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Author: Sophia Rose Arjana Publisher: Oxford University Press ISBN: 019932493X Category : Religion Languages : en Pages : 224
Book Description
A Choice 2015 Outstanding Academic Title Throughout history, Muslim men have been depicted as monsters. The portrayal of humans as monsters helps a society delineate who belongs and who, or what, is excluded. Even when symbolic, as in post-9/11 zombie films, Muslim monsters still function to define Muslims as non-human entities. These are not depictions of Muslim men as malevolent human characters, but rather as creatures that occupy the imagination -- non-humans that exhibit their wickedness outwardly on the skin. They populate medieval tales, Renaissance paintings, Shakespearean dramas, Gothic horror novels, and Hollywood films. Through an exhaustive survey of medieval, early modern, and contemporary literature, art, and cinema, Muslims in the Western Imagination examines the dehumanizing ways in which Muslim men have been constructed and represented as monsters, and the impact such representations have on perceptions of Muslims today. The study is the first to present a genealogy of these creatures, from the demons and giants of the Middle Ages to the hunchbacks with filed teeth that are featured in the 2007 film 300, arguing that constructions of Muslim monsters constitute a recurring theme, first formulated in medieval Christian thought. Sophia Rose Arjana shows how Muslim monsters are often related to Jewish monsters, and more broadly to Christian anti-Semitism and anxieties surrounding African and other foreign bodies, which involves both religious bigotry and fears surrounding bodily difference. Arjana argues persuasively that these dehumanizing constructions are deeply embedded in Western consciousness, existing today as internalized beliefs and practices that contribute to the culture of violence--both rhetorical and physical--against Muslims.
Author: Sophia Rose Arjana Publisher: Oxford University Press ISBN: 019932493X Category : Religion Languages : en Pages : 224
Book Description
A Choice 2015 Outstanding Academic Title Throughout history, Muslim men have been depicted as monsters. The portrayal of humans as monsters helps a society delineate who belongs and who, or what, is excluded. Even when symbolic, as in post-9/11 zombie films, Muslim monsters still function to define Muslims as non-human entities. These are not depictions of Muslim men as malevolent human characters, but rather as creatures that occupy the imagination -- non-humans that exhibit their wickedness outwardly on the skin. They populate medieval tales, Renaissance paintings, Shakespearean dramas, Gothic horror novels, and Hollywood films. Through an exhaustive survey of medieval, early modern, and contemporary literature, art, and cinema, Muslims in the Western Imagination examines the dehumanizing ways in which Muslim men have been constructed and represented as monsters, and the impact such representations have on perceptions of Muslims today. The study is the first to present a genealogy of these creatures, from the demons and giants of the Middle Ages to the hunchbacks with filed teeth that are featured in the 2007 film 300, arguing that constructions of Muslim monsters constitute a recurring theme, first formulated in medieval Christian thought. Sophia Rose Arjana shows how Muslim monsters are often related to Jewish monsters, and more broadly to Christian anti-Semitism and anxieties surrounding African and other foreign bodies, which involves both religious bigotry and fears surrounding bodily difference. Arjana argues persuasively that these dehumanizing constructions are deeply embedded in Western consciousness, existing today as internalized beliefs and practices that contribute to the culture of violence--both rhetorical and physical--against Muslims.
Author: Julian Baldick Publisher: ISBN: 9780755612475 Category : Sufism Languages : en Pages : 264
Book Description
"The Uwaysis--who take their name from Uways, a contemporary of the prophet Mohammad who is reputed to have communicated with him telepathically--are Muslim mystics who look for instruction to the spirit of the dead or physically absent person. Julian Baldick here surveys the legend of Uways and the Uwaysi phenomenon within Sufism, Islam's main mystical tradition. Baldick examines the Uwaysi movement in 16th-century East Turkistan (now Xinjiang in northwest China) and then discusses the book the central text in the development of the sect, History of the Uwaysis, written by Ahmad of Uzgen around 1600. Analyzing the intricate combination of Biblical motifs, shamanistic initiation rites, and Muslim, Christian, and Buddhist legends, Baldick argues that an understanding of the Uwaysi sect reveals many of the paradoxes which lie at the heart of Islam. The first definitive study of this important sect, IMAGINARY MUSLIMS will be of central interest to all those concerned with Islamic studies, the Middle East, and the history of religion."--Bloomsbury Publishing.
Author: Julian Baldick Publisher: I.B. Tauris ISBN: Category : Psychology Languages : en Pages : 280
Book Description
An examination of the Uwaysi Muslims, who look for instruction from the spirit of the dead and who take their name from Uways, reputed to have communicated with Mohammad by telepathy. They are considered both as part of the Sufi tradition and as a distinct group with esoteric and eclectic roots.
Author: Sophia Rose Arjana Publisher: Oxford University Press ISBN: 0199324948 Category : Religion Languages : en Pages : 224
Book Description
A Choice 2015 Outstanding Academic Title Throughout history, Muslim men have been depicted as monsters. The portrayal of humans as monsters helps a society delineate who belongs and who, or what, is excluded. Even when symbolic, as in post-9/11 zombie films, Muslim monsters still function to define Muslims as non-human entities. These are not depictions of Muslim men as malevolent human characters, but rather as creatures that occupy the imagination -- non-humans that exhibit their wickedness outwardly on the skin. They populate medieval tales, Renaissance paintings, Shakespearean dramas, Gothic horror novels, and Hollywood films. Through an exhaustive survey of medieval, early modern, and contemporary literature, art, and cinema, Muslims in the Western Imagination examines the dehumanizing ways in which Muslim men have been constructed and represented as monsters, and the impact such representations have on perceptions of Muslims today. The study is the first to present a genealogy of these creatures, from the demons and giants of the Middle Ages to the hunchbacks with filed teeth that are featured in the 2007 film 300, arguing that constructions of Muslim monsters constitute a recurring theme, first formulated in medieval Christian thought. Sophia Rose Arjana shows how Muslim monsters are often related to Jewish monsters, and more broadly to Christian anti-Semitism and anxieties surrounding African and other foreign bodies, which involves both religious bigotry and fears surrounding bodily difference. Arjana argues persuasively that these dehumanizing constructions are deeply embedded in Western consciousness, existing today as internalized beliefs and practices that contribute to the culture of violence--both rhetorical and physical--against Muslims.
