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Author: Thomas R. Lindlof Publisher: University Press of Kentucky ISBN: 0813138620 Category : Performing Arts Languages : en Pages : 524
Book Description
A behind-the-scenes look at the making of The Last Temptation of Christ and the controversy following its release. In 1988, director Martin Scorsese fulfilled his lifelong dream of making a film about Jesus Christ. Rather than celebrating the film as a statement of faith, churches and religious leaders immediately went on the attack, alleging blasphemy. At the height of the controversy, thousands of phone calls a day flooded the Universal switchboard, and before the year was out, more than three million mailings protesting the film fanned out across the country. For the first time in history, a studio took responsibility for protecting theaters and scrambled to recruit a “field crisis team” to guide The Last Temptation of Christ through its contentious American openings. Overseas, the film faced widespread censorship actions, with thirteen countries eventually banning the film. The response in Europe turned violent when opposition groups sacked theaters in France and Greece and caused injuries to dozens of moviegoers. Twenty years later, author Thomas R. Lindlof offers a comprehensive account of how this provocative film came to be made and how Universal Pictures and its parent company MCA became targets of the most intense, unremitting attacks ever mounted against a media company. The film faced early and determined opposition from elements of the religious Right when it was being developed at Paramount during the last year the studio was run by the celebrated troika of Barry Diller, Michael Eisner, and Jeffrey Katzenberg. By the mid-1980s, Scorsese’s film was widely regarded as unmakeable?a political stick of dynamite that no one dared touch. Through the joint efforts of two of the era’s most influential executives, CAA president Michael Ovitz and Universal Pictures chairman Thomas P. Pollock, this improbable project found its way into production. The making of The Last Temptation of Christ caught evangelical Christians at a moment when they were suffering a crisis of confidence in their leadership. The religious right seized on the film as a way to rehabilitate its image and to mobilize ordinary citizens to attack liberalism in art and culture. The ensuing controversy over the film’s alleged blasphemy escalated into a full-scale war fought out very openly in the media. Universal/MCA faced unprecedented calls for boycotts of its business interests, anti-Semitic rhetoric and death threats were directed at MCA chairman Lew Wasserman and other MCA executives, and the industry faced the specter of violence at theaters. Hollywood Under Siege draws upon interviews with many of the key figures?Martin Scorsese, Paul Schrader, Michael Ovitz, Jeffrey Katzenberg, Jack Valenti, Thomas P. Pollock, and Willem Dafoe?to explore the trajectory of the film from its conception to the subsequent epic controversy and beyond. Lindlof offers a fascinating dissection of a critical episode in the embryonic culture wars, illuminating the explosive effects of the clash between the interests of the media industry and the forces of social conservatism. Praise for Hollywood Under Siege “No other book has traced the development of a major motion picture from conception through production to reception with the kind of care and detail that Lindlof does here. Hollywood Under Siege provides valuable insight into the machinery of the film industry, and into the machinations of American culture on a broader front as well.” —Thomas Schatz, author of The Genius of the System: Hollywood Filmmaking in the Studio Era and Executive Director of the University of Texas Film Institute “Riveting and accurate. Even though I thought I knew the events, I found myself captured anew.” —Paul Schrader, screenwriter and director “As a study of a landmark moment in American cinema, Lindlof’s book is both profound and extremely entertaining.” —Los Angeles Times “Lindlof has meticulously researched the history of the film from its initial optioning to its ultimate fate, up to the present time, successfully placing it into cultural context. Although extremely detailed, the book is readable and eminently instructive.” —Library Journal
Author: Thomas R. Lindlof Publisher: University Press of Kentucky ISBN: 0813138620 Category : Performing Arts Languages : en Pages : 524
Book Description
