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Author: Asahi Shinbunsha Publisher: MIT Press (MA) ISBN: Category : Architecture Languages : en Pages : 216
Book Description
Bruno Taut ranks the Ise Shrine with the Parthenon in architectural importance. John Burchard, in his preface, characterizes Ise as "one of the great architectural achievements of history. ... I suppose," he comments, "Ise has many lessons for contemporary architects once they get over being embarrassed by it." Robin Boyd, in his book, 'Kenzo Tange', observes that it was only after the Second World War that the West realized that many qualities of modern architecture were quite old. "These qualities had existed for centuries in Japanese buildings. ... It [Japanese tradition] relied on the use of ingenious construction and untreated natural material to build a sort of refined extension of nature: a concentration of nature's own kind of beauty. Thus Japan was rediscovered." The Ise Shrine, situated some 270 miles west of Tokyo, is both old and new. The shrine dates from at least A.D. 685, but every twenty years it is completely rebuilt. Each rebuilding--there have been 59 so far--is scrupulously undertaken to guarantee an exact and identical reproduction of the preceding shrine. In 1953, after the most recent renewal, but prior to the transfer of religious objects, not only were the authors allowed to inspect the prohibited area--it is ringed by four fences and contains the most important buildings--but they were granted unprecedented permission to photograph it. This book represents the first opportunity for most Westerners to view and study one of the architectural wonders of the world. 'ISE : Prototype of Japanese Architecture begins with a preface by John Burchard and a foreword by the internationally recognized architect, Kenzo Tange. Tange also has written one of the two main essays in the book; the other is by Noboru Kawazoe, in which Ise is examined primarily in terms of Japanese mythology and history. Tange discusses Ise in an architectural perspective; he writes, "In the subsequent history of Japanese architecture, extending over more than a thousand years, it has proved impossible to advance beyond the form of Ise. ... Along with the Parthenon Ise represents the peak in the history of world architecture. 'ISE : Prototype of Japanese Architecture belongs' in every fine arts collection and in every architectural library. The photographs, reproduced with exquisite care, make this book an invaluable architectural study, a work of genuine scholarship, and a visual delight. The text, especially prepared for a Western audience, invites the attention of all those interested in Japanese culture. Scholars of comparative religion and cultural anthropology will also find the book of value."--Publisher's description.
Author: Asahi Shinbunsha Publisher: MIT Press (MA) ISBN: Category : Architecture Languages : en Pages : 216
Book Description
Bruno Taut ranks the Ise Shrine with the Parthenon in architectural importance. John Burchard, in his preface, characterizes Ise as "one of the great architectural achievements of history. ... I suppose," he comments, "Ise has many lessons for contemporary architects once they get over being embarrassed by it." Robin Boyd, in his book, 'Kenzo Tange', observes that it was only after the Second World War that the West realized that many qualities of modern architecture were quite old. "These qualities had existed for centuries in Japanese buildings. ... It [Japanese tradition] relied on the use of ingenious construction and untreated natural material to build a sort of refined extension of nature: a concentration of nature's own kind of beauty. Thus Japan was rediscovered." The Ise Shrine, situated some 270 miles west of Tokyo, is both old and new. The shrine dates from at least A.D. 685, but every twenty years it is completely rebuilt. Each rebuilding--there have been 59 so far--is scrupulously undertaken to guarantee an exact and identical reproduction of the preceding shrine. In 1953, after the most recent renewal, but prior to the transfer of religious objects, not only were the authors allowed to inspect the prohibited area--it is ringed by four fences and contains the most important buildings--but they were granted unprecedented permission to photograph it. This book represents the first opportunity for most Westerners to view and study one of the architectural wonders of the world. 'ISE : Prototype of Japanese Architecture begins with a preface by John Burchard and a foreword by the internationally recognized architect, Kenzo Tange. Tange also has written one of the two main essays in the book; the other is by Noboru Kawazoe, in which Ise is examined primarily in terms of Japanese mythology and history. Tange discusses Ise in an architectural perspective; he writes, "In the subsequent history of Japanese architecture, extending over more than a thousand years, it has proved impossible to advance beyond the form of Ise. ... Along with the Parthenon Ise represents the peak in the history of world architecture. 'ISE : Prototype of Japanese Architecture belongs' in every fine arts collection and in every architectural library. The photographs, reproduced with exquisite care, make this book an invaluable architectural study, a work of genuine scholarship, and a visual delight. The text, especially prepared for a Western audience, invites the attention of all those interested in Japanese culture. Scholars of comparative religion and cultural anthropology will also find the book of value."--Publisher's description.
