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Author: William Grange Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 194
Book Description
When the National Socialist German Workers' party (Nazis) assumed power they vowed to cleanse the German theater of all things "un-German," which ostensibly included comedy. During the Third Reich nearly all German theaters, supported by enormous state funding, presented thousands of comedy productions. Perhaps it was a propaganda tool, however only a tiny fraction of these productions were outright propagandist efforts. French playwright and filmmaker, Marcel Pagnol described laughter as a "song of triumph... that] expresses the laugher's sudden discovery of his own momentary superiority over the person at whom he is laughing. That explains burst of laughter in all times in all countries." Hitler and his followers gladly embraced this triumphal expression. Yet, what did this laughter mean to the Nazi agenda and in what ways did it undermine its goals? Hitler Laughing offers insight into the world of comedy during the Third Reich and its role in the Nazi cultural agenda.
Author: William Grange Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 194
Book Description
When the National Socialist German Workers' party (Nazis) assumed power they vowed to cleanse the German theater of all things "un-German," which ostensibly included comedy. During the Third Reich nearly all German theaters, supported by enormous state funding, presented thousands of comedy productions. Perhaps it was a propaganda tool, however only a tiny fraction of these productions were outright propagandist efforts. French playwright and filmmaker, Marcel Pagnol described laughter as a "song of triumph... that] expresses the laugher's sudden discovery of his own momentary superiority over the person at whom he is laughing. That explains burst of laughter in all times in all countries." Hitler and his followers gladly embraced this triumphal expression. Yet, what did this laughter mean to the Nazi agenda and in what ways did it undermine its goals? Hitler Laughing offers insight into the world of comedy during the Third Reich and its role in the Nazi cultural agenda.
Author: Jim Riswold Publisher: Simon and Schuster ISBN: 1942872208 Category : Humor Languages : en Pages : 224
Book Description
When advertising legend Jim Riswold is stricken with leukemia and prostate cancer, he quits the business that made him famous to become a “fake artist,” creating a controversial body of work with a controversial cast of characters, from Hitler to Mao to Kim Jong-Il. It was a decision that would save his life. Advertising legend Jim Riswold is a Big F****** Deal. Ask him, he’ll tell you. But when Riswold is stricken with leukemia and prostate cancer (a two-fer!), the freewheeling adman quits making commercials, and starts making art. But not just any art—Hitler art. Mussolini art. Stalin-in-a-bathtub art. This is not a sad cancer story. This is a molotov cocktail of raunch and heart and 18-gauge biopsy guns. This is a taboo-busting laugh riot, a raspberry blown straight at dying-guy preciousness and monsters of all kinds—cancer and world-historical bad guys included. Be warned—contents of this book include: One profanity-spiked TEDx talk. Several very public, full-frontal dick picks. Two adorable children. Something called “Interferon Family Fun Night.” Jim Riswold leading a crowd of people in a rousing rendition of “Happy Birthday” to his oncologist. Relentlessly funny, and scorchingly subversive, this is a bruised and bruising memoir—it is also tubed, scarred, stapled, and irradiated. But here’s the secret: Jim Riswold, enfant terrible, the man Charles Barkley once called “a role model for morons,” is kind of a sweetheart. The wise-guy posturing is just a cover for his pulpy heart. Another secret: This book isn’t about Hitler. It’s about the beautiful, stupid, gross, foolish, and fantastic things we’re willing to do for love and family and not-dying. It’s about a guy who, with due respect to Lou Gehrig, considers himself the luckiest man on the face of the earth. Really, Jim Riswold owes cancer a thank-you. Thanks to cancer, his tombstone will no longer read: Here Lies That Guy Who Did That “Bo Knows” Commercial. Now, it will say Here Lies the Guy Who Put Cancer in Its Place—and Mussolini on a Tricycle.
