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Author: Neil Nehring Publisher: SAGE ISBN: 0761908366 Category : Education Languages : en Pages : 237
Book Description
As a rebuttal to academic postmodernism and its exploitation by the mass media, Popular Music, Gender, and Postmodernism emphasizes that emotion and reason are mutually interdependent. Though mistakes can occur in the conscious choice of an object at which to direct one's feelings, the preverbal appraisal of social situations that generates emotions is always perfectly rational. Nehring surveys work in literary criticism, psychology, and especially feminist philosophy that argues on this basis for the political significance of anger even prior to its full articulation. The emotional performance in popular music, he concludes, cannot be discounted on the grounds, for example, that lyrics such as Cobain's are difficult to understand.
Author: Neil Nehring Publisher: SAGE ISBN: 0761908366 Category : Education Languages : en Pages : 237
Book Description
As a rebuttal to academic postmodernism and its exploitation by the mass media, Popular Music, Gender, and Postmodernism emphasizes that emotion and reason are mutually interdependent. Though mistakes can occur in the conscious choice of an object at which to direct one's feelings, the preverbal appraisal of social situations that generates emotions is always perfectly rational. Nehring surveys work in literary criticism, psychology, and especially feminist philosophy that argues on this basis for the political significance of anger even prior to its full articulation. The emotional performance in popular music, he concludes, cannot be discounted on the grounds, for example, that lyrics such as Cobain's are difficult to understand.
Author: Neil Nehring Publisher: SAGE Publications ISBN: 1452249695 Category : Education Languages : en Pages : 237
Book Description
The migration of cynical academic ideas about postmodernism into music journalism are traced in this book. The result of this migration is a widespread fatalism over the ability of the music industry to absorb any expression of defiance in popular music. The book synthesizes a number of fields: American and British academic and journalistic music criticism; aesthetic and literary history and theory from romanticism through postmodernism; alternative music such as feminist punk and grunge; political economy, which has fueled the obsession with commercial incorporation; and subcultural sociology.
Author: Judith Irene Lochhead Publisher: Psychology Press ISBN: 9780815338192 Category : Music Languages : en Pages : 392
Book Description
These essays on postmodernism and music include topics such as the importance of technology and marketing in postmodern music, the appropriation and reworking of Western music by non-Western bands, and issues of music and race...
Author: Jib Fowles Publisher: SAGE Publications, Incorporated ISBN: 9780803954823 Category : Business & Economics Languages : en Pages : 296
Book Description
Advertising has permeated our popular culture as much as any other aspect of the media. This comprehensive text provides a balanced analysis of advertising - as a business practice and as a creator of symbolic environments. The critique reflects current theories on advertising by illustrating how it both draws from and contributes to popular culture, and uses specific excerpts from advertising campaigns to illustrate this point. The book traces the role of advertising in our culture from its evolution as part of the culture of mass consumption in the late 19th century, the development of advertising agencies and the creation of a consumer culture to an exploration of the major themes of American advertising. The author also provides a criti
Author: Abigail Gardner Publisher: Routledge ISBN: 1317080742 Category : Music Languages : en Pages : 204
Book Description
PJ Harvey’s performances are premised on the core contention that she is somehow causing ’trouble’. Just how this trouble can be theorised within the context of the music video and what it means for a development of the ways we might conceptualise ’disruption’ and think about music video lies at the heart of this book. Abigail Gardner mixes feminist theory and critical models from film and video scholarship as a rich means of interrogating Harvey’s work and redefining her disruptive strategies. The book presents a rethinking of the masquerade that allies it to cultural memory, precipitated by Gardner’s claim that Harvey’s performances are conversations with the past, specifically with visualised memories of archetypes of femininity. Harvey’s masquerades emerge from her conversations and renegotiations with both national and transatlantic musical, visual and lyrical heritages. It is the first academic book to present analysis of Harvey’s music videos and opens up fresh avenues into exploring what is at stake in the video work of one of Britain’s premier singer-songwriters. It extends the discussion on music video to consider how to make sense of the rapidly developing digital environment in which it now sits. The interdisciplinary nature of the book should attract readers from a range of subject areas including popular music studies, cultural studies, media and communication studies, and gender studies.
Author: Walter Everett Publisher: Bloomsbury Publishing USA ISBN: 1501345974 Category : Music Languages : en Pages : 185
Book Description
Following the 1960's sexual revolution, rock and pop have continued to map the societal understanding of sexuality, feminism, and gender studies. Although scholarship has well established how early rock and roll encouraged and affected issues of sex in the baby boomer generation, this book asks how subsequent pop music has maintained that tradition. The text discusses the gendered performances and biographical experiences of individual musicians, including Patti Smith, Rufus Wainwright, Etta James, and Frank Ocean, and how their invented personae contribute to musical representations of sexuality. It evaluates lyric structure and symbolic language of these artists, and overall emphasizes how pop music, while a commodity art form, reflects the diversity of human sex and gender.
Author: Helen Reddington Publisher: Routledge ISBN: 1317025113 Category : Music Languages : en Pages : 253
Book Description
In Britain during the late 1970s and early 1980s, a new phenomenon emerged, with female guitarists, bass-players, keyboard-players and drummers playing in bands. Before this time, women's presence in rock bands, with a few notable exceptions, had always been as vocalists. This sudden influx of female musicians into the male domain of rock music was brought about partly by the enabling ethic of punk rock ('anybody can do it!') and partly by the impact of the Equal Opportunities Act. But just as suddenly as the phenomenon arrived, the interest in these musicians evaporated and other priorities became important to music audiences. Helen Reddington investigates the social and commercial reasons for how these women became lost from the rock music record, and rewrites this period in history in the context of other periods when female musicians have been visible in previously male environments. Reddington draws on her own experience as bass-player in a punk band, thereby contributing a fresh perspective on the socio-political context of the punk scene and its relationship with the media. The book also features a wealth of original interview material with key protagonists, including the late John Peel, Geoff Travis, The Raincoats and the Poison Girls.
Author: Neil Nehring
Author: Neil Nehring
Author: Neil Nehring
Author: Judith Irene Lochhead
Author: Jib Fowles
Author: Abigail Gardner
Author: Kenneth Womack
Author: Mark Stuart Spicer
Author: Walter Everett
Author: Judy Lochhead
Author: Helen Reddington