Author: Florian Zemmin Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110545845 Category : Religion Languages : en Pages : 532
Book Description
What does it mean to be modern? This study regards the concept of ‘society’ as foundational to modern self-understanding. Identifying Arabic conceptualizations of society in the journal al-Manar, the mouthpiece of Islamic reformism, the author shows how modernity was articulated from within an Islamic discursive tradition. The fact that the classical term umma was a principal term used to conceptualize modern society suggests the convergence of discursive traditions in modernity, rather than a mere diffusion of European concepts.
Author: Julian Baldick Publisher: NYU Press ISBN: 9780814712078 Category : Religion Languages : en Pages : 266
Book Description
The Uwaysis--who take their name from Uways, a contemporary of the prophet Mohammad who is reputed to have communicated with him telepathically--are Muslim mystics who look for instruction to the spirit of the dead or physically absent person. Julian Baldick here surveys the legend of Uways and the Uwaysi phenomenon within Sufism, Islam's main mystical tradition. Baldick examines the Uwaysi movement in 16th-century East Turkistan (now Xinjiang in northwest China) and then discusses the book the central text in the development of the sect, History of the Uwaysis, written by Ahmad of Uzgen around 1600. Analyzing the intricate combination of Biblical motifs, shamanistic initiation rites, and Muslim, Christian, and Buddhist legends, Baldick argues that an understanding of the Uwaysi sect reveals many of the paradoxes which lie at the heart of Islam. The first definitive study of this important sect, IMAGINARY MUSLIMS will be of central interest to all those concerned with Islamic studies, the Middle East, and the history of religion
Author: Jacob Rama Berman Publisher: NYU Press ISBN: 0814745180 Category : Literary Criticism Languages : en Pages : 286
Book Description
Part of the American Literatures Initiative Series American Arabesque examines representations of Arabs, Islam and the Near East in nineteenth-century American culture, arguing that these representations play a significant role in the development of American national identity over the century, revealing largely unexplored exchanges between these two cultural traditions that will alter how we understand them today. Moving from the period of America's engagement in the Barbary Wars through the Holy Land travel mania in the years of Jacksonian expansion and into the writings of romantics such as Edgar Allen Poe, the book argues that not only were Arabs and Muslims prominently featured in nineteenth-century literature, but that the differences writers established between figures such as Moors, Bedouins, Turks and Orientals provide proof of the transnational scope of domestic racial politics. Drawing on both English and Arabic language sources, Berman contends that the fluidity and instability of the term Arab as it appears in captivity narratives, travel narratives, imaginative literature, and ethnic literature simultaneously instantiate and undermine definitions of the American nation and American citizenship.
Author: Sophia Rose Arjana Publisher: Oxford University Press, USA ISBN: 0199324921 Category : Art Languages : en Pages : 281
Book Description
Islam in the Western imagination -- The Muslim monster -- Medieval Muslim monsters -- Turkish monsters -- The monsters of Orientalism -- Muslim monsters in the Americas -- The monsters of September 11th.
Author: Raymond William Baker Publisher: Religion and Global Politics ISBN: 0199846472 Category : Political Science Languages : en Pages : 393
Book Description
By all measures, the late twentieth century was a time of dramatic decline for the Islamic world, the Ummah, particularly its Arab heartland. Sober Muslim voices regularly describe their current state as the worst in the 1,400-year history of Islam. Yet, precisely at this time of unprecedented material vulnerability, Islam has emerged as a civilizational force strong enough to challenge the imposition of Western, particularly American, homogenizing power on Muslim peoples. This is the central paradox of Islam today: at a time of such unprecedented weakness in one sense, how has the Islamic Awakening, a broad and diverse movement of contemporary Islamic renewal, emerged as such a resilient and powerful transnational force and what implications does it have for the West? In One Islam, Many Muslims Worlds Raymond W. Baker addresses this question. Two things are clear, Baker argues: Islam's unexpected strength in recent decades does not originate from official political, economic, or religious institutions, nor can it be explained by focusing exclusively on the often-criminal assertions of violent, marginal groups. While extremists monopolize the international press and the scholarly journals, those who live and work in the Islamic world know that the vast majority of Muslims reject their reckless calls to violence and look elsewhere for guidance. Baker shows that extremists draw their energy and support not from contributions to the reinterpretation and revival of Islamic beliefs and practices, but from the hatreds engendered by misguided Western policies in Islamic lands. His persuasive analysis of the Islamic world identifies centrists as the revitalizing force of Islam, saying that they are responsible for constructing a modern, cohesive Islamic identity that is a force to be reckoned with.
Author: Sophia Rose Arjana
Author: Sophia Rose Arjana
Author: Julian Baldick
Author: Julian Baldick
Author: Sophia Rose Arjana
Author: Florian Zemmin
Author: Julian Baldick
Author: Jacob Rama Berman
Author: Sophia Rose Arjana
Author: Sushmita Nath
Author: Raymond William Baker