Author: Jonathan C. Friedman Publisher: Rowman & Littlefield ISBN: 1793640165 Category : Religion Languages : en Pages : 241
Book Description
A 2023 Choice Reviews Outstanding Academic Title Haunted Laughter addresses whether it is appropriate to use comedy as a literary form to depict Adolf Hitler, The Third Reich, and the Holocaust. Guided by existing theories of comedy and memory and through a comprehensive examination of comedic film and television productions, from the United States, Israel, and Europe, Jonathan Friedman proposes a model and a set of criteria to evaluate the effectiveness of comedy as a means of representation. These criteria include depth of purpose, relevance to the times, and originality of form and content. Friedman concludes that comedies can be effective if they provide relevant information about life and death in the past, present, or future; break new ground; and serve a purpose or multiple purposes—capturing the dynamic of the Nazi system of oppression, empowering or healing victims, serving as a warning for the future, or keeping those who can never grasp the real horror of genocide from losing perspective.
Author: William Grange Publisher: ISBN: Category : Comedy Languages : en Pages : 194
Book Description
When the National Socialist German Workers' party (Nazis) assumed power they vowed to cleanse the German theater of all things "un-German," which ostensibly included comedy. During the Third Reich nearly all German theaters, supported by enormous state funding, presented thousands of comedy productions. Perhaps it was a propaganda tool, however only a tiny fraction of these productions were outright propagandist efforts. French playwright and filmmaker, Marcel Pagnol described laughter as a "song of triumph... that] expresses the laugher's sudden discovery of his own momentary superiority over the person at whom he is laughing. That explains burst of laughter in all times in all countries." Hitler and his followers gladly embraced this triumphal expression. Yet, what did this laughter mean to the Nazi agenda and in what ways did it undermine its goals? Hitler Laughing offers insight into the world of comedy during the Third Reich and its role in the Nazi cultural agenda.
Author: Timur Vermes Publisher: MacLehose Press ISBN: 1623653347 Category : Fiction Languages : en Pages : 305
Book Description
HE'S BACK AND HE'S FUHRIOUS! "Desperately funny . . . An ingenious comedy of errors." --Janet Maslin, The New York Times "Satire at its best." --Newsweek "Thrillingly transgressive." --The Guardian A NEW YORK TIMES SUMMER READING PICK In this record-breaking bestseller, Timur Vermes imagines what would happen if Adolf Hilter reawakened in present-day Germany: YouTube stardom. Adolf Hitler wakes up on a patch of open ground, alive and well. It's the summer of 2011 and things have changed--no Eva Braun, no Nazi party, no war. Hitler barely recognizes his beloved Fatherland, filled with immigrants and run by a woman. People certainly recognize him--as a flawless impersonator who refuses to break character. The unthinkable happens, and the ranting Hitler goes viral, becomes a YouTube star, gets his own TV show, and people begin to listen. But the Fuhrer has another program with even greater ambition in mind--to set the country he finds in shambles back to rights. With daring humor, Look Who's Back is a perceptive study of the cult of personality and of how individuals rise to fame and power in spite of what they preach.
Author: Rudolph Herzog Publisher: Melville House ISBN: 193555493X Category : History Languages : en Pages : 213
Book Description
In Nazi Germany, telling jokes about Hitler could get you killed Hitler and Göring are standing on top of the Berlin radio tower. Hitler says he wants to do something to put a smile on the Berliners’ faces. Göring says, “Why don’t you jump?” When a woman told this joke in Germany in 1943, she was arrested by the Nazis and sentenced to death by guillotine—it didn’t matter that her husband was a good German soldier who died in battle. In this groundbreaking work of history, Rudolph Herzog takes up such stories to show how widespread humor was during the Third Reich. It’s a fascinating and frightening history: from the suppression of the anti-Nazi cabaret scene of the 1930s, to jokes made at the expense of the Nazis during WWII, to the collections of “whispered jokes” that were published in the immediate aftermath of the war. Herzog argues that jokes provide a hitherto missing chapter of WWII history. The jokes show that not all Germans were hypnotized by Nazi propaganda, and, in taking on subjects like Nazi concentration camps, they record a public acutely aware of the horrors of the regime. Thus Dead Funny is a tale of terrible silence and cowardice, but also of occasional and inspiring bravery.