A behind-the-scenes look at the making of The Last Temptation of Christ and the controversy following its release. In 1988, director Martin Scorsese fulfilled his lifelong dream of making a film about Jesus Christ. Rather than celebrating the film as a statement of faith, churches and religious leaders immediately went on the attack, alleging blasphemy. At the height of the controversy, thousands of phone calls a day flooded the Universal switchboard, and before the year was out, more than three million mailings protesting the film fanned out across the country. For the first time in history, a studio took responsibility for protecting theaters and scrambled to recruit a “field crisis team” to guide The Last Temptation of Christ through its contentious American openings. Overseas, the film faced widespread censorship actions, with thirteen countries eventually banning the film. The response in Europe turned violent when opposition groups sacked theaters in France and Greece and caused injuries to dozens of moviegoers. Twenty years later, author Thomas R. Lindlof offers a comprehensive account of how this provocative film came to be made and how Universal Pictures and its parent company MCA became targets of the most intense, unremitting attacks ever mounted against a media company. The film faced early and determined opposition from elements of the religious Right when it was being developed at Paramount during the last year the studio was run by the celebrated troika of Barry Diller, Michael Eisner, and Jeffrey Katzenberg. By the mid-1980s, Scorsese’s film was widely regarded as unmakeable?a political stick of dynamite that no one dared touch. Through the joint efforts of two of the era’s most influential executives, CAA president Michael Ovitz and Universal Pictures chairman Thomas P. Pollock, this improbable project found its way into production. The making of The Last Temptation of Christ caught evangelical Christians at a moment when they were suffering a crisis of confidence in their leadership. The religious right seized on the film as a way to rehabilitate its image and to mobilize ordinary citizens to attack liberalism in art and culture. The ensuing controversy over the film’s alleged blasphemy escalated into a full-scale war fought out very openly in the media. Universal/MCA faced unprecedented calls for boycotts of its business interests, anti-Semitic rhetoric and death threats were directed at MCA chairman Lew Wasserman and other MCA executives, and the industry faced the specter of violence at theaters. Hollywood Under Siege draws upon interviews with many of the key figures?Martin Scorsese, Paul Schrader, Michael Ovitz, Jeffrey Katzenberg, Jack Valenti, Thomas P. Pollock, and Willem Dafoe?to explore the trajectory of the film from its conception to the subsequent epic controversy and beyond. Lindlof offers a fascinating dissection of a critical episode in the embryonic culture wars, illuminating the explosive effects of the clash between the interests of the media industry and the forces of social conservatism. Praise for Hollywood Under Siege “No other book has traced the development of a major motion picture from conception through production to reception with the kind of care and detail that Lindlof does here. Hollywood Under Siege provides valuable insight into the machinery of the film industry, and into the machinations of American culture on a broader front as well.” —Thomas Schatz, author of The Genius of the System: Hollywood Filmmaking in the Studio Era and Executive Director of the University of Texas Film Institute “Riveting and accurate. Even though I thought I knew the events, I found myself captured anew.” —Paul Schrader, screenwriter and director “As a study of a landmark moment in American cinema, Lindlof’s book is both profound and extremely entertaining.” —Los Angeles Times “Lindlof has meticulously researched the history of the film from its initial optioning to its ultimate fate, up to the present time, successfully placing it into cultural context. Although extremely detailed, the book is readable and eminently instructive.” —Library Journal
Author: Thomas R Lindlof Publisher: University Press of Kentucky ISBN: 0813173167 Category : Performing Arts Languages : en Pages : 407
Book Description
