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Author: Paul Badura-Skoda Publisher: ISBN: Category : Embellishment (Music) Languages : en Pages : 596
Book Description
The ever-increasing number of performances of Bach's music is a sign of its enduring vitality. But perhaps no other composer is subject to such a wide diversity of interpretation--assessing the merits of these many interpretations and unravelling the sources and documents on which they are based can be extremely difficult for the modern performer. In this important book, Paul Badura-Skoda draws on forty years of studying and performing Bach to present startling new insights into many different aspects of Bach's music. He looks at rhythm, tempo, articulation, and dynamics; examines the instruments for which Bach's music was intended, and considers problems of sonority. He then discusses ornamentation in depth, analyzing each of the signs and symbols used by Bach, and argues that much of Bach's ornamentation in current performance is monotonous and fails to reflect the actual Baroque style. Sometimes contentious, always stimulating, Badura-Skoda's book conveys a passion for an informed interpretation of Bach's music based on a recognition and respect for Bach's actual intentions. Copiously illustrated with musical examples, the book will take its place as a standard work for all students and performers of Bach's ever-popular keyboard music.
Author: Paul Badura-Skoda Publisher: ISBN: Category : Embellishment (Music) Languages : en Pages : 596
Book Description
The ever-increasing number of performances of Bach's music is a sign of its enduring vitality. But perhaps no other composer is subject to such a wide diversity of interpretation--assessing the merits of these many interpretations and unravelling the sources and documents on which they are based can be extremely difficult for the modern performer. In this important book, Paul Badura-Skoda draws on forty years of studying and performing Bach to present startling new insights into many different aspects of Bach's music. He looks at rhythm, tempo, articulation, and dynamics; examines the instruments for which Bach's music was intended, and considers problems of sonority. He then discusses ornamentation in depth, analyzing each of the signs and symbols used by Bach, and argues that much of Bach's ornamentation in current performance is monotonous and fails to reflect the actual Baroque style. Sometimes contentious, always stimulating, Badura-Skoda's book conveys a passion for an informed interpretation of Bach's music based on a recognition and respect for Bach's actual intentions. Copiously illustrated with musical examples, the book will take its place as a standard work for all students and performers of Bach's ever-popular keyboard music.
Author: Paul Badura-Skoda Publisher: Oxford University Press ISBN: 9780198161554 Category : Music Languages : en Pages : 573
Book Description
The ever-increasing number of performances of Bach's music is a sign of its enduring vitality. But perhaps no other composer is subject to such a wide diversity of interpretation--assessing the merits of these many interpretations and unravelling the sources and documents on which they are based can be extremely difficult for the modern performer. In this important new book, Paul Badura-Skoda draws on forty years of studying and performing Bach to present startling new insights into many different aspects of Bach's music. He looks at rhythm, tempo, articulation, and dynamics; examines the instruments for which Bach's music was intended, and considers problems of sonority. He then discusses ornamentation in depth, analyzing each of the signs and symbols used by Bach, and argues that much of Bach's ornamentation in current performance is monotonous and fails to reflect the actual Baroque style. Sometimes contentious, always stimulating, Badura-Skoda's book conveys a passion for an informed interpretation of Bach's music based on a recognition and respect for Bach's actual intentions. Copiously illustrated with musical examples, the book will take its place as a standard work for all students and performers of Bach's ever-popular keyboard music.
Author: Ralph Kirkpatrick Publisher: Yale University Press ISBN: 9780300038934 Category : Music Languages : en Pages : 154
Book Description
This book sets forth the provocative theories of a musician who has been called the outstanding harpsichordist of this century. The late Ralph Kirkpatrick reveals here his approach to a deeper comprehension of music, showing how his methods are applied to the preludes and fugues of the Well-Tempered Clavier of J.S. Bach. "This book is brilliant and important."--Clavier "All keyboardists performing classical repertoire can greatly benefit from Kirkpatrick's scholarship, dry wit, and stubborn dedication."--Keyboard "That Mr. Kirkpatrick's extraordinarily perceptive mind knew the subject matter thoroughly is beyond dispute. . . Valuable insights into the analysis, teaching and performance of all Western music, especially Bach's monumental Well-Tempered Clavier."--Arthur Lawrence, The American Organist "We are fortunate to have this book by Ralph Kirkpatrick. . . From it we gain insight into the musical mind of one of the outstanding performers of our century."--The Music Review "The real matter of the book is good old-fashioned musicianship."--Denis Arnold, London Review of Books
Author: Erwin Bodky Publisher: Franklin Classics ISBN: 9780343201791 Category : Languages : en Pages : 444
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Erwin Bodky Publisher: Legare Street Press ISBN: 9781022887152 Category : Languages : en Pages : 0
Book Description
In this groundbreaking study, Erwin Bodky offers a fresh perspective on the music of Bach, with a particular focus on his keyboard works. With meticulous analysis and detailed attention to historical context, Bodky illuminates the complexities and challenges of interpreting Bach's music. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: David Schulenberg Publisher: U of Nebraska Press ISBN: 9780803210516 Category : Music Languages : en Pages : 242
Book Description
This volume contains contributions by nine scholars on two broad themes: the analysis of Johann Sebastian Bach?s orchestral works, especially his concertos, and the interpretation and performance of his music in general. The contributors are a diverse group, active in the fields of performance, organology, music theory, and music history. Several work in more than one of these areas, making them particularly well prepared to write on the interdisciplinary themes of the volume. ΓΈ Part 1 includes Alfred Mann?s introduction to Bach?s orchestral music as well as essays by Gregory G. Butler and Jeanne Swack on the Brandenburg Concertos. Part 2 offers ground-breaking articles by John Koster and Mary Oleskiewicz on the harpsichords and flutes of Bach?s day as well as essays by David Schulenberg and William Renwick on keyboard performance practice and the study of fugue in Bach?s circle. Paul Walker explores the relationships between rhetoric and fugue, and John Butt reviews some recent trends in Bach performance.
Author: Richard Troeger Publisher: Hal Leonard Corporation ISBN: 9781574670844 Category : Music Languages : en Pages : 314
Book Description
(Amadeus). In this concise and accessible volume, a noted keyboard artist and Bach specialist takes a fresh look at the performance of J. S. Bach's keyboard music. Addressing the nonspecialist player, Richard Troeger presents a wide range of historical information and discusses its musical applications. The author shares accounts of the musical styles Bach employed and the instruments he knew. In direct and pragmatic terms, he clarifies the importance of notational and style details as guides to the composer's intentions, particularly emphasizing changes in notational norms between Bach's time and the present. Troeger offers core information on dynamics, articulation, tempo, rhythm, ornamentation and accompaniment. He considers controversial issues as well, establishing the importance of the clavichord in Bach's milieu and examining the link between baroque music and rhetoric a dramatic relationship that can bring great vitality to performance.
Author: Paul Badura-Skoda
Author: Paul Badura-Skoda
Author: Paul Badura-Skoda
Author: Ralph Kirkpatrick
Author: ERWIN. BODKY
Author: Erwin Bodky
Author: Erwin Bodky
Author: David Schulenberg
Author: Richard Troeger
Author: Eva Badura-Skoda
Author: Christopher Hogwood