Author: Mira Locher Publisher: Tuttle Publishing ISBN: 1462906060 Category : Architecture Languages : en Pages : 224
Book Description
By examining the Japanese history of buildings and building designs from prehistory to modern day, lovers of Japan will develop a deeper understanding and appreciation of this island country. Simplicity, sensitivity to the natural environment, and the use of natural materials are the hallmarks of Japanese architecture. The Art of Japanese Architecture provides a broad overview of traditional Japanese architecture in its historical and cultural context. It begins with a discussion of prehistoric dwellings and concludes with a description of modern Japanese buildings. Important historical influences and trends—notably the introduction of Buddhist culture from Korea and China, the development of feudalism, and the influence of modern Western styles of building—are all discussed in detail as facets of Japanese design. Through all of these changes, a restrained architectural tradition developed in marked contrast to an exuberant tradition characterized by monumentality and the use of bold colors. The book provides tremendous insights into the dynamic nature of Japanese architecture and how it reflects an underlying diversity within Japanese culture. The book is profusely illustrated with over 370 color photographs, woodblock prints, maps, diagrams, and specially commissioned watercolors.
Author: Kevin Nute Publisher: Routledge ISBN: 0429751354 Category : Architecture Languages : en Pages : 176
Book Description
The Constructed Other argues that the assumed otherness of Japanese architecture has made it both a testbed for Western architectural theories and a source of inspiration for Western designers. The book traces three recurring themes in Western accounts of Japanese architecture from the reopening of Japan in the mid-nineteenth century to the present day: a wish to see Western architectural theories reflected in Japanese buildings; efforts to integrate elements of Japanese architecture into Western buildings; and a desire to connect contemporary Japanese architecture with Japanese tradition. It is suggested that, together, these narratives have had the effect of creating what amounts to a mythical version of Japanese architecture, often at odds with historical fact, but which has exercised a powerful influence on the development of building design internationally.
Author: Zhongjie Lin Publisher: Routledge ISBN: 1135281971 Category : Architecture Languages : en Pages : 666
Book Description
Metabolism, the Japanese architectural avant-garde movement of the 1960s, profoundly influenced contemporary architecture and urbanism. This book focuses on the Metabolists’ utopian concept of the city and investigates the design and political implications of their visionary planning in the postwar society. At the root of the group’s urban utopias was a particular biotechical notion of the city as an organic process. It stood in opposition to the Modernist view of city design and led to such radical design concepts as marine civilization and artificial terrains, which embodied the metabolists’ ideals of social change. Tracing the evolution of Metabolism from its inception at the 1960 World Design Conference to its spectacular swansong at the Osaka World Exposition in 1970, this book situates Metabolism in the context of Japan’s mass urban reconstruction, economic miracle, and socio-political reorientation. This new study will interest architectural and urban historians, architects and all those interested in avant-garde design and Japanese architecture.
