.

Author: Constance Jones
Publisher: Infobase Publishing
ISBN: 0816075646
Category : Juvenile Nonfiction
Languages : en
Pages : 593

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An illustrated A to Z reference containing more than 700 entries providing information on the theology, people, historical events, institutions and movements related to Hinduism.

Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 518

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Vols. for 1925- include the society's annual reports and accounts of meetings, 15th-

Author: Sumarsam
Publisher: University of Chicago Press
ISBN: 9780226780115
Category : Music
Languages : en
Pages : 386

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Gamelan is the first study of the music of Java and the development of the gamelan to take into account extensive historical sources and contemporary cultural theory and criticism. An ensemble dominated by bronze percussion instruments that dates back to the twelfth century in Java, the gamelan as a musical organization and a genre of performance reflects a cultural heritage that is the product of centuries of interaction between Hindu, Islamic, European, Chinese, and Malay cultural forces. Drawing on sources ranging from a twelfth-century royal poem to the writing of a twentieth-century nationalist, Sumarsam shows how the Indian-inspired contexts and ideology of the Javanese performing arts were first adjusted to the Sufi tradition and later shaped by European performance styles in the eighteenth and nineteenth centuries. He then turns to accounts of gamelan theory and practice from the colonial and postcolonial periods. Finally, he presents his own theory of gamelan, stressing the relationship between purely vocal melodies and classical gamelan composition.

Author: F. D. K. Bosch
Publisher: Springer
ISBN: 9401760063
Category : Social Science
Languages : en
Pages : 221

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