In 1988, director Martin Scorsese fulfilled his lifelong dream of making a film about Jesus Christ. Rather than celebrating the film as a statement of faith, churches and religious leaders immediately went on the attack, alleging blasphemy. At the height of the controversy, thousands of phone calls a day flooded the Universal switchboard, and before the year was out, more than three million mailings protesting the film fanned out across the country. For the first time in history, a studio took responsibility for protecting theaters and scrambled to recruit a "field crisis team" to guide The Last Temptation of Christ through its contentious American openings. Overseas, the film faced widespread censorship actions, with thirteen countries eventually banning the film. The response in Europe turned violent when opposition groups sacked theaters in France and Greece and caused injuries to dozens of moviegoers. Twenty years later, author Thomas R. Lindlof offers a comprehensive account of how this provocative film came to be made and how Universal Pictures and its parent company MCA became targets of the most intense, unremitting attacks ever mounted against a media company. The film faced early and determined opposition from elements of the religious Right when it was being developed at Paramount during the last year the studio was run by the celebrated troika of Barry Diller, Michael Eisner, and Jeffrey Katzenberg. By the mid-1980s, Scorsese's film was widely regarded as unmakeable—a political stick of dynamite that no one dared touch. Through the joint efforts of two of the era's most influential executives, CAA president Michael Ovitz and Universal Pictures chairman Thomas P. Pollock, this improbable project found its way into production. The making of The Last Temptation of Christ caught evangelical Christians at a moment when they were suffering a crisis of confidence in their leadership. The religious right seized on the film as a way to rehabilitate its image and to mobilize ordinary citizens to attack liberalism in art and culture. The ensuing controversy over the film's alleged blasphemy escalated into a full-scale war fought out very openly in the media. Universal/MCA faced unprecedented calls for boycotts of its business interests, anti-Semitic rhetoric and death threats were directed at MCA chairman Lew Wasserman and other MCA executives, and the industry faced the specter of violence at theaters. Hollywood Under Siege draws upon interviews with many of the key figures—Martin Scorsese, Paul Schrader, Michael Ovitz, Jeffrey Katzenberg, Jack Valenti, Thomas P. Pollock, and Willem Dafoe—to explore the trajectory of the film from its conception to the subsequent epic controversy and beyond. Lindlof offers a fascinating dissection of a critical episode in the embryonic culture wars, illuminating the explosive effects of the clash between the interests of the media industry and the forces of social conservatism.
Author: Stephen Graham Publisher: Verso Books ISBN: 1844677621 Category : Social Science Languages : en Pages : 434
Book Description
Cities are the new battleground of our increasingly urban world. From the slums of the global South to the wealthy financial centers of the West, Cities Under Siege traces the spread of political violence through the sites, spaces, infrastructure and symbols of the world’s rapidly expanding metropolitan areas. Drawing on a wealth of original research, Stephen Graham shows how Western militaries and security forces now perceive all urban terrain as a conflict zone inhabited by lurking shadow enemies. Urban inhabitants have become targets that need to be continually tracked, scanned and controlled. Graham examines the transformation of Western armies into high-tech urban counter-insurgency forces. He looks at the militarization and surveillance of international borders, the use of ‘security’ concerns to suppress democratic dissent, and the enacting of legislation to suspend civilian law. In doing so, he reveals how the New Military Urbanism permeates the entire fabric of urban life, from subway and transport networks hardwired with high-tech ‘command and control’ systems to the insidious militarization of a popular culture corrupted by the all-pervasive discourse of ‘terrorism.’
Author: Kliph Nesteroff Publisher: Abrams ISBN: 1647006376 Category : Performing Arts Languages : en Pages : 263
Book Description
From the preeminent historian of modern comedy comes an expansive history of showbiz and the culture wars There is a common belief that we live in unprecedented times, that people are too sensitive today, that nobody objected to the actions of actors, comedians, and filmmakers in the past. Modern pundits would have us believe that Americans of a previous generation had tougher skin and seldom complained. But does this argument hold up to scrutiny? In Outrageous, celebrated cultural historian Kliph Nesteroff demonstrates that Americans have been objecting to entertainment for nearly two hundred years, sometimes rationally, often irrationally. Likewise, powerful political interests have sought to circumvent the arts using censorship, legal harassment, and outright propaganda. From Mae West through Johnny Carson, Amos ’n’ Andy through Beavis and Butt-Head, Outrageous chronicles the controversies of American show business and the ongoing attempts to change what we watch, read, and hear.