Author: James Carr Publisher: Feral House ISBN: 1936239671 Category : Comics & Graphic Novels Languages : en Pages : 125
Book Description
In a competition of the most hated memes of modern times, "Hipster" has now caught up with "Hitler." Artists James Carr and Archana Kumar thought, why not combine the two? After all, Hitler was indeed a hipster of his time, a failed artist in Vienna scrounging up extra dollars or kroner painting quick architecture scenes for the tourists. In their heavily trafficked website, "hipsterhitler.com," these comic artists posit a new sort of history in which Hitler, wears Silverlake-trendy glasses, thrift store sweaters, and outspoken T-shirts, and the reader begins to quickly understand the history of Hitler in a new and strangely engaging way. The Feral House book of Hipster Hitler includes a few dozen pages of comics heretofore unseen online.
Author: Rudolph Herzog Publisher: Melville House ISBN: 1935554301 Category : German wit and humor Languages : en Pages : 211
Book Description
The first ever history of humour directed at the Nazis: from the anti-Nazi theatre scene of the 20s and 30s, to jokes told during WWII, to the cracks told about Hitler in Germany today. In the light of the horrors he committed, many people in Germany still find difficulty and distaste in laughing at Hitler - indeed, those who do are often accused of trivialising the Holocaust. But there is a long history of telling jokes about the Nazis. Collected by acclaimed director Rudolph Herzog, Dead Funny chronicles this fascinating and often frightening history.
Author: Andrew Nagorski Publisher: Simon and Schuster ISBN: 1439191026 Category : History Languages : en Pages : 400
Book Description
“Hitlerland is a bit of a guilty pleasure. Reading about the Nazis is not supposed to be fun, but Nagorski manages to make it so. Readers new to this story will find it fascinating” (The Washington Post). Hitler’s rise to power, Germany’s march to the abyss, as seen through the eyes of Americans—diplomats, military officers, journalists, expats, visiting authors, Olympic athletes—who watched horrified and up close. “Engaging if chilling…a broader look at Americans who had a ringside seat to Hitler’s rise” (USA TODAY), Hitlerland offers a gripping narrative full of surprising twists—and a startlingly fresh perspective on this heavily dissected era.
Author: Heinz Linge Publisher: Simon and Schuster ISBN: 1628730765 Category : History Languages : en Pages : 218
Book Description
Heinz Linge worked with Adolf Hitler for a ten-year period from 1935 until the Führer’s death in the Berlin bunker in May 1945. He was one of the last to leave the bunker and was responsible for guarding the door while Hitler killed himself. During his years of service, Linge was responsible for all aspects of Hitler’s household and was constantly by his side. He claims that only Eva Braun stood closer to Hitler over these years. Here, Linge recounts the daily routine in Hitler’s household: his eating habits, his foibles, his preferences, his sense of humor, and his private life with Eva Braun. In fact, Linge believed Hitler’s closest companion was his dog Blondi. After the war Linge said in an interview, “It was easier for him to sign a death warrant for an officer on the front than to swallow bad news about the health of his dog.” Linge also charts the changes in Hitler’s character during their time together and his fading health during the last years of the war. During his last days, Hitler’s right eye began to hurt intensely and Linge was responsible for administering cocaine drops to kill the pain. In a number of instances—such as with the Stauffenberg bomb plot of July 1944—Linge gives an excellent eyewitness account of events. He also gives thumbnail profiles of the prominent members of Hitler’s “court”: Hess, Speer, Bormann and Ribbentrop amongst them. Though Linge held an SS rank, he claims not to have been a Nazi Party member. His profile of one of history’s worst demons is not blindly uncritical, but it is nonetheless affectionate. The Hitler that emerges is a multi-faceted individual: unpredictable and demanding, but not of an otherwise unpleasant nature.
Author: William Grange
Author: William Grange
Author: Jim Riswold
Author: Jonathan C. Friedman
Author: William Grange
Author: Timur Vermes
Author: Rudolph Herzog
Author: James Carr
Author: Rudolph Herzog
Author: Andrew Nagorski
Author: Heinz Linge