Author: Jonathan M. Reynolds Publisher: University of Hawaii Press ISBN: 0824839242 Category : Art Languages : en Pages : 354
Book Description
Allegories of Time and Space explores efforts by leading photographers, artists, architects, and commercial designers to re-envision Japanese cultural identity during the turbulent years between the Asia Pacific War and the bursting of the economic bubble in the 1990s. This search for a cultural home was a matter of broad public concern, and each of the artists under consideration engaged a wide audience through mass media. The artists under study had in common the necessity to establish distance from their immediate surroundings temporally or geographically in order to gain some perspective on Japan's rapidly changing society. They shared what Jonathan Reynolds calls an allegorical vision, a capacity to make time and space malleable, to see the present in the past and to find an irreducible cultural center at Japan's geographical periphery. The book commences with an examination of the work of Hamaya Hiroshi. A Tokyo native, Hamaya began to photograph the isolated "snow country" of northeastern Japan in the midst of the war. His empathetic images of village life expressed an aching nostalgia for the rural past widely shared by urban Japanese. Following a similar strategy in his search for authentic Japan was the photographer Tōmatsu Shōmei. Although Tōmatsu originally traveled to Okinawa Prefecture in 1969 to document the destructive impact of U.S. military bases in the region in his characteristically edgy style, he came to believe that Okinawa was still in some sense more truly Japanese than the Japanese main islands. The self-styled iconoclast artist Okamoto Tarō emphatically rejected the delicacy and refinement conventionally associated with Japanese art in favor of the hyper-modern qualities of the dynamic and brutal aesthetics that he saw expressed on the ceramics of the prehistoric Jōmon period. One who quickly recognized the potential in Okamoto's embrace of Japan's ancient past was the architect Tange Kenzō. As a point of comparison, Reynolds looks at the portrayal of the ancient Shintō shrine complex at Ise in a volume produced in collaboration with the photographer Watanabe Yoshio. Reynolds shows how this landmark book contributed significantly to a transformation in the meaning of Ise Shrine by suppressing the shrine's status as an ultranationalist symbol and re-presenting the shrine architecture as design consistent with rigorous modernist aesthetics. In the 1970s and 1980s, there circulated widely through advertising posters of the designer Ishioka Eiko, the ephemeral "nomadic" architecture of Itō Toyo'o, TV documentaries, and other media, a fantasy that imagined Tokyo's young female office workers as urban nomads. These cosmopolitan dreams may seem untethered from their Japanese cultural context, but Reynolds reveals that there were threads linking the urban nomad with earlier efforts to situate contemporary Japanese cultural identity in time and space. In its fresh and nuanced re-reading of the multiplicities of Japanese tradition during a tumultuous and transformative period, Allegories of Time and Space offers a compelling argument that the work of these artists enhanced efforts to redefine tradition in contemporary terms and, by doing so, promoted a future that would be both modern and uniquely Japanese.
Author: James Steele Publisher: Taylor & Francis ISBN: 131737729X Category : Architecture Languages : en Pages : 290
Book Description
Contemporary Japanese Architecture presents a clear and comprehensive overview of the historical and cultural framework that informs the work of all Japanese architects, as an introduction to an in-depth investigation of the challenges now occupying the contemporary designers who will be the leaders of the next generation. It separates out the young generation of Japanese architects from the crowded, distinguished, multi-generational field they seek to join, and investigates the topics that absorb them, and the critical issues they face within the new economic reality of Japan and a shifting global order. Salient points in the text are illustrated by beautiful, descriptive images provided by the architects and from the extensive collection of the author. By combining illustrations with timelines and graphics to explain complex ideas, the book is accessible to any student seeking to understand contemporary Japanese architecture.
Author: Seng Kuan Publisher: Lars Muller Publishers ISBN: 9783037783108 Category : Architecture Languages : en Pages : 191
Book Description
Kenzo Tange (1913-2005) is a peerless figure among twentieth-century Japanese architects, unmatched in his talent, influence, and versatility. A leading force of the Metabolist movement, he was the first non-Western architect whose works would be embraced as universal in value. This unique assemblage of new scholarship by an international team of experts reframes Tange according to the contingencies of Japanese modernism as well as contemporary discourses of cultural identity, technology, urbanization, and the synthesis of the arts. Case studies on celebrated works-Hiroshima, Tokyo Bay Plan, and Yoyogi Stadiums-clarify Tange's wide-ranging interests and design methodology. Illustrated with archival drawings and period photographs, this volume provides fresh and compelling perspectives on the practices, discourses, and production contexts of Tange's work as well as the architecture and urbanism of postwar Japan. Kenzo Tange-Architecture for the World represents the most serious and comprehensive reassessment of Tange in the English language in decades.
Author: Dominic Lopes Publisher: Oxford University Press ISBN: 019879665X Category : Art Languages : en Pages : 247
Book Description
This book proposes a new methodology for aesthetics, where problems in philosophy are addressed by examining how aesthetic phenomena are understood in the human sciences. Lopes then puts the methodology to work, illuminating the perceptual and social-pragmatic capacities involved in responding to works of visual art, literature, and music.
Author: Asahi Shinbunsha
Author: Asahi Shinbunsha
Author: Asahi Shinbunsha
Author: Svend M. Hvass
Author: Mira Locher
Author: Kevin Nute
Author: Zhongjie Lin
Author: Jonathan M. Reynolds
Author: James Steele
Author: Seng Kuan
Author: Dominic Lopes