Author: Mark Taylor Publisher: Bloomsbury Publishing ISBN: 135016612X Category : Architecture Languages : en Pages : 209
Book Description
Theories of the domestic stemming from the 19th century have focused on the home as a refuge and place of repose for the family, a nurturing environment for children and a safe place for visitors. Under this conception, domestic space is positioned as nurturing and private, a refuge and place of retreat which gave rise to theories of 'home as haven'. While, arguably, some social conditions might suggest this is the case, Domesticity Under Siege exposes a different world, one in which the boundaries of nurturing domesticity collide with both outside and inside agents. Whether these agents are external military forces, psychological trauma or familial violence, they re-position meta-narratives of domesticity, not through identity politics or specialized subgroup experience, but relative to the actions of the world around an inhabited domain. That is, when home is constituted as a private realm, a place where individuals or groups can reside in 'safety and comfort', it is argued as a place in which the individual exercises control or power. However, there are many occasions when forces act upon the home and threaten aspects of safety and comfort, often through such things as ruination, violence, mortality, and infestation. Organised around four thematic sections, 'Microbes, Animals and Insects', 'Human Agents', Wars and Disasters as Agents' and 'Hauntings, Eeriness and the Uncanny', chapters provide a range of approaches to the home which challenge notions of 'haven' and reflect major causes that have played an important role in undermining the modern home. Examples and case studies explore the domestic screen, hoarding, hauntings, violence and imprisonment in the home, wartime interior art, the Hanover Merzbau and Wolfgang Staudte's 1946 film Die Mörder sind unter uns ('The Murderers are Among Us').
Author: Mark A. Vieira Publisher: Harry N. Abrams ISBN: 9780810982284 Category : Performing Arts Languages : en Pages : 240
Book Description
In the spring of 1934, Hollywood faced what the Los Angeles Times called "the most serious crisis of its history." The film capital was under siege by censorship advocates who launched a boycott, demanding that the film industry enforce the Production Code it had adopted in 1930. For nearly five years, defiant producers had cited artistic freedom and flouted the Code, which forbade vulgarity, profanity, nudity, excessive violence, illegal drugs, adultery, "sex perversion," "white slavery," racial mingling, "lustful kissing," and suggestive dancing. In July 1934, the controversial films were outlawed. Today they are called "pre-Code." Sin in Soft Focus showcases a scintillating era in film history and tells how filmmakers sidestepped the Code. Mark A. Vieira draws on extensive research, interviews, and correspondence in the Production Code Administration files to tell the engaging, suspenseful, and often humorous story of the struggle between Hollywood and its reformers, weaving history, politics, and film into a full-blooded narrative. Illustrated with 275 film stills, many of them rare, the book captures the stunning visual artistry of the era.
Author: Ernle Bradford Publisher: eReads.com ISBN: 9780759299344 Category : Malta Languages : en Pages : 260
Book Description
Suleiman the Magnificent, the most powerful ruler in the world, was determined to conquer Europe. Only one thing stood in his way: a dot of an island in the Mediterranean called Malta, occupied by the Knights of St. John, the cream of the warriors of the Holy Roman Empire. A clash of civilizations was shaping up the likes of which had not been seen since Persia invaded Greece. Determined to capture Malta and use its port to launch operations against Europe, Suleiman sent an armada and an overwhelming army. A few thousand defenders in Fort St. Elmo fought to the last man, enduring cruel hardships. When they captured the fort the Turks took no prisoners and mutilated the defenders' bodies. Grand Master La Vallette of the Knights reciprocated by decapitating his Turkish prisoners and using their heads to cannonade the enemy. Then the battle for Malta began in earnest: no quarter asked; none given. The Siege of Malta is not merely a gripping tale of brutality, courage, and tenacity, but the saga of two mighty civilizations struggling for domination of the known world.
Author: Kelly Pyrek Publisher: Elsevier ISBN: 9780080471075 Category : Law Languages : en Pages : 568
Book Description
Forensic science laboratories' reputations have increasingly come under fire. Incidents of tainted evidence, false reports, allegations of negligence, scientifically flawed testimony, or - worse yet - perjury in in-court testimony, have all served to cast a shadow over the forensic sciences. Instances of each are just a few of the quality-related charges made in the last few years. Forensic Science Under Siege is the first book to integrate and explain these problematic trends in forensic science. The issues are timely, and are approached from an investigatory, yet scholarly and research-driven, perspective. Leading experts are consulted and interviewed, including directors of highly visible forensic laboratories, as well as medical examiners and coroners who are commandeering the discussions related to these issues. Interviewees include Henry Lee, Richard Saferstein, Cyril Wecht, and many others. The ultimate consequences of all these pressures, as well as the future of forensic science, has yet to be determined. This book examines these challenges, while also exploring possible solutions (such as the formation of a forensic science consortium to address specific legislative issues). It is a must-read for all forensic scientists. Provides insight on the current state of forensic science, demands, and future direction as provided by leading experts in the field Consolidates the current state of standards and best-practices of labs across disciplines Discusses a controversial topic that must be addressed for political support and financial funding of forensic science to improve
Author: Susan Elia MacNeal Publisher: Bantam ISBN: 0593156943 Category : Fiction Languages : en Pages : 369
Book Description
Maggie Hope is off to California to solve a crime that hits too close to home—and to confront the very evil she thought she had left behind in Europe—as the acclaimed World War II mystery series from New York Times bestselling author Susan Elia MacNeal continues. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE MILWAUKEE JOURNAL SENTINEL • “An absolute triumph . . . Maggie Hope is irresistible.”—Hilary Davidson, author of Her Last Breath Los Angeles, 1943. As the Allies beat back the Nazis in the Mediterranean and the United States military slowly closes in on Tokyo, Walt Disney cranks out wartime propaganda and the Cocoanut Grove is alive with jazz and swing every night. But behind this sunny façade lies a darker reality. Up in the lush foothills of Hollywood, a woman floats lifeless in the pool of one of California’s trendiest hotels. When American-born secret agent and British spy Maggie Hope learns that this woman was engaged to her former fiancée, John Sterling, and that he suspects her death was no accident, intuition tells her he’s right. Leaving London under siege is a lot to ask—but John was once the love of Maggie’s life . . . and she can’t say no. Maggie struggles with seeing her lost love again, but more shocking is the realization that her country is as divided and convulsed with hatred as Europe. The Zoot Suit Riots loom large in Los Angeles, and the Ku Klux Klan casts a long shadow everywhere. But there is little time to dwell on memories once she starts digging into the case. As she traces a web of deception from the infamous Garden of Allah to the iconic Carthay Circle Theater, she discovers things aren’t always the way things appear in the movies—and the political situation in America is more complicated, and dangerous, than the newsreels would have them all believe.
Author: Lynda Obst Publisher: Simon and Schuster ISBN: 1476727767 Category : Business & Economics Languages : en Pages : 304
Book Description
The veteran producer and author of the bestseller Hello, He Lied takes a witty and critical look at the new Hollywood. Over the past decade, producer Lynda Obst gradually realized she was working in a Hollywood that was undergoing a drastic transformation. The industry where everything had once been familiar to her was suddenly disturbingly strange. Combining her own industry experience and interviews with the brightest minds in the business, Obst explains what has stalled the vast moviemaking machine. The calamitous DVD collapse helped usher in what she calls the New Abnormal (because Hollywood was never normal to begin with), where studios are now heavily dependent on foreign markets for profit, a situation which directly impacts the kind of entertainment we get to see. Can comedy survive if they don’t get our jokes in Seoul or allow them in China? Why are studios making fewer movies than ever—and why are they bigger, more expensive and nearly always sequels or recycled ideas? Obst writes with affection, regret, humor and hope, and her behind-the-scenes vantage point allows her to explore what has changed in Hollywood like no one else has. This candid, insightful account explains what has happened to the movie business and explores whether it’ll ever return to making the movies we love—the classics that make us laugh or cry, or that we just can’t stop talking about.
Author: Thomas R. Lindlof
Author: Thomas R. Lindlof
Author: Thomas R Lindlof
Author: Stephen Graham
Author: Kliph Nesteroff
Author: Mark Taylor
Author: Mark A. Vieira
Author: Ernle Bradford
Author: Kelly Pyrek
Author: Susan Elia MacNeal
Author: Lynda Obst